Renato's Luck ~ Jeff Shapiro ~ 3/01 ~ Fiction/Author Event
jane
January 19, 2001 - 09:42 am
Rediscover the flavor of life
with Renato as he, in a spirit of caring,
plans his trip to Rome carrying with him
the individual stories of
the warm, tender, wise and hopeful people
from his village in Tuscany.
Renato's Luck, a Novel by Jeff Shapiro
JOIN US as we read and discuss this irresistible story
and meet the author.
Our own gift of happiness is that Jeff,
the American author now living in Tuscany,
is joining us for this book discussion.
Chosen by Barnes & Noble as an Our Booksellers’ Favorite Pick, a Top Literary Fiction Pick, and a Book That Kept Our Reviewers Up All Night
Quanta vita cè! - How much life there is!
— Claire Eaton, Spirit of ’76 Bookstore
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Grape Cluster LINKS to |
Renato's Tuscany
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Order Pecorino on-line
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View Vatican Photos |
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Grape Cluster LINKS to
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The Jeff Shapiro Page
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Bio: Photos, Reviews
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How He Came to Write the Book
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Click Book Jacket
to buy Renato's Luck at
THE SENIORNET BOOKSTORE
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to E-mail Discussion Leader:
Barbara St. Aubrey
"Maybe it's the ambiguity itself, he thought, maybe it's the ambiguity of everything that gives life its taste." p. 323
Ambiguity: noun "the possibility of interpreting an expression in two or more distinct ways."
"Ambiguity, paradox, and contradiction are by no means "bad." To the contrary.
Self-acceptance becomes easier when, instead of trying to eliminate all inner doubts and conflicts and unfulfilled yearnings, you embrace these troublesome traits as an integral part of yourself." - Jeff Shapiro
- "It's a feather to fly on," the man said. "Have to keep flying, no?"
- Renato didn't want the dirty feather,
but how can a person be rude to a man who takes care of birds?
- Then he remembered his conversation with Don Luigi on the steps of the church back home. Faith, Don luigi had said, was like a feather. It kept the creature aloft...
- He accepted the feather from the man, and slipped it into his own pocket... "I suppose I might need it."
- ...Renato threw the water logged list into a public trash can.
- The feather he kept.
- What is the core of this scene, these statements?
- How does Renato's thoughts about Faith compare to his thoughts about Hope expressed on p 310 - 311 as the Pope was approaching? "...all the things they each hoped for in their lives."
- What favorite passage, quote or character comforted, amused or touched you - made you shudder, weep, think?
- Maybe flexability took more strength, more faith p. 295
- What is the point of this statement?
- So what anyway? What is valuable to you about this thought?
- ...Vatican rising ahead, like a palace worthy of a king. p. 300
- How does this night time scene reflect Renato's mission?
- What a luxury it was for him to sip loneliness and knew it wouldn't last. P. 304
- What does this mean?
- How does this sentence reflect what it means to be human?
- Does sipping loneliness discribe an experience with loneliness in your life?
- What is significant to you about these quotes?
- Word of Renato's trip to Rome was rippling through town, growing like circles on the surface of water p.228
- "...You're doing what you think is right for you." p. 295
- ...The star shoots past in the sky and you haven't found the words yet to say your wish, and in a minute the star is gone and you haven't asked for anything. p. 308
- Change was terrifying because it made beloved things impermanent. p. 322
- A dream can't forsee everything. p. 324
- "...you feel la terra, the earth. Ours." p.331
- Wasn't it enough for destiny to reveal itself in its own good time, without people always having to understand why? p. 334
- Renato was rinato, reborn. p. 326
- Is rebirth always at the conclusion of a mission or a quest?
- Renato experienced his taste for life upon his rebirth. Is rebirth the resurgence of our strenghs and characteristics or, does the quest prompt learning that changes our character. Is rebirth the beginning of change?
- Is there an idea or concept from the book that has been especially meaningful to you?
- Did Renato's story bring you some personal learning - prompt you to make some changes in your life?
Click on buttons below
to read First, Second and Third set of Focus Questions.
First set
Second set
Third set
Valeria, Jeff's beautiful wife
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Authors who've participated in Books discussions
Barbara St. Aubrey
January 20, 2001 - 07:23 pm
Welcome to this discussion as we read this delightful warm story, we are about to enter the land of big ideas expressed in a simple naive heartwarming way with dearness and warmth of spirit among the characters. Just the cocoon for a winter's read.
Collected are so many links to all things Tuscan. As you are reading, you can steep yourself in lore, countryside views, history, and try a few recipes.
As you are prowling the net to add to your reading the book, if you find any sites we should know about - please share them with us.
Ah yes, I found some Pecorino (Romano) cheese in Whole Foods which, as you can tell from the name, is made in an area near Rome rather than Tuscany.
I am drooling over the idea of spending time at one of the learning centers as a way to tour and also have a more intimate understanding of the area.
OK the biggie - we begin our read and discussion on February 14 - Our Valentine Gift. Now is the time to order y'alls book and maybe even order a bottle of the wine mentioned in the book. I understand it is a bit pricey compared to most Chianti wine.
Most of us live so differently than Renato and I wonder what we would put on his paper list if we had a friend like Renato. I even wonder if we wake in the morning wanting to feel the earth under us. How many of us have well water to splash on our sleepy faces in the morning. But then I think we may not have pet sheep, but many of us have other pets that we have the same sentimental feelings as we converse with them about our dreams.
Let's look at what about our lives is similar to the life of those living in Jeff Shapiro's Sant'Angelo D'Asso.
Yes this read is a real Valentine to our spirit. It will give us an opportunity to find the loving wisdom and close connection to this earth that we may be neglecting in our modern world.
Come along and share your thoughts with us. We will be looking forward to Jeff Shapiro joining us from time to time. We have included a second page with information that Jeff e-mailed to us from Italy.
I think I will buy an Italian tape and learn just a few words. Took Latin as a kid but that is another story ..... Like Dorothy of OZ, close your eyes and imagine TUSCANY with Renato, his family and friends...!
Joan Pearson
January 21, 2001 - 09:44 am
Barbara, this looks great! You have brought us so much background information behind those grape clusters to whet our appetites! The reviews of this book alone are enough to get my interest.
It's funny you mention Italian lessons. I've never been to Italy, but will be going for the first time in October. Maybe to meet up with Jeff over a cappucino?
I've been borrowing different audio lessons from the library to find the most user-friendly. Need basic Italian, as I too have only studied Latin and that was a long time ago! I'm finding that French helps some too...
This really sounds 'delicious'...so does the brunello to accompany the reading and the language study!
Deems
January 21, 2001 - 02:21 pm
Barbara----Yummy. Chianti, hmmmmmm? Well, don't ever call me late when Chianti is part of the menu. How exciting that the writer himself will be visiting.
Maryal
Hats
January 22, 2001 - 06:46 am
This is going to be a lot of fun. I know nothing about Italy. I have always wanted to go on a trip to Italy. Lately, I have seen a lot of books about Tucany. This has increased my interest.
Awhile back I read about a woman and her husband who left California to build a home in Tuscany. I loved the book, but I can not remember the title.
Barbara, I would love to splash well water on my face in the mornings. So refreshing, I bet. Like Maryal, I am looking forward to that glass of Chianti and of course, some grapes. I can not turn this trip down. What a wonderful gift for Valentine's day.
Now, all I need to do is go on a hunt for my book.
Hats
Barbara St. Aubrey
January 22, 2001 - 10:13 am
Welcome y'all and a deep thank-you for participating!
This discussion belongs to us as a group. Therefore let's imagine that we as a group face-to-face, are all sitting around a café table or a dining table next to the fire or even a table placed out-of-doors in the warm Tuscan sun. Someone makes a comment. Then another person
makes a comment and this time a second participant reacts to it. A third person makes a comment but this time there is no comment back from anyone. Everyone, however, has heard the comment and is thinking about it so there are no hard feelings when there is no reaction.
Not every comment will cause a posted remark but I'm certain that everyone's thoughts will be absorbed. Y'alls participation is valued.
We certainly have lots here to have fun with as well. I am remembering Maryal, when the seniornet Chaucer pilgrams had fun with their grog -- to just realize while in England they were drinking grog, here in Tuscany the palate was educated by drinking the soft red juice of the fermented grape and they were eating cheese already known for over a thousand years. Just incrediable!
Hats, upon clicking the first grape cluster in the heading, scroll down that page and you wil find a link to a long comprehensive list of books written with Tuscany as the place - I wonder if your memory would be jogged by scanning the list. Lets hope you have no problem finding the book. Of the novels I've read in recent years this is one that for me is a keeper and so I have had no compunction about buying Renato's Luck.
I have never visited Italy either Hats but it sounds like Joan is organizing her list and checking it twice with her up-coming trip scheduled in October.
This will be a great prologue won't it Joan - are you going with a group or on your own? Was visiting Italy a long time dream or what prompted you to want to make this visit? Hope you can share a few phrases with us as you dig into the language. All those wonderful sounding vowels aahhh.
Well I am determined to see if I can find a bottle of that wine here in Austin and if not I may just order a bottle - really would love to taste it.
Arrivederci per ora - Bye for now
Ginny
January 22, 2001 - 12:15 pm
I love Italy and our Books to Europe 2001 will start in Rome this year in May, if you all are interested in joining us, please check out the schedule in that discussion!!
By all accounts this is a whale of a book with a positive, can't put it down style, I'm looking forward to it, a Valentine for all of us, thanks so much, Barb!!
ginny
Hats
January 22, 2001 - 05:49 pm
Barbarba, I did scroll down from the first grape and found the name of the book. It is "Under the Tuscan Sun: At Home in Italy." by Frances Mayes.
I got a chance to look at the photo links. They are so beautiful: the photos of cherries, grapes and family. It looks like it is always sunny there. Does anyone know about the whether?
My book is being mailed.
HATS
Barbara St. Aubrey
January 22, 2001 - 08:22 pm
Oh yes - how much fun that would be to have the weather available - I wonder if any of the Temp sites do Sienna - I'm off to find it if I can. Although seems to me I saw some photos that showed a winter scene - well we will find out won't we -
Glad you found the name of the book you have read - this one to me has more the flavor of, oohhh what was the name of that movie something Postman - Il Posta something or other - where as the Mayes books (I think there was more than one) had the feel of an outsider writing about their experience but also their observations.
Ginny I had not kept up with the Europe book group and had no idea you were planning Rome - Oh how I wish I could join you but alas not this year. Are y'all planning to go up to Tuscany as well?
This book ends with a chapter or two that takes place in Rome - those going on the trip may just want to join us for this read adding to their feel for the country. At the bottom of the first link "Renato's Tuscany" are several links about the Vatican and also some fabulous photos.
Barbara St. Aubrey
January 22, 2001 - 10:53 pm
This is the best I can find now - I would prefer to find Sienna or one of the wine towns mentioned -
Ginny
January 23, 2001 - 03:25 am
Barb, that's cute, I will recommend this book to those going as well, no we're not going into Tuscany this time but rather up to Locarno where we will rent a house for week in Maggia, I belive it is, Fran M knows the area well and will drive, it should be unbelievable.
You would be hard pressed not to like Italy, anywhere in it, the people, the scenery, you'd really have to push yourself not to enjoy. I love the restaurants, you just sit and eat at your lesiure, and you would never get the conto (bill) ever if you did not ask for it. Love it.
I've been reading some of the links, wonderful stuff, Barb. We did read here Frances Mayes's first book to mixed reviews, but nobody can say she can't write.
ginny
Hats
January 23, 2001 - 05:16 am
I enjoyed looking at the weather site. I guess anything can be found on the net if we only try.
HATS
Barbara St. Aubrey
January 24, 2001 - 07:56 am
I wonder how folks in Tuscany handle misty cold days...it appears Florence Italy is about the same temperature as here in Austin. We are expected though to get into the 60s this afternoon and so we can shed these coats and jackets that get in the way and make us want to put our heads down and get indoors quickly.
I think Tuscany may have more of an autumn than we experience. For us it is a second growning season without much fall color. the little there is happens after Thanksgiving. And the vast number of Live Oak trees that cover this area do not loose their leaves until March when the new leaves are on the tree.
We have had so much rain after about a 3 year draught so that all the fields and raodsides were green, green when I drove over to College Station Sunday afternoon. I am thinking that rain for us may be our transition rather than having traditional seasons. Or rather our winter may be our transition from the old to the new with the rain and cold or not setting up the spring growth.
This spring will probably be one of our wonderful years - like a Disney cartoon. The rain sets us up for a fabulous show of Bluebonnets. They just blanket the fields and highways followed by all sorts of wildflowers. We have had this winter some down right cold days with nights dipping into the 40s and several weeks of nights below freezing so that we should have a great peach crop as well.
I am now wondering if autumn is more colorful in Tuscany and if the grapes are better because of either cold or rain in winter.
Ginny you may know - are grapes more prevalent because the winter was either colder or wetter?
hats what part of the country do you live? Do you experience a fall as a transition from a lush summer to a baron winter?
Maryal don't you live on the East Coast someplace in or around Virginia? Seems to me we have seen tape on TV of snow in that part of the country. And so you must experience a real fall with all the wonderful color. Do folks slow down in fall where you live?
This past fall I made a quicky visit to my daughter in Greenville SC. We drove a little over an hour away to the apple orchards in N.C. and the fall color was lovely. In fact my daughter just bought some land in a Mountain town just over the border in N.C. in a town called Saluda. They plan on building and Gary will commute the 45 minutes back to Greenville. This will be her first full four season lifestyle since it is much colder in the mountains. There was actual snow on the ground when we ran up to look during the Christmas holidays. I'm excited for them if for no other reason it will give me an excuse to get out my knitting needles.
Well after reading that first sentance in Renato's Luck I started to see my winter as a trasition and realized it could be a great concept for me to plan some changes in my life.
Well right now I better get going since I have an appointment in a bit.
Arrivederci per ora
Deems
January 24, 2001 - 09:20 am
Barbara---Yes, i am quite near Virginia. I live in Bethesda, Maryland, close to DC. And we do have lovely fall colors, not as spectacular as they are in Maine, but lovely. The Shenandoah mountains are splendid. A couple of years ago my daughter and I saw the foliage in Maine and the rest of New England at its height. It was something else. Unfortunately, there were so many people on the road to see the leaves that it was difficult to find a motel room.
Maryal
Hats
January 24, 2001 - 12:54 pm
Barbara, I live in Tennessee now. When I married, I moved to Tennessee with my husband. I moved from Pennsylvania. In Tennessee, sometimes the Fall is quite beautiful, other years the Fall passes us by, and we don't see the changing of the leaves. I am sorry when this happens because Fall is my favorite time of year.
Stranger is the Tennessean winters. They can be warmish to very cold. I never see enough snow. At times, it is like living in the north, because it is so cold, without the snow or living in the Far south without the ocean.
I love both. I love snow and, I love the ocean. My great dream is to one day live by the ocean. I would give up the snow for the ocean, or I could travel back and forth. What a dream! Too bad we are not able to magically make weather in our state just the way we want it or just get up and travel wherever and whenever we would like.
HATS
Barbara St. Aubrey
January 31, 2001 - 10:42 am
We have wonderful news! Jeff is not only going to post in this discussion but his wife Valeria has offered to share with us some of her recipes. Jeff and Valeria married last summer and we will soon have a photo of them together to add to our Jeff Shapiro page.
Have any of you started reading the book? Have you your questions and thoughts lined up? Valentine's Day is now only 2 weeks away.
Many of you may still be in the depths of winter but thank goodness the back of winter appears to have broken here in Austin. The last few days have been lovely warm sunny shirt sleeve days. The bees and ants are out in numbers but no sign yet of migrating birds. We are on a flight pattern for not only birds but also the monarchs.
Although the story starts in Autumn the scene in my head is of fields and stone warmed by the sun with nary a chill in the air. And so our warm weather puts me in the mood to imagine Renato taking his sheep to the hillside in the wee quiet hours of the early morning.
Hats would you be putting on a paper list "I wish to live in and love two homes, one so that I could live near the Ocean"??!!
YiLi Lin
January 31, 2001 - 11:04 am
Looks like I will get Renato's Luck from the library long before I will get Prodigal Summer- just checked the stats and I only have one ahead of me. Hmm Barbara, did not realize you are the discussion leader- I enjoyed reading Harry Potter with you in the past. And right now I could use a change of season
Hats
January 31, 2001 - 11:11 am
Yes, Barbara, I can add two homes to that wish list. How exciting that the author and his wife will be a part of the group. I received my book on Monday. I did not know whether to start it or to wait until the fourteenth.
I became impatient and began the first chapter. I have already fallen in love with Renato's four sheep. The style of the book is wonderful. I feel like I already know Renato.
Should I continue to read and write questions down? I have enjoyed the links you gave us. There are so many interesting and fun links. I have not looked at all of them. I did pull up a photo of sheep today. Well, I think this will be another great read.
HATS
Barbara St. Aubrey
January 31, 2001 - 05:30 pm
Yili Lin I am so glad you will be joining us! There are moments of such wisdom in this book and your posts in the past lead me to believe you will be sharing your insight uncovering this wisdom and helping us enjoy as we delve into our own inner spirit. Wonderful to hear that the library is carrying this book. I wondered about that - if
Renato would make the Library!
Hats your call about reading in advance. Some have the book read and then just focus on the sections as we discuss them and others read as we go along.
Of course I just couldn't put it down and read it straight through in a day and a half. I was completly enthralled and have been so excited and profoundly moved that I was asked to be the discussion leader. I just love this book! And then to have Jeff willing and able to join us and now his wife will be adding her gifts of love - so far this has been the most wonderful experience and we haven't even started the official discussion.
CharlieW
January 31, 2001 - 06:08 pm
The central concern of Renato and his town is of their future survival. I can't help but wonder if
Jeff Shapiro, being a native of my current town of residence, Newton, Massachusetts wondered as I sometimes do about the four towns of Western Massachusetts that no longer exist. Some 70 miles east of Boston lies the Quabbin Reservoir, which is the main water supply for approximately 2 million people in Boston and the surrounding area. Those four towns were abolished and flooded and now lie beneath a massive man-made reservoir. Construction began in 1927. Flooding began in 1939 and took 7 years to complete. 40 sq miles. A half-mile long dam. 412 billion gallons of water. 118 miles of shoreline. Beneath the drinking water that flows through my pipes here even today, are the ghosts of those towns. Eerie to think about. These things really do happen.
Three views of the Quabbin Charlie
Jeff Shapiro
February 1, 2001 - 04:11 am
Hello, everyone!
I'm very much looking forward to participating in the Round Table discussion on my novel, "Renato's Luck."
This note is something of a test to see if I know how to post a message. Usually I see my computer as little more than a typewriter with a memory, an extremely useful tool in writing. I confess to my ignorance regarding the more technical side of using the thing.
Barbara, you're a marvel! The webpages you've put together are unbelievable. And the links! The photos you've found really capture the look of this area. The products that can be purchased on-line are indeed favorite products found in the stores over here. You've amazed me, too, with your knowledge of computing skills. Sorry the photo I sent was so huge. I have no idea how to cut it down to size. Thank you for the instructions on html language. Gulp. Terrifies me a bit. What if I send you stuff as e-mail or as posted messages? Would information (recipes, etc.) still reach you in a useful form?
Joan, that cup of cappuccino sounds great. Any plans to come to Siena? It's a city well worth seeing -- and very often overlooked by Americans traveling in Italy. Valeria and I live in the countryside not too far from this incredible medieval town.
Ginny, thanks for your extremely kind comments about the book. I'm eager to discuss things in the Round Table discussion.
Hats, Maryal, and YiLi Lin, I've enjoyed reading the messages you've posted. I noticed a certain interest in the weather. (I love, by the way, the real-time weather report from Florence that Barbara tracked down.) Florence weather is very similar to Siena weather, because Florence is only about an hour by car to the north. Here in Tuscany we usually have four distinct seasons. Summer is a wonder of nature, though the afternoon heat can sometimes be almost too much to take, and such modern comforts as air-conditioning are relatively scarce. Summer evenings are a dream. Spring and autumn are usually paradisiacal. Yes, it rains sometimes, but the rain has its own charms. Winter is usually quite cold, temperatures ranging from the 20s to the 40s, with colder days down in the teens or single digits. The Tuscan topography couldn't be more varied, for it includes beautiful beaches, rolling hills, and high mountains where people ski. The mountains get their share of snow in the winter. The hilly countryside (such as the country around Florence and Siena) tends to have only about three or four real snow days each year.
That, as I say, is what the seasons are USUALLY like. There has been nothing usual about the weather this past year, this winter especially. So far it's been unseasonably warm (40s and 50s)with no snow but a never-ending supply of rain. Locals grumble. A cold snap has come in for the last two days. People are starting to cheer up. At least the world feels slightly normal again.
I can't complain about weather, though, not after the good fortune we had when Valeria and I got married last June. A week before our wedding it was pouring with rain. A week after wedding day there was an uncomfortable hot spell. The day of our wedding, however, was perfect. Sunshine, not too hot, not too cold. It didn't rain on our plans to have a festive lunch outdoors.
Charlie, I got a kick out of your historical observations about the Quabbin Reservoir. The truth is I hadn't known about the Quabbin story until after the book had been published. The person who first told me about that piece of Massachusetts history was former Governor Michael Dukakis when I met him during his trip to Italy. (He and his wife Kitty are lovely people. I was amazed to find the story of our meeting appearing a week later in the Boston Globe!)
You live in Newton, Charlie? I got a pang of homesickness when I read your message. I've been away for a while, but I still feel strongly rooted in Newton and in the area around it. My mother lives on Cape Cod. My sister and her family are out near Worcester. When I read your messages from now on Charlie, I'll hear in them the voice of home.
Right. Just wanted to say hello to everyone. I'm very grateful to SeniorNet for this chance to discuss the book in such a welcoming and well-conceived forum. Special thanks again to Barbara.
Can't wait for our chats! Yours, Jeff
Deems
February 1, 2001 - 09:18 am
Welcome, Jeff!
Indeed, although the computer is to you but a typewriter with a memory, you seem to have posted successfully and wonderfully. We are all excited that you will be joining us.
I have never been to Tuscany, but you make my mouth water to see it. It sounds like your winter has been unseasonable. We in the Washington, DC area have been having unseasonable winters for the past several. This winter has had some snow and cold days, but it is far from the winters of years gone by, at least so far.
Your message has inspired me to run and get a copy of your book. Just as soon as I finish grading these papers, I am off to the bookstore.
~Maryal
CharlieW
February 1, 2001 - 09:41 am
Welcome,
Jeff. Thank you for agreeing to join us here. We hope you’ll have as much fun as we usually do! I’ve only recently moved to Newton from a more rural part of Mass (Harvard, in apple country). I have to drop in on Newtonville Books and make them aware that you’re here with us. Good to hear kind words for the Dukakis’s. I’ve always been a big supporter and history has been largely re-written where he is concerned. He gets a bad rap!
Speaking of weather. Next time you’re around, please tell us more about sirocco. The descriptions of this weather phenomenon have always fascinated me – ever since it was described so amazingly by Joan Didion, although I don’t remember in what. I don’t want to get ahead of ourselves here, but, it seems to me that this wind was an important element in your story in some ways.
Charlie
Barbara St. Aubrey
February 1, 2001 - 09:58 am
Hurrah Jeff, you did it! Welcome this can easily turn into a mutual admiration society but thank you for your kind remarks. We are delighted you are with us. Pull up a chair, order your expresso or cappuccino or glass of wine and share when you will.
From your explanation of Tuscany winter it sounds like an indoor gathering rather than an outdoor café is more appropriate for this time of year. So is it to the bottega of Renato's in-laws that we meet?
Maryal you will be so glad you chose to read this book - honest! We have a spot for you at the table - cannot wait now to get started - I feel like a kid squirming in my chair waiting for the party to start.
Charlie we are posting at the same time - so glad to see you joining us with, as usual, your great questions that point to an aspect of the story we sometimes miss without your imput!
Ginny
February 2, 2001 - 05:18 am
Jeff Shapiro! What a thrill to welcome you here, I was not sure of the discussion schedule so thought I'd run thru a couple of pages and ended up reading well into the night, this is really going to be fun!
And congratulations on your new marriage and your absolutely gorgeous wife who juggles snowballs, what a fabulous looking couple you make! What an experience this will be, am really looking forward to it.
Have already got a million questions but since the discussion starts the 14th, will hold.
Barbara, for those of us who read ahead, have you decided on any schedule? It's hard to stop reading?
(I also like the way the book is printed, but LATER!)
ginny
Hats
February 2, 2001 - 07:24 am
Jeff, we are very excited to have you here. I wish that we could begin the discussion today. I feel like this will be quite an enjoyable armchair vacation.
I am already in love with Renato. He seems like such a gentle man.
HATS
ALF
February 2, 2001 - 07:36 am
Barbara: As per
usual, you have whetted my appetite! There is no one that piques
interest in a discussion better than you, Barb.
You add so much and we are so fortunate to
have you amongst us. Now we have the weather posted, the grapes of
?? whatever , and Italian words of ? to whisper while reading. Count
me in. Along with Maryal
(our grogger) I will be present with my glass of Chianti lifted to
you. m-m-m-m the only thing that I know about Italy I
learned from a handsome, swarthy gent I dated for 8 years. He on
the other hand was Sicilian so that probably wont count. (He couldn't
either.)
I love it when one of our readers tells us that
she was "enthralled" with a novel. It leads to the immedicacy of
running out and purchasing the book. I just did that this AM.
What a bonus, to have Jeff S
and his lovely new wife Valeria with
us. Valerian, isn't that an herb to induce calmness of presence?
Interesting thought. I assure you both, you will enjoy this
group as much as we enjoy having you here to enhance our discussion.
My book sits here awaiting me, along with the other
4 that I have committed to. My company should
be gone in about an hour , then I can get down to sme serious reading.
YiLi Lin
February 2, 2001 - 10:46 am
No, no, wait- I didn't get the book yet. Hoping it is in the library before I leave and head "home" and then hoping I can access the internet to join you all. Jeff, nice to "meet" you.
Barbara St. Aubrey
February 2, 2001 - 11:01 am
Alf hoho haha and "he couldn't either"??!! Oh my now that is an after statement but after 8 years! Alf thanks for the kudos and yes, this is going to be a great group.
I wonder if in Italy, particularly Tuscany, there is a typical and casual toast that folks say as they raise their glass when enjoying their daily wine or would it be just as simple an activity as eating a slice of bread? I keep thinking how Maryal was the keeper of the "Grog" which was suggested at every turn as the group read Canterbury Tales but for some reason a glass of wine seems so tied to the wonders of the land and the people - almost as an extension of their spirit and therefore to me a glass of wine seems almost a drink to honor - ah so probably getting too much philosophy tied to a simple glass of chianti.
This is a story that has me rethinking such basics as the ground I walk on and when have I last taken time to sit on the ground while gazing at the stretches of fields and sky and reconnect with the labour of love that is attached to many of the "things" I own as well as the activities I perform each day.
Alf how perceptive of you to see the connection between Valeria's name and the herb Valerian - Jeff has shared in an e-mail that Valeria has a calming affect on him. The e-mail contained a wonderful photo of both Valeria and Jeff taken in New York at the Met. Museum of Art - we will have it uploaded for y'all before the weekend is over.
I know the feeling Ginny - after reading a bit, there is all this going on in your head and to be contained till Valentines Day will be a challange in itself.
What do y'all think about organizing our read and discussion - most often we quarter up the book taking a quarter a week unless it is one of the "Great Books." We do not have to be married to that concept but whatever we choose lets come to some consensus here.
My inclination is to discover what we can through chapter ten the first week and then start page 85 the second week through chapter twenty-one. On week three start with page 171 through chapter twenty-seven. BUT then I could only see us looking into chapters twenty-eight through thirty-six leaving the remaining five chapters all of a piece for a fifth week??!! Included in week five we could have our round-up thoughts and review.
Please, suggestions - especially from any of you that have completed the read - Maybe Jeff has an idea that would help - I know we usually do well with a four week schedule - adding a fifth week does bring us to the Ides of March. For many of us, we often finish the actual reading earlier just picking the meat off the bones in our reading discussion. By using the four week plan we are onto new thought patterns and reads by St. Pats Day. If we choose the four week plan then the challenge will be, how best to break the book into some cohesive grouping of chapters that fit four weeks.
Hats sounds like you are all packed and ready for our vacation in Tuscany - I am so glad you are with us. Hats are you living in the mountains or the hills of Tennessee?
Yili Lin when do your leave for home? Oh we need your voice -
Jeff the book jacket says your photo is by Valeria Indice. By any chance is Valeria Indice the snowball juggler who is now Valeria Shapiro? And also the jacket, which is a grabber - it grabbed me - is designed by Honi Werner. Did you know and choose Honi Werner or is this an artist chosen by HarperCollins Publishers?
Deems
February 2, 2001 - 11:22 am
I can accept wine. No problem. I am flexible. Will leave the grog at home.
~Maryal
Barbara St. Aubrey
February 2, 2001 - 11:56 pm
It is UP!
Go - look - in the attached Jeff Shapiro page - the photo of Jeff and Valeria is uploaded now!
Maryal Now a drink - maybe a corrected coffee - corrected with Strega or no a drop of Sambucca.
Hats
February 3, 2001 - 04:54 am
Barbara, I live in the hills of Tennessee. It can be quite beautiful.
We are surrounded by the mountains. So, wherever you ride, you have a magnificent view.
We also have lakes and rivers. My husband works at the community college. Right behind the college is a riverwalk. It is quite a lovely place to have a afternoon lunch or take a walk. Along the way, there are always other friends and neighbors to greet.
We have an abundance of hummingbirds. I see many of them at my feeder.
HATS
CharlieW
February 3, 2001 - 05:37 am
la passeggiata, Hats?
Charlie
Hats
February 3, 2001 - 09:29 am
CharlieW, this is my first Italian word accept for mama mia. I had to go and look for a translation. I am so proud to know a new vocabulary word. It means the walk, right?
Before I finish this book, I am sure more words will be added to my vocabulary. I took French in high school and college but no Italian. Oh well, che sera, sera.
HATS
YiLi Lin
February 3, 2001 - 09:33 am
I'm on the road the 10th of February, if I can't get my computer to work, I believe the branch library will be open Tuesday and I'd like to believe this time of year I'm the only one looking to use the computer. I'll need to get the book up here though in the NY library- checked the cataglogues on line for Currituck and they do not have a copy.
Barbara- how about some of those jump start questions? I know I am probably the only one who asks for them during discussions, but if there is no objection from the group, I find they help me look at each work from a variety of perspectives.
CharlieW
February 3, 2001 - 09:43 am
Ah, Hats, yes! But even more. In Renato's world walking is "transportation to get you where you [want] to go." Whereas as la passeggiata is "more a question of watching, of giving the eyes the time they might need to take in everything there [is] to see...all process, no goal." We all walk but who makes the time to stroll anymore? To promenade? I never do except on vacation. Even when I walk my dogs there's a purpose to it.
Charlie
Hats
February 3, 2001 - 10:23 am
CharlieW, now I am ready for a la passeggiata. It would be a pleasant way to spend an afternoon.
HATS
Barbara St. Aubrey
February 3, 2001 - 10:25 am
Wow - how wonderful Charles you know Italian - did you learn by studying the language or because of family or a childhood second language? Charles have you visited Italy?
Hats like you I went to school when four years of Latin and three years of French were manditory in order to Graduate from High School. Here in Austin we must know a smattering of Spanish and even if I can't always get my tongue around the words I can dope out some of what is being said. Ha can't go on a construction site without some spanish. All to say that the sound of those vowels is now familiar although, so different then the gutteral sounds I grew up hearing in a home where much German was spoken till '39 when being a German family in the states was no longer cool.
OK with all that let me share my cheat sheet - I've been determined to learn a few words of Italian and still have not bought my tapes but - yes but - this site allowed me to learn just a few basics by typing in what I want to say and voilá the translation is made. I've also copied and pasted a few news sites for translation and have learned that Mad Cow disease is an important topic in Italy - so much so that is now in the joke stage.
babelfish translator Yili Lin I will work on a few starter questions and have them up next week but I am hoping this conversations will take on a life of its own just as if we were meeting regularly at a café.
Need to run - late for meeting some folks
Arrivederci li vede pi'u successivamente.
Hats
February 3, 2001 - 01:37 pm
Barbara, I had forgotten that I knew the word "arrivederci." It means good-bye, right? Wow, I feel so smart.
I am looking forward to the discussion questions that YiLi Lin mentioned.
HATS
Deems
February 3, 2001 - 02:55 pm
WOW! Three years of French and four of Latin? WOW. If that were a requirement for high school graduation now, there would be sixty-eight graduates nationwide!
(We could take four years of Latin OR two years of Latin and two of French or Spanish.)
"Corrected" coffee sounds most intriguing. I have never heard of it, but have always thought that coffee needed some correcting.
Maryal
Jeff Shapiro
February 4, 2001 - 09:56 am
Hello once again.
Reading everyone's messages is a treat.
Hats, thank you for the welcome.
YiLi Lin, nice to meet you, too!
Alf, I've often asked myself if it was mere coincidence that Valeria's name was so similar to "valerian." Valeria is more relaxing than valerian, and is much more fun.
I noticed a couple of questions about the book's physical appearance. I, like Ginny, am impressed by the way that HarperCollins actually printed it. I love the paper and the typeface they chose. I remember my editor Trena was very excited when she contacted me once because they had just picked out the little olive-branch symbol to be used in place of the apostrophe on the inside title page -- the same symbol repeating throughout the book to mark breaks within chapters. The publishers clearly devoted a lot of thought to the book's appearance and I think they did an excellent job. It has a nice FEEL.
Someone commented on the cover illustration. This, too, was the publisher's decision. They had assigned the job to Honi Werner, an artist and designer who, I was told, does many covers for the more "literary" books published by HarperCollins. I waited curiously to see how an artist might envision the world portrayed in the text. I was delighted when the publishers sent me a cover proof. The artist very much captured the spirit of the book. I think the golden banner hovering in the air adds a bright and magical touch. The publishers gave Valeria and me a framed blow-up of the cover as a wedding gift.
Maryal, I hope the bookstore you went to had the book in stock! I also hope YiLi Lin succeeds in finding the book at the library. Many libraries, I know, have ordered the book, though I don't know exactly which.
Charlie, thanks for mentioning the book to the Newtonville Bookstore. I'm glad you picked up on the idea of the "passeggiata." The hour or so before dinner is a wondrous time in any Italian town or city. People go outside and stroll. That's it. Just stroll. No rush to it. No particular destination. Really it's a way for the people in the town to be together, a sort of appointment every evening. I was so taken by the custom of the "passeggiata" that I devoted a chapter in the book to it. For anyone visiting Italy, I would recommend a "passeggiata" along a town's main drag around 5:30 or 6:00. Even a city as big as Rome has its "passeggiata" on the Via del Corso. Florence, too, has its stroll near the Piazza della Signoria. The "passeggiata" in Siena is a real upper. You can't feel too down about anything if you let yourself fall into the rhythm of the relaxed human tide up and down the Via Banchi di Sopra. (Perfect time, too, to stop by a bar and have a coffee "corrected" with the liqueur of your choice!)
Charlie also asked about the Scirocco. One of the most exciting aspects of being in a Mediterranean country is the feeling that you are in the birthplace of Western Civilization. The Ancient Romans used to call the Mediterranean "Mare Nostrum" ("Our Sea"). I find that the sensation of belonging to this part of the world is available to everyone, visitors and residents alike, because in so many ways it is a kind of homeland for our culture.
Even the winds here take their names from the directions from which they reach the Mediterranean.
There are many winds, and I wish I knew the names of all of them. A famous wind is the Maestrale, better known in English by its French name Mistral. This blows from the northwest, from the Rhone Valley and through Southern France on its way to the Mediterranean. Its name comes from the Latin "magistralis ventus," meaning "master wind." It is a cold wind, often described by the Italians as "impetuous."
The Libeccio is a warm wind coming from the southwest, all the way from Africa, especially from Libya, the country that gives the wind its name.
The Tramontana is an incredibly cold dry wind from the north. Its name means "from across the mountains" and that's exactly where the wind is born. The alps mark the northern border to Italy. When the tramontana blows, you can feel what winter is like in northern Europe. Sometimes the wind comes all the way from Siberia (though I don't know the name of that wind). It's COLD.
Then there's the Sirocco (spelled "Scirocco" in Italian and pronounced "Shee-rocko.") This blows up the south-southeast. Its name is an old Italian corruption of the Arabic word "sharq" meaning "east wind." It comes from Northern Africa, on the far side of the Mediterranean. It is a warm wind that brings with it the heat and sand of the African desert. You can tell when the Scirocco has been blowing, because your car is covered overnight with fine golden dust. Strange to think that grains of the Sahara come all that way just to visit your car! People hanging their clothes to dry on clotheslines despair. Another tell-tale sign is people's mood. People here say that the winds carry with them varying moods. The scirocco makes people antsy, kind of scratchy around the collar.
The city of Trieste (where James Joyce spent many years) is frequently blasted by the near-hurricane strength of a wind called the Bora blowing from the mountains to the east coast of the Adriatic. (Its name comes from the Latin "boreas" meaning "north wind."
That about exhausts my very limited knowledge of the winds over here. Maybe we can look into the matter further and put some new information in the next book!
Barbara, you managed to get Valeria's picture on the webpage. Wonderful! She had never seen herself on the Internet before. I had a great time showing her.
Oh yes. Recipes. I was thinking that to start off the culinary side of things, I might ask Valeria to write down the recipe for the delight she cooked last night. Chicken with Marsala. I know how much I enjoy eating this dish. Would people be interested in hearing how Valeria prepares it? (Best not to mention any beef dishes right now: people here watch television news headlines every evening about Mad Cow Disease!)
I have to say how much I enjoy seeing everyone play with the Italian language. In writing the book, I tried to let Italian characters speak the odd Italian word so as to add the right linguistic flavor. Sometimes dealing with the Italian words posed interesting editing problems (which we can explore more fully, if people are curious, during the actual Round Table discussion). In the mean time, I'm very glad to see people joining in the fun of experimenting with this beautiful language. (I couldn't speak a word when I got here. Learning a new language has been an interesting process. I've made every embarrassing mistake possible!) It's heartening to see how openminded the discussion group participants are in letting themselves have fun with Italian words. Bravissimi!
Looking forward to our future correspondence. Arrivederci!
Jeff
CharlieW
February 4, 2001 - 10:42 am
I, for one, loved the Italian phrases. And always followed by the English meaning - what a great touch. I found myself saying these out loud (sotto voce, of course - in perfect, I might add, dialect!!)
Charlie
YiLi Lin
February 4, 2001 - 07:42 pm
Well can you believe, went to the library Saturday and there was a sign on the door- closed because of staff shortage!
My daughter-in-law is Asian and Italian ancestory, not long ago she got some tapes to brush up on her Italian, she lived in Rome as a child. She is not a senior, but wonder with work, school and of course a wonderful husband
if she'd have time to post...and of course check out any posted recipes. what are the signatures of Tuscan fare? anything of note for vegetarians?
YiLi Lin
February 4, 2001 - 07:48 pm
Barbara- how do you find those wonderful links and resources. I just sent the translation page to scads of people! thank you thank you thank you.
Barbara St. Aubrey
February 5, 2001 - 08:59 am
Don't y'all think the charm of the story is the use of the Italian phrases - I love it - almost like the pepper that Renato accompanies with his honey while eating his cheese.
Yes I agree with you Charles, a gret touch with the translation such a natural part of the ensuing sentence or paragraph.
Yili Lin I was always the kid with a million questions and I quess I still do question till I find an answer. I still remember the groans in the 4th grade with yet another question and bless her, the sister said to the class that without my questions many in the class would have failed as it gave them all another way of looking at what we were learning. I am just convinced there is an answer out there to all my queries and on the way I find all this stuff.
And yes, by all means if your daughter-in-law would post that would be so grand - we have several regulars that are not seniors. They are in their forties and one young woman is in her thirties with a little one, named Teddie, under the age of two. She has taught in the Indian reservations of New Mexico. Quite a varied group among those of us who love to read and chat about our understanding and impressions of books.
Jeff, a thought and idea - it would be so much fun - why don't we have a special page that is called Valeria's Kitchen. Possibly you would have a photo of just Valeria that you could e-mail (maybe one of Valeria serving one of her dishes or possibly even one of her in her kitchen) Then as Valeria gradually sends us a few recipes they could be posted to her page and be there as a resource for us. In fact we could even have a few names of wines that y'all may recommend and if there is a special olive oil y'all prefer - what fun this could be. Oh my the ideas are coming fast and wooly - how about toward the end of our discussion, do you think Valeria would send us a menu of what she would serve a group of friends gathering to celebrate the reading our your book? Jeff this could be really great fun if y'all have the time and would enjoy the possiblity. Hee hee Valeria's companion book to Renato"s Luck called Preparing the Tastes of Sant'Angelo D'Asso.
This is so wonderful to hear how books come together and the scrolling flag in the air with the title is wondrous. To me it is the banner of joy that comes with a win - and so for me the over-all question while reading was, What is Renato's Luck?...with the usual What, Where, When, How and is there a Why - followed by my asking, so what! In the light of my everyday world what did Renato teach me that helped my integrate further my thoughts and feelings...what did I find especially meaningful. This story provided me with a non-theatening opportunity for self-reflection.
Barbara St. Aubrey
February 5, 2001 - 12:50 pm
P.S. On the page Renato's Tuscany there is a site under food that is listed for a recipe "Strozzapreti alla Fiorentina with 1 1/4 cups ricotta cheese" - If you click on that site and then click on the word "sources" every State is listed with a list of Italian shops and or resturants - EVEN HERE in AUSTIN down on West Lynn there is an Italian Resturant that sounds fab - get this -Italian take-out and rosticceria. Wood-fired pizzas, baked goods, and catering.
Guess where I am taking myself this week...!
YiLi Lin
February 5, 2001 - 03:58 pm
Barbara- snow and all these posts had me take the long way home through "Little Italy of the Bronx", then across to Morris Park Avenue- but alas Mondays bakeries closed.
speaking of closed I am tense, can you believe the library was closed again! I think perhaps the staff is making some kind of a statement. Usually Monday is the long day open until 8 pm. aaagggghhhhh.
Traude
February 6, 2001 - 07:33 pm
If I may I would like to join you here. Jeff's book is waiting to be picked up and, thank goodness, I am able to go out to retrieve it : the driveway was plowed and the walkway shoveled.
I think we are fortunate that, through the wonders of technology, Jeff is able to be here with us despite time and distance. UN MIRACOLO = a miracle, one might say !
Jeff's introduction into general climatic conditions in Italy was enormously helpful. In view of the geographic area - limited in comparison with our wide open spaces on the North American continent -
it is astonishing how many different winds there are and how intense they can be. I remember la tramontana best. It was bone-chilling !
Buona notte = good night
Traude
Barbara St. Aubrey
February 6, 2001 - 08:56 pm
Traude Oh wow
Welcome I know you said something about wanting to read this book with us but I didn't know if you would make it with your plate so full just now -
Traude what brought you to Italy? Tell us more - how long were you living there - what were some of your best memories and what did you find similar to life here in the States - are there things y'all as a family do now that you learned while living in Italy? Did you learn enough of the language to converse or read a book written in Italian?
I think what amazed me is that all these winds have names - in the spring of the year we get a wind from West Texas that blows the red soil into town and covers all the cars and roads with a fine dust and in summer we get a wind from the Gulf that blows especially hard in the evening and where it is not a cool wind, it does pack a high volocity that if you're hanging anything out to dry, it is dry before you step inside your door. But alas, none of these winds have names.
The best we do is name a cold front a "blue norther." Except there are so many High Techies that have moved to town and brought with them their homogenized ways that some of the old expressions are no longer heard on TV - they are heard only among the older folks chatting among themselves.
Here I have been gritching about the colder then usual winter we have had - and y'all are talking snow
SNOW! We've been in the 70s for the past few days with everyone's eyes gushing, nose sneezing and dripping, we're all red eyed and blowing with so much pollen in the air. It is the end of the ceder season - the warm brings the trees to full - puffing - a yellow cloud of pollen spews if you spot the event. The Elm and grasses have also started. The Red Bud is beginning to liberate its magenta glow and the families that have moved here from the north, in nastolgia planted forsythia that had its day last week. Now so many other plants are starting to bloom that the forsythia hardly seems a harbenger of spring as it must seem up north.
One thing is probably true in all parts of the country, when the warm creeps in and the lawns need scalping and fetilizing in preperation for the next season there is a lot of Ben Gay sold as the football couch potatoes are out of their lazy boys for the first time since they took posession the end of last summer. It is so funny and yet a smile crosses my face as I drive through the neighborhood and see many proud home owners surveying their work as they
limp back into their homes. Like Renato's sheep number 4.
Maybe this annual spring run on Ben Gay phenomenon is not part of the ritual in snow country. Maybe shoveling all that snow keeps even the football couch potatoe somewhat fit.
Has anyone found a magazine or newspaper from Italy to browse through? I stopped at Borders this evening and found German, French and British magazines but no Italian.
Hats are you still reading away - are there certain ideas flashing for you because of reading the story?
Had you noticed the first and last actual sentence with quotes are both spoken by Renato and are both either spoken to his sheep or about his sheep. In fact the last one sums up so much -
Page 3..."A litte Patience, please!"
Page 334..."Let's take the sheep back down to their stalls, and we'll see if we have any olive branches left over in the feed room for you to give to your lamb. Then we can think about feeding ourselves. We'll have breakfast with your grandmother, no? And what would you say about a little treat for breakfast? How about some honey and pepper and pecorino cheese?"
Barbara St. Aubrey
February 6, 2001 - 10:47 pm
This is great - look all the winds are here - charted and explained just as Jeff explained them -
Mediterranean Winds This is from the same site - fun we can translate weather now especially
Marine Weather terms
YiLi Lin
February 7, 2001 - 07:39 pm
Winds are the spirits of our ancestors speaking to us.
Traude
February 8, 2001 - 06:51 pm
We had snow again but, thankgoodness, my driveway was plowed and the walkway shoveled the other day. It is snowing (moderately so far) once again and this is discouraging, demoralizing even. But of course we are in New England and the winter is definitely not over here, yet.
I have been busy in the PRODIGAL SUMMER forum; imperative if one is the DL.
Gosh, Barbara, we are going way back into the past. In short, my field is languages and linguistics; Italian is one of the languages I speak. I spent a year in Italy, went back home, graduated.
Went back to Italy to live. That was a long time ago. I had no earthly idea then that I would one day sail clear across the ocean and come to these shores ... ah, fate !
Back soon,
Traude
Barbara St. Aubrey
February 8, 2001 - 11:57 pm
Fear not snow bound friends - the last few days our skies have been filled with flocks and flocks of returning spring - Sunday a huge flock of Robins and Tuesday something tiny and crested, skittered and flitted as they do when they are taking a break and today they were large and wheeling, criss crossing, landing by the hundreds in the trees but in such silhouette I could not tell what they were.
Traude it sounds like you have spent many years in Italy. Were you an interpreter? How did you use your languages? Give us a glimmer of your life pleeeease. Where in Italy did you live?
Yili Lin your short sentence caught me - along with Charles asking about the scirocco that Jeff described as making "people antsy, kind
of scratchy around the collar."
Captured by so many is the concept of the wind as an expression of prayer. Renato's prayer, his ritual tasting of life grows cold in his shiver, his fear of impending change. Is Renato's scirocco actually his feeling deeper the breath of the universe or of God or as St. Augustine tells us "the soul's breathing." Is Renato feeling the breath of the ancestors of Tuscany mixed with his own soul. Teresa of Avila affirms,"...as breathing is a perfectly natural function of the body, so prayer is natural to a spiritually healthy soul."
If we just listen to the wind do we hear the whisperings of our ancestors? Renato prefers all things natural. And according to St. Thomas Aquinas, a healthy soul is defined as "Love." Aquinas says, "To love is to want the happiness of others." He also says, "Is not making others happy the best happiness?"
These native Indian prayers and verse sing to the deeper symbol of the wind within all of us. The last prayer especially reminds me of Renato's characteristics.
Oh, Great Spirit
Whose voice I hear in the winds,
And whose breath gives life to all the world,
hear me, I am small and weak,
I need your strength and wisdom.
The sound is lonely, haunting, surreal;
as if the voices of our ancestors
were howling through the canyons.
Hail the wind, my grandmother
for she brings loving, lifegiving rain
nourishing us as she nourishes our crops.
O Great Spirit of the South, whose warm breath of compassion melts the ice that gathers round our hearts, whose fragrance speaks of distant springs and summer days, dissolve our fears, melt our hatreds, kindle our love into flames of true and living realities. Teach us that he who is truly strong is also kind, he who is wise tempers justice with mercy, he who is truly brave matches courage with compassion.
YiLi Lin
February 10, 2001 - 02:38 pm
Barbara should I announce online why you are a wonderful, generous and compassionate human being? Thank you.
Aha taste, I am so glad you have the life's taste thought provoker- when i read that phrase I gave significant thought to the author- wondering why he is (was) in Italy- do I know this from reading links and just forgot- and wondered if this was a way of seeing that was his own or one of those things he gathered or learned to see/hear,etc. from the townsfolk.
so i fell asleep this afternoon ruminating on my own life's tastes and realized right now my life is filled with ritual (not habit) but will now begin to assimilate these rituals into a personal concept of tasting life.
wee chill winds shifted from the north, but an amazing couple days on the Outer Banks of NC.
ALF
February 10, 2001 - 07:39 pm
I am uglier than a junk yard dog again. My book has not arrived and that makes me very ugly. I am enjoying each post however. You are whetting the appetite further.
Hats
February 11, 2001 - 04:47 am
Barbara, what a fun but difficult question. I am still pondering an answer. Like YiLi Lin, I do have a few rituals in my life. These rituals make my life more enjoyable or is it tasteful?
I have gained much from reading the quotes from St. Aquinas' life. How true, when we only think of ourselves, we lose so much that life has to offer. In giving happiness , we receive happiness.
HATS
YiLi Lin
February 11, 2001 - 07:12 am
Hats I'm thinking about rituals as a kind of mindfulness, whereas habits you just do- but now i am sorta running philosophical experiments- being mindful of the rituals as a package called "my life" rather than disconnected though sacred moments in time. It is almost like writing a story about myself- I am the main character- and I am thus depicted to those who do not know me only through these actions-
I think that is where I am very caught up from the posts and the early chapter of Renato's Luck- we talked a lot about real people in real towns in Italy so I am rather caught up in "observed lives" rather than created characters. I don't know why but I have this feeling that Renato has taught the author about tasting life, rather than the author creating and controlling Renato.
Jeff Shapiro
February 11, 2001 - 09:37 am
Hello, everyone. Only have a minute or so before we have to run out, but I had to tell you all how on-target I find your messages to be. The questions for thought that Barbara posted really zero in on many issues that I consider crucial.
I can't wait to jump in and put down my thoughts, too, as to why the question of life's taste became so important to me, but I think I'll force myself to do just that: wait a bit more. I'm eager to read your comments first.
In many ways the search for the flavor of life had a lot to do with what brought me to Italy in the first place. (A long story for another time.) As to the many things Renato has taught me, I'll point out the mention of Renato in the book's preface. Yes, there is a real-life Renato. An experience he once recounted to me became the main support in the structural architecture of the book. Beyond that, I tried to capture something of his spirit. (Valeria and I had dinner with him last night, by the way. Next time I see him when I happen to have my portable computer handy, I'll be sure to show him this website. He doesn't read English, but I'm certain he'll be thrilled.) More on Renato later.
More on everything later. For now, please accept my sincere thanks for the way you are all sharing your thoughts. (I love the topic of the subtle differences between habit and ritual. Great stuff.)
Ciao for now! Jeff
Barbara St. Aubrey
February 11, 2001 - 09:37 pm
Yili Lin, I like that - ritual as a mindful activity. I think I will really have to stretch to see my life as one long ritual. What a meaningful life that would be though.
Hats, so glad to see you are feeling better. I have to agree Hats most of my activities that are plannd to bring happiness to others are what makes me feel more alive, as though I am participating in life.
Alf - junk yard dog! My or my that is a song out of our past isn't it.
Jeff - yes jump in, jump in - I am anxious to hear your understanding of ritual, how you found that understanding and it's place in your life.
This idea of including retual in my life again has me by the tail. I realize as a child and young married there was ritual in celebrating the seasons of the year, mostly surrounding church ceramony. I loved the old Latin Mass. When Pope John opend the windows and doors of the church in the 50s, the changes made, to me, lessoned my connection with a prayer life and the issues that I thought needed addressing by the church are still in the midst of a power struggle.
Much of my ritual was about celebrating seasons and involved my home and family. There was, like many, the preperation for Christmas, starting with fruit cake made in large tubs, wrapped and soaked during November followed by cleaning the house from top to bottom. The feast of St. Nickolas we always celebrated with notes left and the Christmas book collection found next morning in place of the notes along with the new book on top of the pile along with the advant wreathe and the collection of advent calanders.
Labor Day ment a picnic at a lake with apple pie and a baked turkey, both of which I loved cooking the day before - all packed in a basket with my grandmother's table cloth.
New clothes sewed for Easter and flowers gathered for the May baskets left on all the neighbors door handle late at night so that May first they opened their doors to the baskets.
When the children were older there was the opening of the concert season at Chapel Hill each June, now held in a wonderful acoustical sound barn as compared to the outdoor patio of years ago. About a two hours drive east of here with a picnic on the grounds before the concert.
There was the annual 8 mile hike up and over the mountain at Lost Maples in Vanderpool during the late fall just before hunting season. Always stopping in Fredricksburg for a German brunch and on the way back for a German dinner. On and on the seasons each had there special happening.
My life has changed— I visit my daughter for Christmas without my participating in a ritual of preperation and as a result Christmas is a lovly visit but it has lost it's taste for me.
New Years day ment a hike and bluebonnets blanketing the state ment a car trip to Mexico or the coast neither of which I participate in any longer. About the only ritual I have now is, for some reason I just have to visit my son's boys on their birthday regardless that they were living in El Paso or Lubbuck or Portland Oregan as they did for over two years. Now they live in College Station.
I've never been one for habits - in fact I abhor a habitual lifestyle. So much, I go kicking and screeming into those habits required to maintain health whether it is physical, regular bedtime or the regulated maintenance of any number of things. And if it is socially expected - oh dear, do I ever rebel. But I am also aware that I had loved and felt connected and happy with ritual in my life.
In the last few years I've felt like I've been blowing in the wind and I can see adding some ritual, some faithfully carried out activities that bring me a sense of joy or satisfaction is what I need. I've thought it through as a result of reading this story and realize I feel more connected and love the taste of life when I am preparing something for others or attending a special seasonal event - like a hike or the symphany that is a recurring event every year. I need to get back what is important to me.
Barbara St. Aubrey
February 11, 2001 - 11:30 pm
If Renato lived in Austin and wanted ritual that connected him to anything natural he certainly couldn't keep sheep but, he could have a dog that he would nurture and take out for a pre-dawn walk.
I live across from the edge of a Mesa that overlooks a large, very large open field and play area. An early morning sit on the Mesa edge to watch the sun come up or at night to watch the moon come up could be a part of making a connection for Renato rather than trying to connect in a landscaped back or front yard. Picking up the newspaper from the front lawn where the newsboy tossed it and sitting reading on the front porch with a cup of coffee and the sound of sprinklers going off is a rather nice in town morning ritual.
Or Renato could, as many in Austin do, go for an early morning run around Town Lake. There are 4 mile, 6 mile, 8 mile and 12 mile walks or runs based on which bridge you choose to cross. The run is on a wide dirt trail surrounded by Live Oak, Cypress, fields, wooded areas it is all there. Along the trail there are shower heads so that during the over 100 degree summer weather you can dowse yourself and keep on running. It is a hike and bike trail but there are very few bikers as they seem to follow the league of our home grown winner of the Tour de France and they bicycle over the hills of Austin.
Oh I just thought, many find ritual in their gardening practices. They are out there putsing around in the early morning before the sun gets going. Oh yes, the big one - football! - attending rain or shine, night lights or the heat of an afternoon game - preparing with clothes and pre- game parties and yells all in school colors. Aother big one for the men in the area that are from here rather than those having moved here in recent years is all the preperations for hunting season. From setting up the blind to all the men in the family planning what days they will take off from work or what weekends they will all go hunting together.
No well water though in Austin where as there may be well water on what ever deer lease or family ranch land located some few miles out of Austin.
YiLi Lin
February 12, 2001 - 08:27 am
before moving back to ritual just wanted to throw out another tidbit- in "modern" astrology water, piping etc. is often associated with the energies of the planet (?) Pluto- a shame they have demoted Pluto- wonder if there are psycho-gender issues here J
anyway Pluto in a traditional sense has been a Planet of Change- not always malefic, but most humans think of change as evil or something negative- anyway often times when change is approaching, or the universe has asked one to 'wake up' and perhaps make minor adjustments- you didn't listen- so pluto comes along with the whammy. many times when ones own plumbing is in disarray everything from the literal pipe burst or hidden leak behind the wall to internal plumbing- the external event often correlates to an energy asking one to make a life change.
anyway even if Renato is not consciously responding to an astrological energy, i find it interesting how life's metaphors and similes have a common thread that cross time and cultures. i find it very interesting that there is this backdrop of water- underground water systems, plumbing etc. to what suggests is a time of change in a man's life.
it also interests me that each writer would address a life passage through different but similarly meaningful events- for example another twist on the story could have been a man going to an astrologer, etec..... or a creature in the depths of the ocean, etc.
ALF
February 12, 2001 - 11:49 am
I'll give you "ritual"-- o-Or could it merely be addiction? I'm up early AM and on SN Books and Lit. within 20 minutes. That's either ceremonial procedure or obsessive- compulsive. Anyway-- I returned this afternoon and much to my delight, my book had arrived. The flip side of that good news is--- so will my company within a couple more hours. Hmm-m-m??? I dare say I have a while to get started. See you soon.
Andrea
Hats
February 12, 2001 - 02:27 pm
Hello Everyone,
I have been thinking of rituals. Many of our rituals involve our grandchildren. For example, I have two special cookie jars. One is shaped like a puppy. When the two grandchildren come over, they expect the cookie jars to be filled. They will not eat the cookies out of a package while at grandma's. So it has become a ritual, I suppose, to always have the cookie jars filled with lemon cookies or maybe chocolate chip. The flavor does not seem to matter. I think the children just love reaching their hands into these fat containers.
One of my personal rituals is to have a mug of hot chocolate before bed. Later, I like to awake and read and finish a short story. The short story makes my sleep sweeter.
If Renato lived in the hills of Tennessee, I think he would enjoy the restaurants. We love to eat here, and there are Italian restaurants,Australian restaurants,Chinese restaurant and just homey places to eat. I am thinking of the bottega where his wife works. I just can imagine the different delicious foods. Oh boy, the smells must be wonderful!
I would like to visit the cantinas.
I do have a question. Can any one explain "culo?" Is it fortune or something else?
HATS
Traude
February 12, 2001 - 07:38 pm
Just got the book today and have read only a few pages so far.
Have not come to "culo" as yet.
Hats, could you please give the number of the page where the word
occurs ?
Remember, folks, there will be "earthy" terms here, I predict, we are
in the countryside after all. And in Italy, there is a heightened
sense of sensual awareness; I swear the sky is bluer there than any I
have seen.
Barbara, I will look in whenever I can, but time is a critical factor
and I have so many obligations.
You have myriad wonderful questions, and the eager responses are
gratifying.
As for the question currently under discussion, may I add my 2 cents
worth :
a ritual describes something that is set, established,
prescribed, coded , i.e. carried out determinedly,
'religiously' ; in fact, the term is associated most with religious
practices.
A ritual is something carried out or pursued deliberately, often out
of a (quite possibly subconscious) sense of obligation and devotion,
and becomes ingrained because NOT to do whatever the
ritual consists of would quite simply not be "right".
A habit , on the other hand, meets few (if any) of these
crit
Traude
February 12, 2001 - 07:44 pm
sorry, I lost words in editing.
What I meant to say is that a "habit" meets few, if any, of these criteria, in my humble opinion.
Traude
Barbara St. Aubrey
February 13, 2001 - 12:09 am
Bravo Alf your book has arrived. I sure hope your guests are a happy change for you rather than you wishing you were visiting with Renato and his family.
Wonderful bevy of thoughts - Pluto and water - did not know that Yili LIn - I enjoy the depth of this book and now there is another whole facet that only adds to marking the connecting paths to the heart of this story. Hehe I can hear it now, rather than refering to someone going thru that maturing stage we call a change-of-life we can just say, Oh their water pipes are either plugged or have erupted.
Cookie jars, Yes, as Renato connects with nature and his love of the Tuscan landscape to sustain his spirit, in a sense of quiet reverence, I can just see you, quietly, not only adoring those grands as they reach in for their connection to Grandma but, you've provided the connection to the loving renewal of humanity. It reminds me of the Mass when the Host is consecrated as the body of Christ - those cookies are like the love of Christ illuminated through you to those Grands.
Traude so pleased you are able to fit any of this discussion into your schedule - and you are so right-on that most of the dictionary definitions for ritual refer to ceremony and in particular religious ceremony.
Your posts make me think - I wonder now at the distinction between Tradition and Ritual. I thought maybe so much of the special things we do with family fall into the the heading of tradition. The dictionary though seems to indicate tradition having a generational repeat of time honored practices. Than I thought, better look up Custom which does say among other parts of the definition A Habitual practice of an individual and in another part of the definition it says, ...so long established that it has the force or validity of Law. That's it - that to me is the difference - the Law doesn't smack of emotion and ritual seems to have an emotional aspect to it that I prefer to think of as, a renewal of our spirit.
And so acting because, if we didn't it would not seem "right," seems like such a great way of describing the comfort a ritual provides, as opposed to, that scratchy feeling under the collar that is Jeff's description for the sirocco wind and could just as easily describe how someone would feel if they were not true to the pull that calls them to perform their rituals.
Thanks folks, I loved exploring this concept. Because of y'alls posts I came to a deeper understanding for myself of what it means to be living from what is "right."
Hopefully now, others will add their two cents to this dialogue about Ritual in their life.
"Good grief" as Charly Brown would say, we were supposed to be starting all this on Valentines day — Ah so — Lucy forgot to grab the football and we have kicked the ball before we knew what happened??!!
Has anyone found pecorino cheese yet? Had an amazing experience Friday night. Client invited me to see what she has done with the house and she served some cheese and wine- yep, you guessed it - several cheeses and the one was a hard cheese with peppercorns embedded in the cheese. She was so proud telling me how she found this new cheese and what did I think - it was called a Tuscan Pecorino - well than of course all excited I had to tell her all about the book and it just went on from there.
Hats
February 13, 2001 - 04:40 am
Traude, "culo" is found around pages 82 and 83. Thanks for your help.
Barbara, thank you for making my cookie jars seem even more special. You have heightened my awareness of what the jars mean to my family.
Everyone has helped me to understand rituals in a deeper way. I thought of rituals as just the experiences that gave me a sense of joy and because the "feeling" made me happy I did the deed over and over again. I was not sure how to differentiate traditions from rituals.
HATS
Traude
February 13, 2001 - 07:42 am
Hats, you put your finger on it : there is also
tradition , and there are
routines , in addition to our habits. The element of joy certainly can be present in all of them.
I wanted to give a definition of ritual and did not mean to seem punctilious. Sometimes my training as a linguist gets the better of me. I am sorry.
Traude
Barbara St. Aubrey
February 13, 2001 - 01:34 pm
I've been informed several times, that an author does not flip through some book which gives the symbolic meaning of words, events and items and then they choose an appropriate symbol to add to their material. It always amazes me though, how looking up the traditional symbolism uncovers a depth to the story that always adds richness and furthers the relevance of the story as well as, provides encounters for further self-reflection.
Yili Lin put her finger on it with 'water, water everywhere...' Most important to me was finding the significance of the Morning splash and face wash with
well water. So out came my trusty copy of J.C.Cooper's
An Illustrated Encyclopaedia of Traditional Symbols, and now I have added to my collection, Hans Biedermann's
Dictionary of Symbolism. The well is the feminine principle; the womb of the Great Mother; the well often contains magic waters with powers of healing and wishfulfilling...In Christianity it represents salvation and purification.
Old Hans adds — The city-dweller of the present day can hardly imagine the importance of a well, as a source of potable water, for village communities. The belief in the curative powers of water from the earth goes back to ancient, indeed prehistoric cults. Christianity readily took up such traditions, and pilgrimages were encouraged to the source of miraculous legends...Wells often appear in fairy tales and dreams as places of penetration into the unkown worlds of the unconscious, of what is hidden and, in everday life, inaccessible. Wells are associated with cleansing and drinking from the sources of life, and quenching our thirst for higher knowledge.
Water is the liquid counterpart of light. Water is the primordial flued from which all life comes, but it is also the element in which creatures drown and all matter disolves. Great floods close cycles of creation and dystroy forms of life displeasing to the gods. Water dissolve, abolish, purify, 'wash away' and regenerate; associated with the moisture and circulatory movements of blood and the sap of life as opposed to the dryness and static condition of death. Baptism by water or blood, in initiatory religions, washes away the old life and sanctifies the new. Water wears down even the hardest rock.
YiLi Lin
February 13, 2001 - 03:44 pm
so barbara hope your ears were ringing- met a seniornet person "in the flesh" today and told her how wonderful your discussions are, she said she'd been interested in the book but unfortunately it's not beeen easy to locate.
can i make a political statement here? i do not want to offend B&N or whatever perks they offer, but i wonder why seniornet and this discussion does not ACTIVELY support the independent booksellers. not long ago i read an interesting article on how when we support the mega's we are also supporting their choice of what is a "read"?????
aha the well- the wishing well- bathing in the wishing well- hmmm.
Traude
February 13, 2001 - 05:03 pm
Thank you for indicating the page number.
I had not gotten very far into the book and wanted to see the context, though I had the right notion - and I had warned about "earthy" terms.
And there you have it at the bottom page 82, top of page 83.
"culo" means literally the behind ; and because of that, un colpo di culo is a bit stronger, shall we say, than "a stroke of luck". The reader gets the maning because Jeff has articulated it well.
Traude
Barbara St. Aubrey
February 13, 2001 - 05:14 pm
Yah our in house interpreter has bagged it for us! Thanks grazia. (spell) Traude if it is a bit stronger then please be blunt with us - as you say this is more than likely an earthy use of words. What does the un colpa part really say? We will not continue with the bluntness of the language in this discussion - hehehe we do not want the blunt police wiping out our posts but, just this once, please let us know what we are reading here?
Yili Lin we support B&N because they support us - every purchase made at B&N through this site gives back to seniornet 7% of the purchase. The dilemma of receiving financial support and then realizing we are supporting the most happiness for the greatest number of people at the expense of the small individually owned book store - gives us pause doesn't it after reading this book.
Traude
February 13, 2001 - 06:50 pm
If I may say, perhaps we should not hang on, or cling to, each and every word. Jeff has given us the perfect notion of the phrase, which means "a STROKE of luck" in English. We might even call it "dumb luck".
HATS had asked specifically about
culo though, which is also the TITLE of chapter ten beginning on page 79.
"culo" is "ass" (not the animal but as in "the behind"; as in "kiss my behind").
"un colpo di" , on the other hand, is quite innocent, meaning "a stroke of".
The bite of the idiomatic term lies in equating
fortuna = luck with the (English) a-word.
And THAT is all there is to it.
So many more questions waiting, let's continue,
Avanti ...
Traude
Hats
February 14, 2001 - 06:42 am
Barbara, thank you for the Valentine's Day greeting. I loved it!!! I intend to do one or two of the wonderful ideas listed in the card today. Perhaps, my husband will join me.
Of course, I will continue to read about Renato. I am glad he did not fall into the arms of the sexy actress. He remained faithful to Melina whom I know he loves deeply.
What is Renato's Luck? I can not wait to find out. I know it has a lot to do with his dream.
Well, I will try to answer the thoughtful questions you have listed for us. By the way, I love the book. I am trying to set a new goal in my life. "MI GUSTO QUESTO GUSTO!"
HATS
Ginny
February 14, 2001 - 07:05 am
Barbara, the questions in the heading are wondeful, simply wonderful, I've printed them out and am going to sit down with the book and examine the issues you raise.
I would like to see you keep those old questions on an html page when it's time for them to retire as a record of what you have done here?
One thing that did surprise me in the book in this first section which I do not see yet in the heading is the issue of the....er....cursing? I am surprised at this? Cursing on the church?
It's explained, which I thought was fascinating, about the Tuscan history and the Pope and I guess I would like to know IF this is true, this swearing and if so how ....how the people justify it or how they even reconcile it with the church?
I think perhaps based on my own observations on the Jubilee Year that perhaps the Italian has a different relationship with the church than we would think?
Yet it seems strange to me, if a person had the least superstitious bone in his body, to utter such words?
Am I the only one who was brought up short by this?
ginny
Barbara St. Aubrey
February 14, 2001 - 08:29 am
Ginny it is different isn't it - not having any first hand knowledge a few thoughts cross my mind - one the church is still only an organization much like a huge corperation in which at times the CEOs have acted very child like or demanding or controlling etc. This corperation has been about preserving itself and at times without the best interests of the populace in mind. Remember in order to be a Bishop or Cardinal you do not have to be a priest, a practice not typical of today. Most important Italian families designated one son as being a part of the ruling body of the church. And no, that did not mean he gave up woman for the remainder of his life, he just didn't marry.
I am remembering as best I can my church history here as I learned it in a Carmelite High School.
So all in all, the relationship with the church is on a different note than we think but also, we would hardly imagine cursing the cooperation we worked in. I think the difference is we do not see either our church leaders or the corperation CEOs in the company we work with, as one large tumbling family where all our emotions are acceptable and that we would always be a memeber of the family regardless we don't attend the meetings or cursed the CEOs and the images we love as our only sign of personal independance.
I also think many of us hold God as a greater power, almost untouchable, where as, there are many cultures and religious that think of God as a force on their level. Remember the movie "Fiddler on the Roof?" I no longer remember the father's name but he regularly had a less than respectful conversation with his God and even got angry with his God. Most eastern religions also see God on their level with the heavens being the great unkown power.
We are so young and innocent in this country. When you look at the history of Italy and realize the confusing, brutal, painful experiences many endured regardless they were "good." In order to save their skins or preserve life so many had to behave in ways ordinarily they would abhor. I think that they see the joker in life beyond even the sarcastic. For some I think they are born with cynicism is their bones.
And that is what I see is the dichotamy between Renato in his gentle, nurturing, and natural innocense compared to, especially, Cappelli as well as, Meg Barker the sophisticated wealthy American. I see Cappelli and Meg Barker as a foil to bring out Renato's characteristics.
Begging the subject a bit more, after reading the book Charles led last year, Morente's History; A Novel, and then, in the resources if you scroll down to the area of books and see how movies were being made hailing the glory of Italy while the troops were being abandoned on the Russian front, would create the feelings I think many Nam Vets have carried with them. We are only now, in the late twentieth century and twenty-first c. in this country, seeing a distrust of government and authority figures. Add these experiences of betrayal, generation after generation I would think then the association with a governing body that continues to comport itself with complete authority would be subject to ridicule. The church, we know, was the governing body in Italy for hundreds of years.
And finally, it appears this is a tradition that children hear all their lives and therefore see as part of the fabric of life.
Maybe Traude has in insight since she lived in Italy and possibly Jeff will also add his thoughts to this when he posts next. There is an agent in my office that lived in Italy for over two years but he was young at the time and does admit he was having too much fun to really appreicate the Italian culture.
YiLi Lin
February 14, 2001 - 09:03 am
Happy Valentine's Day!
Just finished watching reruns of the golden girls- a favorite passtime when i am on "beach time"
I am intrigued by the header- the first words uttered by a character gives us insight into how he/she will evolve- I am taking that thought beyond characters into the lives of people I know- I am also wondering if it is a true sentence on reflection or can it serve as a predictor? I also think it is a gesture not contrived- I think truthful characters just say what is an individual truth.
I am still back on "the well" noting how in so many towns and virtually all societies (including non-human) how the well or pond or whatever, serves as a central part of the life of the community- in some species it serves as the backdrop for mating rituals. And yet Renato is at the well alone- I imagine the rest of the town separated and perhaps aliented from its own history by indoor plumbing- so early on more than a face washing - taste- i anticipate a man who is somehow out of step with the existing social order- and i wonder will he be a savior, martyr, outcast, change agent- the tension created by a singular focus-
Jeff Shapiro
February 14, 2001 - 10:12 am
Hello, everyone.
Here it is, February 14, Valentine's Day and the official start of this discussion group. Lovely coincidence.
If anyone has questions about any or all parts of the book (or about life over here in Tuscany), please do fire away. I'm happy to follow conversation down whichever paths you would all like to explore.
A few remarks pertaining to some of the recently posted messages I've read.
I was very intrigued to see how much discussion was promted by the notion of ritual. May I add an observation borrowed from Jewish mysticism? Jewish tradition and law prescribe a whole series of "mitzvot," or commandments. These range from the altogether important (such as "Thou shall not kill") to the seemingly mundane (such as the precise way to put on one's socks and shoes in the morning). Historically mystics have pointed out that in many cases the significance of the gesture lies not in the action itself but in the "kavanah" with which the action is performed. "Kavanah" is not the easiest word to translate. Though usually translated as "intention," "kavanah" may be better rendered by such words as "orientation," "awareness," or "mindfulness." If the mind is in the right place, then even something as insignificant as putting on one's shoes can become an act of worship, a ritualized practice to help one appreciate life and see past the everyday world, glimpsing instead a deeper dimension.
All a heavy way to say that the flowers we stop and smell along the roadside might well be more important than the destination to which the road leads.
Also, I think it's well worth the trouble occasionally to ask ourselves what the little things are that give life its taste. I love the answers you've all contributed.
Barbara, what wonderful thoughts on the symbolism of water and wells! You're right: I think writers notice much of their own symbolism only after writing a passage. A bit like asking yourself what your dream means AFTER waking up.
I also liked your reference to Tevya from "Fiddler on the Roof" (based on the book by Isaac Bashevis Singer). Tevya has a natural, intimate relationship with his notion of God. I tried to give Renato a somewhat similar innate religious sense. (See Renato's thoughts on p.42 when he's lying in bed with his wife.)
Are these comments in conflict with the blasphemy contained in much of the book's dialogue? I hope not. I'm very glad that Ginny raised the subject. Privately, I've been hoping that readers wouldn't be put off by these blasphemies (what the Italians call "bestemmie"). The dialogue of some characters is peppered with these little remarks in the book because the use of blasphemy is an especially Tuscan speech habit. Do all Tuscans blaspheme? Certainly not.
Tuscans do, however, have a nationwide reputation for this habit. Yes, the historical explanation offered in the book is true. Much of Tuscany never reached a happy relationship with what used to be the authority of the Papal States. The reasons for this conflict were entirely political and in no way theological. Tuscan swearing, therefore, can be interpreted as a historical sign of rebelliousness against the hierarchy of the church more than as an intended insult aimed at the divine figure whose name is taken in vain.
I would point out that most of the blasphemy in the book comes from the mouth of Cappelli, Renato's assistant. All of his oaths, by the way, are direct quotations from the car mechanic whom I mention in the Author's Note at the beginning of the book. This real-life man is one of the nicest people you could ever meet, though at first he might come across as gruff. And he is incredibly creative when it comes to inventing new curses. He follows the traditional method of taking the name of divinity and adding to it any number of animal words or unpleasant adjectives, yet he does it with uncommon flourish. By a weird twist of destiny, he was the mechanic called upon to change the flat tire on the pope-mobile a couple of years back when the Pope came to Siena for a visit!
Renato, in the book, is not really a blasphemer. He only allows himself one imprecation: "Dio boia." Literally this means "God the executioner." I realize that this is pretty heavy going, especially to Italian ears. It seemed appropriate for Renato, though, almost as a kind of existential cry. God appears as something of an executioner to Renato, because Renato is struggling with his own awareness of how transitory many beautiful aspects of existence are.
And then, of course, there's the question of "culo." Gulp. Much of the storyline rests on this one word. Presenting this exclusively Italian concept to English-speaking readers was a real challenge. Traude, thanks for pointing out the chapters and pages that attempt to clarify this notion. In short, "culo" is a not especially rude vulgar word for "ass." That's the literal meaning. Less literally, it means "fortune" or "luck." Who knows why?
I'd be curious to know if you all can think of instances in which a body part connotes an abstract concept in the language of our culture.
I ought to sign off now. Valeria is downstairs making a Valentine's Day dinner for two. I'm being a rotten husband by staying up here with the computer. Really I should go and give her a hand.
A happy holiday to you all. Thanks for participating!
Hats
February 14, 2001 - 02:43 pm
I love these characters, especially Renato. At first, I thought my favorite character would be Signora Vezzosi because I identified with her loss. I have not loss my husband,but just the thought gives me the shivers. Perhaps, the same type of shivers which Renato experiences when he thinks of change.
When I met Douglas, I did not think I would gain much from his love experience with Angie. Then, he said some words to Renato that really moved me. "Ephemeral is beautiful, but what good does it do you? It disappears and you have your memories left, but your memories hurt because the person is gone."
His words really move me. I have loss both my parents and my sister. We were a small family. Sometimes I get lost in my memories, but the pictures and thoughts can become extremely painful, even though the memories are happy ones, because after all is said and done like Douglas says the people you love are still gone. You only have memories.
Does anyone understand what I am saying or does it just sound totally morbid?
HATS
Deems
February 14, 2001 - 03:04 pm
HATS---I understand exactly what you are saying. I too come from a small family. My parents are both dead and my older sister is not well. Sometimes I get sad when I remember happy times. I have my mother's engagement ring which I wear on the little finger of my left hand (her hands were so much smaller than mine) and it really reminds me of her. I used to stare at that ring when she read to me. I am so glad to have it because of all the memories.
And I'm not at all a morbid person. It just hurts to lose family members and be the last one of the "older" generation. I know that large families have their problems and all, but I have always wanted one.
Maryal
Barbara St. Aubrey
February 14, 2001 - 03:51 pm
Renato is struggling with his own awareness of how transitory many beautiful aspects of existence are. Jeff Shapiro
Sometimes I get lost in my memories, but the pictures and thoughts can become extremely painful, even though the memories are happy ones, because after all is said and done, like Douglas says, the people you love are still gone. You only have memories. Hats
I have my mother's engagement ring which I wear on the little finger of my left hand (her hands were so much smaller than mine) and it really reminds me of her. I used to stare at that ring when she read to me. Maryal
betty gregory
February 14, 2001 - 04:18 pm
I've only read the first 20 or so posts but stopped there while I wait for my book. Only last Saturday did I decide to find the book, then promptly made all the wrong decisions. Too much money to order from Amazon or Barnes and Noble with a 2nd-day air charge tacked on. No, I thought, I'll have my cleaning and errands person who comes on Wednesday go get the book for me. Because I read fast, I knew I could read it that night (that's today) and the next (that's tomorrow). This morning I called the largest of the many bookstores in Austin---this city boasts of its high number of bookstores (highest per capita? I think so). Many superstore Barnes and Nobles, Bookstops, etc., then scads of independents. After 2 hours of calling, I found out it doesn't matter how many bookstores there are in this town, Renato's Luck is sold out. Pretty soon I was calling the college bookstores. Nope...they offered to order it, but did not have it in stock. I started out feeling badly that I might have to send Trisha all the way to south Austin. After I'd been calling a while, I was thinking of ways to ask if she minded driving out of Austin 20 miles. My last thought was calling Barnes and Nobles in San Antonio, thinking they could overnight it to me. (When did overnight become a verb?)
I've ordered it from Powells.com (Portland), luckily finding a $14 used 1st edition signed copy, $14 extra to ship overnight (which means "1-2 days after processing" hmmm, another strange use of overnight, don't you think?).
I have, in the meantime, been enjoying the links above, especially the photos of Sienna. Oh, my, when do we go! One photo came up on the screen about the same time a classical piece of music hit a favorite spot and I was overcome for a minute. I thought, "I might have to go here."
Barbara (my neighbor now) has sent me the first 2 1/2 chapters---that's what got me into this mess. The writing is irresistable. I was hooked from the first early morning splash of well water. My grandfather used to catch rainwater outside in a deep bucket in which to wash his hair. I remember asking him why he did it and he just shrugged. My grandmother answered for him that he had always done it. There was not an answer to "why."
I'll be back after I have the book. Terrific heading, Barbara.
ALF
February 14, 2001 - 04:34 pm
My company has gone, my book is open and I love you all for these fabulous posts. I feel like the kid in the candy store with all of thse thought provoking questions to inhale. I am going to reward myself and spend the night with Renato.
Hats
February 14, 2001 - 04:35 pm
Maryal, I will never forget about you wearing your mother's engagement ring. That is so touching. It reminded me of a book of poems I have from my mother. In the front is her signature. She had a beautiful handwriting. It just shows what a good book we are reading because it reminds us of love.
For me, Renato's Luck is becoming more and more meaningful. I think it is a book full of love. After all, Renato wanted to bring fortune back to everyone he loved. The little slip of paper in his back pocket is like a love letter.
HATS
ALF
February 14, 2001 - 04:39 pm
Maryal: I never had an engagement ring (either time.) I wear my mothers with my wedding ring and my aunts on my right hand.
Barbara St. Aubrey
February 14, 2001 - 10:15 pm
Amazing, I have my mother's engagement ring also. An oblong white gold ring with diamonds on either end and the one in the middle has sapphires on either side. And I've my fathers cuff link box, a small lacquer red chinoiserie box with tiny drawers. Interesting when I think about it - I never just wear my mothers ring casually - it seems like a special private ceremony when I slip it onto my finger.
Seemed strange after my parents died - it is like walking around on tip toes that I can not figure out if it because of understanding mortality as real or, realizing my sisters and I are the oldest generation with the responsiblity of the eldest or, just tip toeing as if walking on their grave - I just do not know and maybe there is no logic to it at all.
Betty I am so glad you will be with us - I love how you think and your posts are always such a joy as well as often a challange that prompts me to stretch. Your Grandfather washed his head in rainwater! What a wonderful memory. Seems to me we all were in the habit of catching rainwater years ago for some purpose or another. Your post reminded me of that. Oh Betty and you got the signed addition! - I saw that and they only had two copies of the signed addition - I'm drooling.
Alf happy reading - I'm waiting with bated breath to hear about your impressions of Renato - I hope your company left you with a glow that can be enlarged on with your read tonight.
Hats I love it - yes - a love letter!
Yili Lin glad you brought us back to the well as a source of community, making us aware that Renato is alone at the well. Didn't see that one -
My mind and heart is opening like a bloom tonight with two sentences in Jeff's post.
If the mind is in the right place, then even something as insignificant as putting on one's shoes can become an act of worship, a ritualized practice to help one appreciate life and see past the everyday world, glimpsing instead a deeper dimension.
...the flowers we stop and smell along the roadside might well be more important than the destination to which the road leads.
Those are the kind of quotes that I like to post on my mirror to read as I start my day. I think we need a Zooey door - there are so many great quotable lines in y'alls posts we need a Zooey door (as in J.D. Salinger's
Franny and Zooey, or was it in
A Catcher in The Rye??)
Fun-ney that the prolific creator of "bestemmie" offered with a flurish was the mechanic who repaired the tire on the pope-mobile.
Well it is seven minutes after midnight here - what a wonderful KICK-OFF we have had - Hats, heehee did you get to SING in the shower or TAKE a bubble bath or SPLASH in a puddle?
Barbara St. Aubrey
February 15, 2001 - 09:24 am
The first chapter ends with
"The bell on the first sheep's neck clanked"
On page 19, the start of the second section in chapter three
"The church bell rang half-past seven just as Renato entered the piazza, his shoes already wet from the torrents that covered the streets. Seven chimes, then a pause, then two more chimes for the half hour."
Both sentences reminded me of the phrase "For Whom the Bells Toll." Then as I remembered it, the phrase continued "they toll for you and me." Well of course I had to research it. Half way remembered the Hemingway book of the Spanish Civil War. I thought, was that a foreboding of things to come? Because the clanking bell on the sheep, mentioned several times, and now the church bell along with, the feeling after the first chapter of impending disaster had me set-up for...what is going to happen here?
Well, found it and the simple phrase is so right on - written by
John Donne: "... Any man's death diminishes me, because I am involved in Mankind; And therefore never send to know for whom the bell tolls; It tolls for thee."
I thought how perfect - the feared death of Sant'Angelo D'Asso and the funneral for the death of Aristodemo Vezzosi...because it appears that John Donne a 17th c. Metaphysical Poet wrote this sonnet just before his own death. Here is a little more of the sonnet. Notice it contains two famous quotes.
The Bell doth toll for him that thinkes it doth;
and though it intermit againe, yet from that minute,
that that occasion wrought upon him, hee is united to God.
- Who casts not up his Eye to the Sunne when it rises?
- but who takes off his Eye from a Comet when that breakes out?
- Who bends not his eare to any bell,which upon any occasion rings?
- but who can remove it from that bell, which is passing a peece of himselfe out of this world?
No man is an Iland, intire of it selfe;
every man is a peece of the Continent, a part of the maine;
if a Clod bee washed away by the Sea, Europe is the lesse,
as well as if a Promontorie were,
as well as if a Mannor of thy friends or of thine owne were;
any mans death diminishes me,
because I am involved in Mankinde;
And therefore never send to know for whom the bell tolls;
It tolls for thee.
YiLi Lin
February 15, 2001 - 11:59 am
What is your opinion of projects that promote material happiness to the greatest number of people at the expense of small towns?
I wonder if the "projects" do promote material happiness, can material happiness perchance be an oxymoron? Thinking back on other discussions there is often the hint of subjugation in many of the projects promoted by the few. I also wonder looking back on the fictional world and looking present at the world we live in, if in fact the greatest number of people want the projects- do they give voice to the plan- or are they subjugated by a small 'greatestnumber'- something like chemicals in cigarette filters-where over time we become conditioned to want the cigarettes with filters, and like projects equate their materiality with happiness.
i'm back at the well, i wonder how many of the greatest number in town, in fact, wanted indoor plumbing- i find it hard to believe that the concept was even a simple if i had indoor plumbing i'd be happy(ier). Seems to me that the fascists needing to control the masses, opted for the project- told the people it was to create happiness- and the people responded- are they happy or pavlovian dogs responding to the water spashing from and indoor faucet?
am thinking of the great flooding planned in china- in reality a tribute to a leader (unrelated history there) designed to "promote" happiness- ??did the greatest number have a voice?
ALF
February 15, 2001 - 12:33 pm
I love it
Jeff. I
have so many thoughts about these first few chapters that I must reflect
in an organized fashion here. I think it's funny. I love Renato
Tezzani, (translated reborn ember ) . He is my kinda guy, for sure!
He is loving, loyal, proud of his family and sensitive. How can a
gal not love a reborn ember, I ask?
One of the questions presented was in regards
to the first words written or spoken by a character. The first
word that Jeff our
illustrious author speaks is better yet --DAWN! A beginning
to a new character and the unfolding of his new life, (I assume.)
The last paragraph, as Barb points out, is just as powerful ,
as Renato "senses the beginning or autumn in the breeze." The change
is upon us at the onset. The fragile existence of an entire
town, his town , will be altered --- submerged, as the valley is
filled. Can any of you imagine what a heart break that would indeed
be, if it were to occur? Where would you go, what would you do, how
could you manage? It is no wonder that Renato went T-I-L-T!!!
Hats
February 15, 2001 - 12:45 pm
Barbara, you bet I have made time to have fun. My bubble bath has been taken (always a joy), and I have even splashed in some rain puddles and collected a few rainbows.
Being silly? My son says that an everyday thing.
Always Having Fun,
HATS
ALF
February 15, 2001 - 12:47 pm
I'm with you Hats! If it ain't fun, it ain't done.
Hats
February 15, 2001 - 01:09 pm
Hi YiLi Lin, Alf and Barbara,
I would fall apart if I thought my whole town's future were at stake. After all, a small flood would find me crying in a corner.
Renato faces so many changes in his life, and they all seem to come rambing down upon him like dominoes. Not what a guy likes when he wants to keep his world manageable. He lets us know that quickly when he says he only desires four sheep. If he had more sheep, he would be a shepherd.
This lets me know Renato just wants the joys of a simple life. He just wants to continue feeling the passion of his wife, happiness for his friends and his daughter not to look like a mutant soldier.
But like Murphy's Law everything happens differently and life asks him to be more than a shepherd. His whole world turns topsy turvy. I know Renato's life is headed in the wrong direction when he can not go to his best friend's funeral. Misfortune and more misfortune is around the corner. Poor Renato, he needs a friend or make that two friends.
As I read my book in bed last night, I received another shock. I won't say what happened because I do not know where everyone else is in the book. All I can say is Renato needs to take his "name list" and get to the Pope fast.
Barbara, What a shock when you mentioned John Donne. This is the second time this week I have heard someone say something in reference to his poems. Is it his birthday? Well, I think I will just read some of his poems once again.
YiLi Lin and Barbara gave me a lot to think about so I will cook dinner, look at the news and curl up with my book tonight with all those new thoughts in mind.
HATS
Hats
February 15, 2001 - 01:20 pm
I need to start dinner right now! Barbara, I had to say thanks for the information on John Donne. I have bookmarked it. I began reading and could not stop. Obviously, I am out of control.
I see what you are saying about sheep bell clanking and the bells chiming as a foreshadowing.
I have got to go.
HATS
Barbara St. Aubrey
February 16, 2001 - 01:12 am
Don't you just love the dialogue - the old man talking - yep, Yili Lin sure sounds like the waterworks was a project that they had little to say about.
I must say, I like the comfort of water and hot water coming out of pipes with the turn of a knob in my home.
When life was slower, I loved hanging out the laundry to dry. But, if there was no other kitchen applience created than the dishwasher, I would be ok. I'd even wash sheets and all that hard scrub board stuff we used to do rather then having to do dishes by hand. It just took so long to get the kitchen cleaned-up in the mornings before dishwashers and until the kitchen was cleaned-up nothing else seemed to work.
I'm still putting my thoughts together on the death and dying of a town in the name of change. Part of me wonders, are we trying to hold back this emotionally charged change because we have the control where as, our own death and, the death of our loved ones we cannot control? Is the death of towns and culture enabling new growth? All loss is painful. How do we measure healthy culling in the name of progressive control over our environment versus destruction? I seem to have more questions than answers just now.
I know I wouldn't have my work if it weren't for the dams that allowed California to be populated. The families educated their children who today are the heads of and creators of the large computer industry that has spilled over into Austin. All because of some dams.
There is one culture that I learned is negatively affected by the dams. Indians near the Pacific lost their livelyhood as fisherman and barely have enough water to exist since the mouth of the river is now just a trickle. How much else the supplying of water and energy to California has disrupted I do not know.
Here in the Austin area, during the 1930, dams were built along the Colorado that are most valued as they keep Austin from flooding. Flooding is a big problem. When the rains come it is heavy with little soil to penetrate. The run-off starts quickly with flash floods a regular occurance. Also, the damming supplies electricity to not only Austin but to the surrounding ranches that gloried in their first light bulbs.
There is some memory of a few small towns northwest of Austin that are under the lakes. (Five lakes were originally established) The conversation, when there is any from the old timers, is tongue in cheek. These towns were so isolated that there seems to have been so much in-breeding that many in the towns were dim. This could though be a way to justify the loss and not have to face the emotions of such a loss.
I can see a ripple effect regardless which program is chosen. I think I'm beginning to see the comfortable answer is a case by case decision. But then, I am assuming that those affected would have a voice. And their voice would be able to articulate what the lose would mean to the greater community, rather than just articulate their personal lose. To loose an old culture does seem more drastic.
I do believe any lose diminishes me. Just as loss affects all mankind so does birth, life and renewal. As Alf points out, the book starts with DAWN. And change is the dawn of a new day.
Oh difficult. It would be so easy to become wrapped up in the sentiments of the day but I really want to face reality on this. The question of the loss of a town and its culture was easier for me when I did not have in the same paragraph the consideration of the death of a loved one.
I don't ever remember hearing of John Donne but he sure was a prolific writer wasn't he Hats? And I had no idea that Metaphysical thinking was so prolific in the 17th c. We only recently finished reading some Coleridge ( The Rime...) and learned that he was a Universilist Unitarian for awhile. For some reason I think of Metaphysical thinking as a more recent philosophy rather than the comfortable understanding by folks that still wore wigs and lace jabots.
ALF
February 16, 2001 - 05:53 am
Renato was overwhelmed with the aspect of change. I remember my father, in the late 60's, experiencing much of that same pain. He could not, he would not envision the arterial highway going thru his small town & interrupting his life. He fought the highway department, the city, the aldermen, anyone that would listen to him, to no avail. Even though his refusal was adamant, his store was purchased by the State Highway Department causing the demise of his beloved business locale. He told me he felt raped and refused to discuss it. He had difficulty focusing and I truly believe it was the beginning of his demise. It was more than a business that he and his brother inaugerated, it was his life. His focus for daily activities was there in that store. This was where the neighborhood met daily for their social activities, to cajole and badger one another. My fondest childhood memories are surrounded with the humor of my dad's "business" cronies who teased and taunted me all the way thru high school, with buffonery and high spirits. This was expected in dad's store. Noone was exempt from their playfullness, including the mailman and the Navy recruiter. This little downtown area that was confiscated , all in the name of progress, was the core to the hearts of their identidies as a group. It brings me to tears yet when I think of what havoc progress wrought on these men, especially when I return to my hometown and can view a 4 lane highway that takes the place of this beloved street. So, I cry with Renato and the town of Sant' Angelo D'Asso.
Hats
February 16, 2001 - 07:29 am
Il Piccino says "The fabric of every life gets torn. If it hasn't happened yet to a person, it's enough to wait awhile. Sooner or later the rip comes..."
When I read this in the book it moved me. I feel that a great deal of "Renato's Luck" is about loss. It leads me to think of my own losses, but then, I thought about Jeff. Perhaps, the question is too personal, but I will ask anyway. Were there any particular "torn places" in your life that led you to write this book? If so, could you share it or them with us?
I know renewal will come because Renato's name means reborn or renewal. I wait anxiously for his renewal.
On another subject, when Cappelli calls the Virgin Mother a viper that is shocking. I did read in the introduction about Tuscan history. I would like to know more about the animosity the Tuscans had toward the "papal states?" Does it still exist and why?
I think Barbara answered some of this in a earlier post. I need to read it thoroughly again.
I also would like to know if there is an Annual Day of the Dead in Tuscany? It seems to be like our Memorial Day. But our day is dedicated to just remembering the veterans.
HATS
Ginny
February 16, 2001 - 12:25 pm
Am running a bit behind but did want to thank Jeff for his explanation of the "bestemmie," (what does that mean literally?) Certainly it's not a turn off in any way, but it is surprising to somebody like me who did not have enough knowledge of the Tuscan character.
The word "Luck" being in the title, (and very cleverly, we now see, and I've wracked my brains for other body parts used as abstractions, what a good question: I know there are some, I can't THINK of one to save my life)....but, with that word comes the assumption of superstition and one wonders who would be so....reckless, if they were superstitious....as to take such a chance?
Especially in contrast to the notion of "kavanah," which I love, all things proceeding from the mind being in the right place????? Thank you for that, I love that.
And of course we're all familiar with Paul's famous, "Be not deceived, God is not mocked, for whatsoever a man soweth, that shall he also reap," but when you look at that phrase itself, you have to wonder again, in the Tuscan instance, why their choice is not to....direct themselves at the church itself, or the Popes, if that is who they had the conflict with, but the deity instead? And more importantly, why this author included this in his book? I know, since I now see the meaning of the word culo, we will find out, at the end. This is fun, it's fun to read something with so many layers of meaning.
Is there any source you can direct me, also, to read on this bestemmie? Don't want to presume on your good nature, I really appreciate your insight here, because it's interesting and strange, you might say exotic, and I would like to understand it better?
On the "tolling" of the bell, I had put this elsewhere but you all may not have seen it, I had the most interesting conversation with one of the ministers at my son's wedding rehearsal dinner recently, and my own reading just now in an old OED seems to bear him out.
He had pastored an old church in Virginia and quite earnestly explained to me that "tolling" a bell as in a funeral or death is quite different from the normal ringing of a rope pulled bell.
He explained that normally a bell pulled by a rope swings quite a wide arc, and that in tolling, the bell is not allowed to swing, so that the sound it produces then: just the clapper hitting the stationary bell, is quite different from any other, and if you had ever heard it, you would never forget it. As Donne here is speaking of death in his ask not for whom the bell tolls, it tolls for thee, the funeral application of the tolling is germane: it was the custom in the early days of this country to toll the bell as the casket was removed from the church, all the way out. He says it would give you chills to hear it, and from then on any reference to a tolling bell would mean something different if you had ever heard one.
Thought that was interesting, and wanted to add it here.
Barbara, imagine you and the peccorino cheese! I can attest to Barbara's wonderful exuberance in telling people about our book clubs, she had an entire restaurant in Greenville SC enthralled, and the entire place became one, she's gifted that way.
Water seems to play a major role in the Italian cities I've visited and apparently has for centuries, witness the Romans and their aqueducts bringing pure water from the mountains. But then again, often the reality is not up to the dream, well water is often contaminated at least here in the states, as we found out the hard way when we had our own tested.
More later....
ginny
Barbara St. Aubrey
February 16, 2001 - 03:14 pm
I am rolling on the floor laughing with joy at us at this moment in time - talk about juggling - we have so many issues that we are all talking about at one time we need a Dallas Cowboy play book to keep up with each other. Could you just see us if we really did have an opportunity to sit around a table and share a glass of wine or a coffee.
Not laughing at all though when I read dear Alf's family experience with progress. Oh Alf it is a death that affected so many isn't it. I guess the death of a loved one, though painful, is expected where as, the life we create, that is so dear to us and took such effort to build, we expect it all to continue with only the small changes that happens in all life. I really felt like sobbing for you when I read your post.
Ginny you are funny - talk about calling the kettle black when it comes to exuberance!
Hmmm I guess church bells ringing in the hour or the bells on the sheep clanking are not really the same sound as the bell tolling. I wonder though, it has been years and years since I read Hemingway, I wonder how he was using the phrase?
There are so many issues packed into these first few chapters that it is blowing me away. And Hats I do have to agree with you, loss seems to be high on the list.
What did you think of the bit about fixing the pump and turning the valve to shut off the pump? That whole bit seemed like an allegory to the blood running through our viens as well as, the town's life blood being water. It read as if Renato was performing open heart surgery. So basic but, when you think of it, the city pipes in which our water flows is the connection we have to our neighbors. Without water of course we could not survive as a community. And all that is in the hands of Renato.
YiLi Lin
February 16, 2001 - 04:06 pm
does this comment have aplace? i think so- in terms of the town and the flooding to ensue- the present dali lama as early as 1993 reminded us that material change can only have value if there is spiritual change- (not religious- spirit is different) so i wonder and not having completed this book if there is a spiritualchange for anyone or for more than one in the town? so barbara i understand your view of the flooding to create dams in california creating material worth for you and others, i hope it also created spiritual worth and that is not a hidden negative- i bet it did.
also agree how amazing it would be if we were all sitting in the same room over coffee discussing this and other books.
loss, yes there appears to be lots of loss here= but i have not finished the book so i am anxious to find out if the people grew or were diminished by loss(es)- i am thinking about the lossses in my own life, some from which i grew, others diminished!
Traude
February 16, 2001 - 06:40 pm
Barbara, unfortunately I am still under the same time constraints I already mentioned, even more so, but I am reading as fast as I can. And I will come in whenever I can manage, as promised.
Jeff's presence and clarifications were/are of great help. It is very generous of him to make time to talk with us here ! Grazie, Jeff !
I think that Jeff's lyrical description of the olive leaves must be savored- for its sheer beauty. I am not sure there is an intended metaphysical connection between the "cruel sun" and the olive leaves, but only the author really can say.
The essential geographic emphasis of this book is on Tuscany. The Italians call the region - (one of 20 Italian "
REGIONI or 'provinces')
La Toscana ; its capital is Firenze (Florence in English). Numerous language schools for foreigners exist in Tuscany because the purest (= virtually dialect-free) Italian is spoken there. And that is not a value judgment but a linguistic fact.
It is no exaggeration to say that northerners (and tourists too) might have a bit of difficulty understanding the dialect spoken in, say, Sicily where there are variations (though minor) even in contiguous localities.
Incidentally, there is a feminine version of Renato : = Renata.
In pre-discussion posts the question of climate came up. May I say at this time that summers can get quite hot in Florence.
That's why those who can leave the city do so, in droves, in August to go at least up to Fiesole where it is cooler.
Actually, by "Ferragosto" (= August 15) for sure, the Italians are in their cars headed for the beaches of the Adriatic e.g. (now rather polluted).
Re the question of the church :
The Catholic Church has been a powerful force (and not only in the religious sense) early on in the known world, through the Middle Ages and onward, when successive popes actively participated in the political cabals of the ages, hired and sent mercenaries into wars and were very much represented when treaties were negotiated.
But we are not here to discuss the history of the papacy, intriguing as it is (especially the dark period known as "The Babylonian Captivity of the Church" from 1309 - 1376, when there were two popes, one in Rome and the other in Avignon.) Let me just mention one last fact : Vatican City, the Holy See, seat of the papal court over which the pope has jurisdiction, is a city within the city of Rome; it was created in 1929 in the so-called Lateran Treaties between the pope and the Italian government.
Basta, basta, enough already.
Tomorrow is another day.
Saluti a tutti.
Greetings to all.
Traude
Barbara St. Aubrey
February 16, 2001 - 10:11 pm
...material change can only have value if there is spiritual change hmmm much to ponder there - I wonder if the implied meaning is that material change can only have value if it is the cause or inducement to spiritual change or is the meaning more Janus in nature— material change without spiritual change means no change at all?
Ginny—I thought of one...a pain in the neck that some folks say - a pain in the a--!
Traude you bring up an interesting concept - I wonder where in the States is the most dialect free area? Yes, I noticed an unusual number of language schools in the area near Siena. In my ignorance I just assumed there was less industry therefore, more folks needing to create job opportunities.
You know how I love to play around with symbolism Traude. As we have read so often, reading is a creative act. The author's material is understood in light of our own experiences. Moving beneath the surface of the story, we transform our personal understanding into wisdom. For me, considering the symbolic meaning of the authors chosen discriptive items usually evolves into a head and heart connection, much like my reading a poem.
I thought it especially interesting that the Sun; The supreme cosmic power; the all-seeing divinity; the heart of intuitive knowledge, the seat of illumination and intelligence, devine will and guidance, the universal Father could be considered a prankster.
And yet the Sun, this oft symbol of the universal Father, Divine Goodness, Archetype of light, making the invisible visible, is allowing Olive leaves, wet with mist, to shine silver in the sunlight.
Silver The moon; brightness, chastity; purity; eloquence.
Olive Immortality, fruitfulness; peace, plenty; strength; beauty; safty in travel.The olive tree is the dwelling place and an emblem of the moon. The moon, the rhythm of cyclic time, universal becoming, the dark side of Nature, a weaver of fate.
The olive leaf denotes renewal of life.
Joker, Jester, Fool The opposite of the highest temperal power. The jester is the lowest at the court and frquently took the place of the king, in ritual sacrifice, as the scapegoat. The opposite of the forces of law and order, the joker is of chaos, hense the licensce to play pranks, say or do what he pleases blindly going toward the abyss.
Mist The condition of error and confusion. Mystery religions employ the symbolism of mist in initiation; the soul must pass out of the darkness and confusion of the mist to the clear light of illumination.
Barbara St. Aubrey
February 16, 2001 - 11:40 pm
Hats I can hear you now - you couldn't say that about our Renato - Oh you have him all wrong - how could you...
Well on page 11 Renato thinks a remark that made me feel stomped on. It took me till he visits Signora Vezzosi before I let him up for air. The man could not win for losing regardless the choices he made in the story. He wrapped me around his finger up to page 11 and then I desided he was all foam, no longer someone I'd ever go with to the well.
I took his one remark and projected it metaphysically as the controlling vibes that, of course man has a callous attitude toward the earth. That Renato was secretly in cohoots with a cavalier attitude toward changing the face of the earth to satisfy whims. Renato to me became a potential propriator to the routing and eventual demise of culture, family, community.
I roped his statement and rode it to page 88 when I finally calmed down. Why I even reviewed Jeff's bio and said out loud, "How could you?"
The offending sentence - "These were both his." To my toes the concept of men feeling ownership of wives and children...
Of course we all do say it; "This is my son, my daughter, my husband or wife" But this group of words seemed so much more possessive. It is this concept of possissiveness, ownership that prompts many to take what they want without respect for the intrinsic value of their so called "owned" land, family, workers etc.
I was on such a bumpy road of outrage that I missed many phrases and connections. Only after re-reading, for this discussion, with a calmer attitude, prompted by the realization that this remark is not in keeping with the characterization of the Renato who develops a list of profound truths on a piece of cheese wrapping, did I really hear the dialogue among the old men, accept that Renato could think ill of his wife's mother and have real concern for his mutant soldier daughter rather then just wanting to control.
Jeff I still have to ask why the red flag - was it a hook to create tension?
Hats
February 17, 2001 - 03:52 am
I finished "Renato's Luck" last night. Would anyone like to know the ending? Just kidding!!!!
I just kept going and could not stop. Lots of surprises or would you call it one small mystery? Oh well, if I don't shut up no one will speak to me. Ha Ha Ha!!!
HATS
P.S. Now I am going to reread this beloved book. Barbara, don't throw away your symbolism book. We need it.
Traude, I promise I won't worry about the papacy and its history. I promise.
Jeff Shapiro
February 17, 2001 - 06:48 am
Hello once again.
Wow! Things are hopping! Hard to believe how many messages are being exchanged in this cozy corner of cyberspace.
Maryal, I was very moved by your account of your mother's ring. Have you noticed what a chord you struck with other people? Rings have tremendous importance for us as symbols and keepsakes. You made me think of several instances in which rings have been crucial in the lives of people in my own family.
Alf, thanks for noticing the book's first word. The choice of the first word was significant for me, too.
Barbara, you're doing a marvelous job as leader. I get the happy impression that the round table at which we are gathered is in your home. Are we keeping the neighbors up?
I enjoy reading your virtuosic riffs on symbols. Really good stuff. And the references to John Donne were intriguing.
Traude, thanks for sharing the information on Italy and Tuscany. Your own affection for this part of the world shines through.
YiLi Lin, I found your comment on the Dalai Lama to be right on target. While writing this novel, I felt a strong pull toward values that have nothing to do with the materialistic concerns that often take up too much of our attention. What would it say about us as people if our deeper yearnings could be summed up neatly by a bank statement?
Ginny, I loved your description of how bells toll. So THAT'S what gives funeral bells their characteristically dead sound. (While we're talking about bells, by the way, I would call readers attention to the paragraph that opens the chapter "Dust to Dust" on p.34.) You're right. Once you've heard the tolling of funeral bells, you never forget the sound. Here in Italy, many of the bells in the church tower in engaged in tolling, each bell ringing out its individual note. But as p.34 mentions, the random sounding of all the bells creates "musicless music." Quite chilling to listen to.
I wish I could recommend a good book on Italian "bestemmie." I don't have one to hand. I'll do some research, though, and see if I can find a good source. In the meantime, I'd be interested in hearing your thoughts on swearing in general. If you think about it, almost all languages have several universal features when it comes to swearing. Most swears arise from themes that are close to our hearts: religion and sex. Notice how many of our curses, even in English, address religious concepts. We are all aware of the Biblical injunction against using God's name in vain. Through a strange process association, we also feel slightly guilty when we mention theoretical domains for the afterlife. And isn't it interesting to observe how innocuous a cry of "Heavens!" sounds, while "Oh Hell!" smacks of possible poor taste?
Notice, too, that we don't necessarily have to believe in the deity uttered in our imprecation. "By Jove!" still sounds like a fairly natural (albeit dated) thing to say, despite the fact that nobody today believes in Jove. Some Italians still say "Per Bacco" ("By Bacchus") in order to express surprise or delight. I get a kick out of this expression every time I hear it, for it reminds me that Italians are indeed descendants of the Ancient Romans who built temples to such deities as Bacchus.
Why is it that we swear against the very spirituality that we hold dear?
Why, when everyone finds sex such a desirable activity, do so many of our curses describe physical love as something negative? Why are we so fond of criticizing each other's mothers when we intende to hurt? (In Italy, sisters, too, come under fire.)
Then, of course, there are all the scatological swears. Why are these more common in English than in Italian? What does that say about our intimate preoccupations?
What do animal associations mean to us? If you call someone a pig in English, you mean to call that person unclean or gluttonous. If you call someone a pig in Italian, you mean to call that person promiscuous.
Why are so many of our animal insults based on domesticated animals ("What are you, chicken?" "He eats like a pig." "You silly cow." "Oh, that's total bull." "Aren't we catty today!" "What a bitch!" "You dirty dog, you!"), while references to wild animals would strike us as meaningless ("You son of an possum." "You eat like a rhino." "You giraffe, you!")?
Why don't more insults arise from another great activity, namely, eating? Interestingly, Italians use several food words negatively. ("He's as dull as a boiled fish." "She's as lackluster as a boiled potato." "Your head's as empty as a pumpkin.") In English, our food words tend to be terms of endearment. ("Honey," "Honeypie," Honeybuns," "Sweetie," "Sugar," "You're a peach!") About the only negative food phrase I can think of in English is "couch potato," and even that is hardly what you'd call a big time swear.
Just playing around here with the question of why one word is deemed offensive and another isn't. For fascinating comments on this subject, I'd recommend the chapters on swearing found in such books as "The Play of Words" by Richard Lederer and "Mother Tongue" by Bill Bryson.
Then there's the round table participant whom I seem to have upset. From the posted message, I can't quite make out who the offended party is. Hats? Barbara? Both? Someone, in any case, was outraged by the sentence on p.11 when Renato is watching his wife help his teenage daughter wash her hair. "One bathrobed woman was pouring water over another bathrobed woman's head. Renato liked women. These were both his."
It was the possibly possessive tone of the word "his" that hit the reader the wrong way. What can I say in my own defense for having written those lines? Not much, perhaps. I might offer that this passage tries to get inside the largely unconscious, subjective impressions a father experiences upon noticing that his daughter has become a woman. There are delicate, vague feelings at play here, as hard to pin down as the steam hanging in the air of the bathroom in Renato's house during that moment.
And there is, inevitably, a kind of irony in his thought that his daughter is "his." In some ways he is about to lose his "little girl," though he's not yet entirely aware of this imminent loss.
With specific regard to the possessive word "his," I see how this word could be taken as something negative. This negative reading, however, has little to do with what Renato's feelings. Renato has no interest in controlling other people's lives. That's not what
he's after. He doesn't see loved ones as property.
A more positive reading would be in line with a passage from the Song of Songs: "My Beloved is mine, and I am his." I like the reciprocity of that line. I find the use of the possessive there to be a statement of deep love, not of ownership.
Your thoughts?
Hats, your question about when my life was torn. Good question. No, it's not too personal. I'd be glad to answer. I'll tell you what just happened, though. I wrote out a rather lengthy answer to this question and tried to post it, not realizing that there's evidently a length limit on messages. The stuff I sent was lost (along with about an hour's worth of work). May I take a rain-check? I will get back with the answer over the next couple of days.
In the meantime, I just read the message you posted, Hats, obviously at the same time that I was here typing away. Thank you very much for your remarks about the book. Really glad you enjoyed it. Looking forward to hearing your specific comments as they arise in discussion.
I'll sign off here. (Isn't it frustrating to lose several hundred words somewhere in computer limbo?)
Thanks again, everyone, for participating. Love, Jeff
Barbara St. Aubrey
February 17, 2001 - 09:19 am
Wow Jeff - we do give you a plate full and then you respond to each and every serving - Thank you - we really appreciate your generosity. And yes, it is maddening to see your work just disappear. That is a loss many of us have experienced and it takes the stuffing out of enthusiasm to say the least.
And a personal note - thanks for this...
There are delicate, vague feelings at play here,
as hard to pin down as the steam hanging in the air of the
bathroom in Renato's house during that moment.
A more positive reading would be in line with a passage from the Song of Songs:
"My Beloved is mine, and I am his."
I like the reciprocity of
that line.
I find the use of the possessive there to be a statement of deep love, not of ownership.
How beautiful to think of the association with the Song of Songs. Yes, the emphasis away from "his" makes this a vague sublime scene with, as you pointed out its importance, the steam hanging in the air.
Thank you for offering me a new picture in my head of a Father looking in on a domestic scene with love in his heart. The steam, how delicate and yet, how powerful a way to bring out this scene. This morning the mist in my eyes is heavy with the light you have shed on what brought up a mass of confusion for me. Thank you!
YiLi Lin
February 17, 2001 - 09:33 am
did not take offense by the notion of wife and daughter as "his" i was reading in light of a character in a particular culture- that as i have understood - speaks to this possession as an endearing way of expressing a family unit. i guess because i had not read anything that suggested renato was not living up to his responsibilities in the unit- not like some characters who claim ownership but do not respect, empower, etc.
also i am often struck by how language develops- including historical and modern idioms- around culture- i think this was clearly presented in the example of animals and what is means when a human is compared to an animal- depending on the culture and the esteem (or lack of) that the animal or the animals traits have determines the intent.
right now what confounds me is the lack of names for the sheep- i understand the notion of reinforcing renato's value of simplicity- but especially since the beasts were not for slaughter and there is this notion of change and interconnectedness among people and nature in the town, i would have thought a man like renato would have named his sheep- so now i am about to name them for me.
betty gregory
February 17, 2001 - 04:12 pm
Still waiting, not so patiently, for my book to arrive. Powells already has been sent a piece of my mind, although, given the paucity of pieces, I might want to ask for it back.
Since I have the beginning of the book (emailed from Barbara), I can say that I was also bothered by the possessive "his" from Renato. The thoughts from Jeff on this word do alleviate the initial impression and take me away from the more traditional meaning---but those few words still carried enough weight to interrupt the scene for me. (And, I say, grinning, I wonder if it was in that moment of fury that Barbara began typing out the first part of the book to email. Left to our own devices, Barbara and I can get into lots of trouble.)
My goodness, what fun to read through all that on cursing, Jeff. Religion, sex, domestic animals....then, cultural differences (pig, etc.). So interesting. Can't quit thinking about it. I did think of three non-domestic animal expressions, but they are not really curses. You skunk, you. You snake! You (dirty) rat!
Hats
February 18, 2001 - 03:54 am
If Quarta were a human being, I think we would say she is afraid of life. Any new experience, especially a painful one, can make her feel out of control. Quarta is watching for the next catastrophe. The catastrophe might never come, but it won't be because she is not watching for it.
When bad experiences do hit her, like the rock getting stuck in her hoof, she never gets over it. It's like when some of us have an operation. No matter how serious or minor the operation we can never stop telling our friends and family about it. Reliving and retelling helps us to get through the bad times. So Quarta is one of us.
At times I am like Quarta. Just having a cold can make me feel like death is chasing me like a wolf. The whole family knows I have a cold. I tell them I am dying. This sore throat will be the death of me.
This character trait is a flaw. Quarta, like me, probably wishes she were different. Quarta just feels that anytime the end could come. What a bothersome sheep to have around.
HATS
YiLi Lin
February 18, 2001 - 07:36 pm
WAs it chicken little- "the sky is falling, the sky is falling"! But then again each sheep suggests an archetype- Hats I think most of my life I've been Primo(a) sometimes creating havoc jumping right in to every new experience., as I've gotten older I don't think I've become a second or third- but I would like to believe I've become a more circumspect prima.
Now I wonder if we look at the characters- Renato, wife, daughter...will we find a link between human and sheep?
Hats
February 19, 2001 - 05:10 am
YiLi Lin, I'll have to think about that question. It brings a lot of ideas to my head. I will think about it as I go through the day.
HATS
Ginny
February 19, 2001 - 07:37 am
I am glad we are taking this one slowly to savor each bit. I was quite struck in these opening pages with the amount of metaphor and simile, it almost seems that everything is alive in a praeternatural way (have forgotten what you call that: animism?)
For instance, take these for example:
"bright water hemorrhaged from the street. The earth's blood poured from the wound in the stone skin that had covered these streets since the Middle Ages." (page 20).
"...touching the pump's trembling flank..." (page 23)
"pipes became soft, like human veins..." (page 23 ) not to be missed also there: "But if he broke anything in here, he'd only be breaking himself..." (I like that)...
"And there was something about old people going to the funeral of a dead old man that made him think the old people were next in line to board the same departing train." (page 35)
And so on in these first pages we're talking about.
Then there's the device of structure in the presence of one or two sentence paragraphs which stand out in the narrative flow? There are 5 of those by page 45, and they do jump out at the reader. I'm trying to figure out if they have any connection to each other or if they signify any turning point in the development of the plot.
I spent all day yesterday trying and failing to envision my own home under water (we're on a high hill) but I think it would be awful, I too, noticed the eels, that was interesting.
Thank you, Jeff Shapiro, for your marvelous post above, I'll tell you one thing, you will never write another book that is not on my shelf. Of all the authors we've had contact with here in the last 4 1/2 years, you, Sir, have added the most to any of our discussions, period. In the first few days, yet.
So Renato, who on the surface seems a person who is driven this way and that by the circumstances of his life, in reality is a person who looks at things a little differently than, perhaps others do, witness the train images and the skin of the earth bleeding, so he's....would we say he's a sensitive man?
The question in the heading is can we relate to these characters or do we like them? He's a puzzle. I wonder how Jack in Portugal who says in the Books LIbrary that he left the US because OF this lack of seeming simplicity would take to Renato?
I have found that "the simple life," is often a great deal more than people think, and I think I'm going to hold judgment on this very complex man until we can see a little more of him.
What page, Barbara, would you say we should be up to now?
ginny
Hats
February 19, 2001 - 08:29 am
I like Renato. He loves life. Yet, he has no philosophical reason why he loves the feel of well water or the feel of the ground under him. His actions, he says, are unexplainable.
Perhaps, when we become so involved with the question "why" we lose the wonder of life. Is it possible that emotions and facts can not live in harmony with one another. Perhaps, if we have feelings we're not involved with facts. Or, if we have too many facts, we lose the ability to feel.
In the book, "If you asked him why his first touch of water every day should come from the well, he wouldn't have known how to answer. Who needs to explain?"
HATS
YiLi Lin
February 19, 2001 - 08:37 am
Ginny great post- I wonder if it is because so many had to wait for the book and thus we slowed down or took time to reread waiting for others. I also think Barbara's questions- even if we did not discuss those in particular- had us pause and take notice. Also she did not limit us to one or two questions that narrowed our thinking.
I would like to believe the author is happy with our slow involvement, I have the feeling he, like others, took great pains to write and rewrite the wonderful passages, metaphors and similies you've addressed and I would like to believe he is feeling rewarded for his efforts. I think too often modern readers are more into plot and action and thus that is what the publisher's and editors demand- i think that is why there are so few "appealing" modern literary works.
Hats, yep thank you for reminding me, to truly savor moments and gestures in life, one should not have an explanation for them. This was a powerful reminder that I will carry throughout the day, not even mentally beginning to justify, clarify, analyze any of my personal life gesetures to myself or any other. so cool
Ginny
February 19, 2001 - 08:51 am
That's a good point, YiLi Lin and one we can, thankfully, ask the author: you know the Poet Laureate, now, unfortunately deceased, of South Carolina, Bennie Lee Sinclair, told a writing class I went to once that the modern publisher gives the book about 100 words, and if it does not GRAB the editor in that time, it's dead.
THIS is a nice leisurely book and a MAJOR publisher, Harper Collins, no slouch among publishers. (
says a lot for their taste)....Bennie Lee Sinclair had a LOT of suggestions when she wrote her mystery from her publisher as to livening it up with some risque materials, it might be intersting to find out if that was the same case here or not?
Very good point (if I undersood it, that is! hahahaha)
ginny
Barbara St. Aubrey
February 19, 2001 - 09:11 am
Quicky no time just now - but had to chime in - when we hear Jeff struggled just to come up with the word "DAWN" to start the book, you just know he poured his heart and soul into this book. As much as there is that we can bring to the story, when I read Jeff's posts I want to re-read the book again and look for the atmospheres as he describes them for each scene. The steam in the bathroom did not hit me when I read the passage as so emblematic to the scene till Jeff pointed that out.
Oh no I did it - this must be contagious - had this great post. Seniornet froze on me again and I put my post on notepad. Then when I got back in instead of copy I hit cut and now it is all gone - no time now - I'll see if I can put it togther again - I was responding to Betty, and Hats and Yili Lin's earlier posts of yesterday and this morning.
Ginny
February 19, 2001 - 09:25 am
Barbara, if you hit CUT you still have it and all you have to do is hit PASTE unless you have copied something else in the meantime?
Cut is just remove and copy?
ginny
Ginny
February 19, 2001 - 09:28 am
I really urge any person who does a lot of posting to get a utility called ClipMate? Unlike your computer which saves only the one thing copied when you hit copy or cut, and thus can only paste it the one time till you copy something else, ClipMate saves everything, automatically with no effort on your part, every single cut and copy, forever and allows you to sort through, arrange, and even paste them in sequence of quotations or stuff by the hundreds. And it NEVER loses one.
I can't imagine being without it especially if you do a lot of op cit work. Why struggle, you can try it free:
ClipMate. How on earth anybody manages without it is beyond me!
(And no, while testing the URL I just noticed they have an affiliate program wherein if you tell others you get money or something, but no, am not on their payroll, this is a FREE testimonial, quite a few of us here use it, and you should give it a try). haahahaha
ginny
ALF
February 19, 2001 - 09:38 am
" When they died someday, Renato wouldn't revisit either
of them with a nostalgic thought. " When we were
first introduced to Prima, Seconda, Terza and Quarta, I chuckled with the
simplicity of it.
They never distinguished themselves in life.
They gave birth, milk, gave wool, chewed grass and stayed with the others.
They knew their order!
Like any first born, la Prima displays the curiosity and courage to
peer and scrutinize. Isn't that typical of a first born? Inquisitive,
extraordinary, striving for perfection ,the first born usually are eager
to examine and investigate, aren't they? (We expect more of them
also, I think.) Renato even includes her in his thoughts re.
his dream. By the time he'd gotten to Terza, he had the reasoning
complete. Seconda and Terza were creatures of the flock.
BUT--Quarta, like a sibling, who has learned to be last and merely nuisance
absorbed into daily activities of the rest, must find a distinguishing
characteristic to make her seen and heard. Jeff chooses to depict
her as delicate, weak and neurotic. She has an air of debility
adn fraility like a last child seeking to be heard. Poor baby!
Rammed by the ram, she takes on the personna of an agrieved mare as if
" death were chasing her like a wolf." Wolf! As in cram,
gobble, gorge and consume, Jeff? What an apt animal for your choice
of words. I agree with Ginny, we must allot ourselves the time to
wallow in these words. I found it interesting that Renato didn't
need the light to help him fill the pails with the milk, as his hands knew
where to go and what to do, akin to touching his beautiful wife.
Hats
February 19, 2001 - 10:14 am
Ginny, I agree with you. I think Renato is far more complex than we might think at first glance. How many of us see ourselves as ghosts? I think this means that Renato took himself away "from the maddening crowd" at times and just observed his surroundings.
So often I am busy running my mouth or running to get another chore done that I miss the beauty of life. As YiLi Lin says, we miss "the gestures of life." Wow!!!!
For a day I would like to try being a ghost. Not being a participant but being a spectator. I think photographers do this. They take themselves out of the picture and become spectators of precious moments.
The memories which we can see so clearly in our minds of family and friends are the times, I think, when, not realizing it, we have taken on the roles of ghosts.
When I first read the word "ghost" I chose to think of it in a negative light. When all the time, Jeff Shapiro had taken the word and given it a new twist. I guess this is why we all congratulate him as a gifted writer.
HATS
Ginny
February 19, 2001 - 11:13 am
HATS, what a brilliant line of thought, about the ghosts and what makes one. What is a ghost after all?
When you retire, does that make you a ghost? Is that why so many men have heart attacks within the first year of retirement? What is a ghost, somebody that others look right over and through?
My favorite character in all of literature is a ghost: the Ghost of Marley, (which of course I have said ad nauseam) a short but brief trod on the stage for him, maybe for us, and now Renato is getting his own....is it a half life... in this book, he comes alive...love it....ghost.
Wonderful point, Hats!
ginny
betty gregory
February 19, 2001 - 11:46 am
Alf, as with all good myths, the one about first-borns lives on, even after such interesting studies that cannot find any differences between first and second, etc. children. Birth order is not a determinate of personality or behavior.
But I don't believe those studies and, as a first born, am bold enough and gutsy enough to say so.
Hats
February 19, 2001 - 01:03 pm
Ginny, I suppose a ghost has magical powers. This is what makes a ghost so interesting to us. A ghost has the ability to be visible and invisible. Maybe men who retire do feel that they are beginning to disappear to others. They might feel that their talents are beginning to melt away. They are no longer needed.
I suppose Renato might have felt ghostlike in his own life. He might have felt he was losing the ability to "control" or "fix" his world. His best friend has died, the man who was like his own father. His daughter becomes a woman, it seems overnight. And his wife does not awake his passions like the actress.
I think Renato feels whatever he touches is changing, disappearing. This might make him feel like an apparition.He probably thinks his own death is near. In a way, death is all around him. If we think of change as a sort of death.
I love the Ghost of Marley too.
HATS
I have been thinking about the town. Sant'Angelo D'Asso is described beautifully. I love chiming bells. Ginny, I think you talked about chiming bells. I will have to read the post again. I am also thinking of the church in Sant'Angelo D'Asso. It is Romanesque and built eight or nine centuries ago. How sad to think that something so old and beautiful will die in an avalanche of water.
I have seen pictures of Romanesque architecture. The workmanship is fantastic. If our towns were dying, would we think of the architecture and art in the museums or would we just think of our own tiny worlds. I have to be honest my own tiny world would be my first thought and my only thought.
Betty Gregory and Alf, I will have to think more about birth order.
HATS
ALF
February 19, 2001 - 05:11 pm
Aha, Betty, studies be damned. I'm with you there. Ghostly can also be deciphered as divine, haunted or illusory. Is our spiritual Renato a phantom?
Barbara St. Aubrey
February 19, 2001 - 09:28 pm
What a lovely group of posts. I thought I would take quotes from your alls posts and group them around issues. Of course I too want to add my two cents.
First let's take care of some housekeeping. This discussion offically started on Valentine Day February 14. The first set of focus questions were built on reading up through page 85. They were up early, at some readers request, and we simply started early to respond to the book.
Typically tomorrow, Tuesday February 20, would be our week for this section of the book. I have a very full day tomorrow with appointments filling the day from 8:30 am till prabably at least 8:30 tomorrow night.
Since there are a few of us still waiting for their book, the delay of the next section may work in my favor, as guilt was chasing me like Quarta's wolf. And so, Wednesday night, proabably very late, the new focus questions will be up and the current questions will be put into an clickable HTML page that will be made available hopefully by Thursday or the latest Friday.
Also, by the weekend there will be a second HTML clickable page created with the many wonderful quotes from y'alls posts about this first section of the book and especially Jeffs explanitory remarks.
Hee hee thanks for the tips about retrieving information from my clipboard. Unfortunatly there is something happening that has confounded me for over a month now. Often when I am trying to post on seniornet everything freezes. I than have to get completly out of the internet and start all over. Anything put on my notepad during the session suffers and is wiped away along with anything on my clipboard. It is maddening and no one else seems to be complaining, so I simply struggle on. It seems to have started when the advertisement for seniornet became part of our heading. The one where the words in different fonts come and go expressing all we have to offer on this site. I cannot figure out if maybe there is something there that is a problem for my computer or if it is just coincidental timing. I do know that anytime I download a site with sound, within minutes my computer freezes and so I have learned to edit out sound as soon as I see that bar appear on my screen.
Ginny thanks for the heads up on clipmate - I wonder if that would be Mac compatable.
betty gregory
February 19, 2001 - 09:42 pm
My book has arrived. I'm taking it with me tomorrow for a day at the doctor's office. My transport comes at 6:35AM---to take me three blocks away to a 9:45 appointment. Aarrrgggghhhh. Ah, but plenty of reading time, just not where I'd prefer to do it.
On the posting/copying challenges, my way, as usual, seems outside the norm but works for me. I tend to snoop around on all things technical until I find what I need---I might be kin to the brother who doesn't read directions. If my computer or the server or Seniornet or anything else is acting oddly, I copy and paste my post to an ongoing email letter that I keep in "drafts" on the email software---just open my email site. Then I've got it, no matter what. (Remember to "save" the letter after each addition to the draft.) Then, because the original is still sitting in the box at the bottom of this page, I can try to post it. If it works, fine. If not, then I have it in the "drafts" section of my email box and can copy and paste into the box at the bottom of this page at any time. Sometimes I use this method after I've written something, but want to mull it over before posting.
Barbara St. Aubrey
February 20, 2001 - 12:16 am
"HIS"
Yili Lin - "did not take offense by the notion of wife and daughter as "his" ...because I had not read anything that suggested Renato was not living
up to his responsibilities."
Betty - "was also bothered by the possessive "his" from Renato. The thoughts from Jeff on this word do alleviate the initial impression and take me away from the more traditional meaning---but those few words still carried enough weight to interrupt the scene for me. "
SHEEP
Yili Lin says, "...what confounds me is the lack of names for the sheep ... reinforcing... simplicity...there is this notion of change and interconnectedness among people and nature in the town"
In another post Yili Lin says, "each sheep suggests an archetype...Primo(a)
sometimes creating havoc jumping right in to every new experience." Yili Lin wonders "if we look at the characters- Renato, wife, daughter...will we find a link between human and sheep? "
Hats - thinks that Quarta is "a bothersome sheep to have around. " Hats prefeced this remark with - "If Quarta were a human being, I think we would say she is afraid of life. Any new experience, especially a painful one, can make her feel out of control...At times I am like Quarta. Just having a cold can make me feel like death is chasing me like a wolf...Quarta just feels that anytime the end could come."
Alf chckled over the simplicity of,
"They never distinguished themselves in life. They gave birth, milk, gave wool, chewed grass and
stayed with the others. They knew their order!" Alf than surmises. "Like any first born, la Prima displays the curiosity and courage to peer and scrutinize. Isn't that typical of a first born? Inquisitive, extraordinary, striving for perfection ,the first born usually are eager to examine and investigate, aren't they?...Seconda and Terza were creatures of the flock. BUT--Quarta, like a sibling, who has learned to be last ... must find a distinguishing characteristic to make her seen and heard...Jeff chooses to depict her as delicate, weak and neurotic."
Betty says some studies do not agree with characteristics assigned to birth order. And Hats needs to think further about birth order. Alf than agrees with Betty and says, "studies be damned."
My two cents - My grand, 12 year old Chris, and I have been reading and studying together Jack London's
White Fang (I forgot how great a writer is London) The story seems to connect the Wild, the hungry wolves and death together. I just love this from the book.
It is not the way of the Wild to like movement. Life is an offence to it, for life is movement; and the Wild aims always to destroy movement. It freezes the water to prevent it running to the sea; it drives the sap out of the trees till they are frozen to their mighty hearts; and most ferociously and terribly of all does the Wild harry and crush into submission man — man who is the most restless of life, ever in revolt against the dictum that all movement must in the end come to the cessation of movement...And then, across the narrow oblong box, (containing a third man whose toil was over) each nodded to the other...A third and answering cry arose, also to the rear and to the left of the second cry. 'They're after us, Bill' said the man at the front."
A chilling discription of, "frantic look in her eye, as if death were chasing her like a wolf." But then taking the sheep as a unit of four we have as bookends the brave one and the delicate, fearfilled one. Hmmm 'so what' - I ask myself, what is the point of describing the first and last but offering little description individualizing the other two.
Although recongnizing Jeff's explanation that symbolism, for an author, is like explaning a dream upon wakefulness I still find the traditional use for symbols to be a window to the soul of the book. And so another step, a look into that copy of
An illustrated Encyclopaedia of Traditional Symbols and learn;
- Sheep Blind and unintelligent following; helplessness. Christian; the faithful, the Apostles.
- Number Four From four the first solid figure is produced; the static as opposed to the circular and dynamic. wholeness; completion; solidarity; the Earth; order; the rational; justice. The four cardinal points, seasons, sides of the square, arms of the cross, rivers of Paradise, sacred mountains, quarters of the moon... Christian The number of the body, with three as the soul, four winds from which the One Spirit is to come, horsemen of the Apocalypse... Hebrew Intelligence; In Qabalism it is memeory;...
Another side bar - Offered in
The Nature of Narrative by Robert Scholes and Robert Kellogg is the history and traditions of oral and written narrative as well as, further description of the various mechanisms used to control a reader's response and convey meaning: like; allegory, satire, the use of symbolism, historical event, fact and reality. Robert Scholes and Robert Kellogg describe Symbolism, Allegory and Satire —
- Symbolism as organic, non-intellectual, pointing to some mystical connection between the mind of the author and the unreal world which is the shaping mind or soul behind actuality, wearing what we call the "real" world as its vestment. Any illustrative image.
- Allegory overtly intellectual, illustrative imagery is characteristic of this form, didactic, reflecting the real world in a mechanical an superficial way, quietly emphasizes the illustrative meaning of its characters, setting and action. This form requires fairly consistent symbolism. Allegory as a mode of thought and story-telling is suited to instruct as much as delight through symbolic imagery.
- Satire rather then the dictionary definition that speaks to human vice or folly attacked through irony, derision, or wit, Robert Scholes and Robert Kellogg suggest that satire is capable of using "mock" fictional forms to make quiet general intellectual statements. Satire depends on the notions of the proper, the ideal world is good and the real world is bad. Hense, satire naturally flurishes when the world is in transition from an ideally oriented moral scheme to a non-moral scheme. (I would prefer to say any new moral scheme goes through a time of transition where the old schemes are often mocked)
The valididty of satire depends on its ability to convince the reader that the social and moral types of the real world are being represented more truly as caricatures than they had been in ideal thought, to which the satire offers itself for comparison. This representation of the real world strikes out against falling away from conforming to an ideal that has little relevance to the real world.
The characters loose their status as generalized types and take on the problematic qualities we associate with the novel. We become emotionally concerned for the well-being of the character.
Robert Scholes and Robert Kellogg say, Character the soul of man where virtue and vice are found are revealed through light and casual actions. Characters are the primary vehicles for meaning in narrative. Objects become characters. Without characters there is no action. We ask questions based on our knowledge of the way real people are motivated. While reading we desire beauty and truth. The esthetic appeals to beauty - heros in ideal settings, landscapes and the sense of ugly is with villains, monsters and dugeons.
All that to say. I see Primo as a foil to Quarta's fear. As a group the sheep, like all of us, either as Alf says, "displays the curiosity and courage to peer and scrutinize...Inquisitive, extraordinary, striving for perfection" or as Hats says, "...afraid of life. Any new experience, especially a painful one, can make her (us) feel out of control...feel like death is chasing me like a wolf" and as Alf says, "delicate, weak and neurotic." Is Jeff offering us gentle satire here, ever so softly mocking through Quarta's actions, that being delicate, weak is the out of control action where as, the bravery of curiosity and inquisitiveness is required during a time of transition.
The sheep are nurtured by Renato and are only described as being in his stalls and accompany him during his morning ritual to sit on the hillside. Are the sheep the other side of Renato, or the body in action side of Renato as opposed to his thoughts. Are the sheep representing Renato's dilemma how to handle life's trasition.
Barbara St. Aubrey
February 20, 2001 - 02:20 am
Rah rah, Betty has her book! And now how do we think on an "overnight" (delivery) Betty?
BEAUTIFUL METAPHOR AND SIMILE
Ginny says, "was quite struck in these opening pages with the amount of metaphor and simile, it almost seems that everything is alive in a praeternatural way." Also, Ginny points out, "Then there's the device of structure in the presence of one or two sentence paragraphs which stand out in the narrative flow."
Yili Lin agrees with Ginny about the wonderful passages, metaphors and similies the author took pains to write and rewrite. Yili Lin thinks, "... too often modern readers are more into plot and action and thus that is what the publisher's and editors demand- I think that is why there are so few "appealing" modern literary works."
There evidently are a few of us renewed in esthetics, beauty and truth. Where as, the market place leans toward action, imagined reality, moral or not. And yes, I have to agree, Jeff wrote a book to savor. I see so many spiritual connections just under the surface.
Also, having typed out the early chapters was a lesson for me, as a budding artist paints the work of a master by copying a museum piece. I learned that Jeff often uses short sentences. I like the affect. It gives punch or emphases to the thought. Amazing what I observed while typing that I missed by reading the book. Now, I can really see the value in reading out loud.
HOME UNDER WATER
Ginny tried and failed "to envision my own home under water."
That to me says volumes about the love of your home that more than likely hold many special memories as well as, items dear to your heart. Having been partial flooded, (while I was out-of-town, my roof was being replaced. Still in the tar paper stage, a 14 inch deluge falling within hours hit Austin) I still get upset over some of the loses. But then I think on the memory of enjoying the item lost and push past the loss.
Hats not only is thinking of, " the church in Sant'Angelo D'Asso...How sad to think that something so old and beautiful will die in an avalanche of water." But also shares, "my own tiny world would be my first thought and my only thought. "
I wonder - is that saying that for many of us our world is our home? I'm also reminded how little by little, day after day our cities and towns are changing. I used to say I had to take some of the old streets we used to get downtown just to remember where I live. Along with growth many of the traditions and colloquialisms of the area have changed. This flood of water Renato fears is a flood of people that have changed this town along with a flood of inventions that have changed all our lives.
Do we all have to move to Tuscany in order to slow down? Sant'Angelo D'Asso reminds me of the close knit town of Ballykissangle (spell) the location and name for the delightful story from Ireland featured on PBS.
This is the part that confuses me. Small town America is usually quite conservative which often leaves little room for the equality of woman. Where there is economic security, often brought about in change, is where there appears to be a more inclusive acceptance of all, regardless of "...
Barbara St. Aubrey
February 20, 2001 - 03:16 am
SIMPLICITY, FACTS AND FEELINGS, GESTURES IN LIFE.
Ginny describes Renato as a sensitive man, and sees the simplicity in this character. "I have found that "the simple life," is often a great deal more than people think, and I think I'm going to hold judgment on this very complex man until we can see a little more of him. "
Hats likes "... Renato. He loves life. Yet, he has no philosophical reason why he loves the feel of well water or the feel of the ground under him." Hats suggests, "Perhaps, when we become so involved with the question "why" we lose the wonder of life....Perhaps, if we have feelings we're not involved with facts. Or, if we have too many facts, we lose the ability to feel."
Interesting - I just read an explanation for the David and Golieth story along those lines. David is given God, the 10 loaves of bread, he picks up what is naturally around him, the 5 pebbles, he rejects the suit of armore, man made, with trust in the fact he took out the bear and the lion while protecting his sheep, unafraid he knocks Golieth in the middle of his forehead the seat of the intellect. David carries the head to the tent, a protective enclosure.
I'm thinking that questioning may be really testing trust. Quarta doesn't trust where as Primo trusts and jumps over the difficult. Renato's trust is shaken since the "tastes" of life he has become attached are at risk.
Yili Lin also reminds us when she thanked Hats, "to truly savor moments and gestures in life, one should not have an explanation for them. This was a powerful reminder that I will carry throughout the day, not even mentally beginning to justify, clarify, analyze any of my personal life gesetures to myself or any other."
Hats explains how she misses, "the beauty of life. As YiLi Lin says, we miss "the gestures of life." Wow!!!! "
Yes, I have to agree WOW!!! Observe moments, "gestures in life" and observing ourselves acting, or not, in life. Real Taoist thinking.
GHOSTS
Hats shares, "How many of us see ourselves as ghosts? I think this
means that Renato took himself away "from the maddening crowd" at times and just observed his surroundings." ... "Renato might have felt ghostlike in his own life. He might have felt he was losing the ability to "control" or "fix" his world...Renato feels whatever he touches is changing, disappearing. This might make him feel like an apparition...death is all around him. If we think of change as a sort of death. "
Alf says,"Ghostly can also be deciphered as divine, haunted or illusory."
I also see a ghost as someone caught between two worlds. A spirit wanting a body, a spirit adrift, without a home therefore, remaining in the home it knew when it inhabited a body. Could that refer to someone caught in and comfortable in their past, not yet ready to go on to the future?
ALF
February 20, 2001 - 05:20 am
Holy smokes Barb. How were you able to pull that all together so well? Incredible posting, brilliant! I am off volunteering at the womens shelter . I shall return this evening and address a couple of those questions (IMHO.)
betty gregory
February 20, 2001 - 11:49 am
How do I feel now about the "overnight" delivery, you ask. A little frustrated about the delay (but there are always bigger things on which to use my frustration) and delighted about the price---the whole shipping charge was refunded.
----------------------------------------------------
Renato is a major ruminator....thinking, thinking about thinking, trying not to think, allowing himself to think, then sorry about it. His anxiety about thinking is not unlike Quarta's phantom pebble---neurotic attention to something that won't go away.
betty gregory
February 20, 2001 - 05:34 pm
"Worry-wort." That was the expression I was trying to think of earlier to describe both Renato and Quarta. I'm only at the first of the book, however, up to the moment the English actress needs a plumber.
YiLi Lin
February 20, 2001 - 06:40 pm
I spent today being a 'spectator" in the ghostly sense! Me? I was happy as a clam, actually imagining a theatrical cloud swirling about me within which I could see out- I do this kind of thing perhaps too often- though not with the conscious sense of ghost or spectator -thank you all- what I find is that i have learned to be more quiet in the noisy part of the day- and when you are quiet and the world around you is noise you see people, things, etc. in a different way. I'm glad I learned to use the skill in the mature phase of my life- because what I learn as a ghost I translate more kindly and it helps me stay centered, and develop more compassion for others.
Problem is- I often don't understand why other people don't take the time to see and hear the people in their lives, to me so many things appear obvious- like "she acted this way because she felt excluded" or didn't you see the real look in his eyes when you said that?
In a way I can empathize with Renato, in my noisy world the arena is not available for those who do not play the games in the way they were intended- and sadly today most work worlds do not accommodate ghosts- Barbara, I am sure you can rephrase this all better- but in a nutshell- do we need to move to Tuscany- nope, we simple need a "movement" some courage to at first stand alone, then get one more person to take some ghost time- then another...
So I wonder if that is what the list is to become- will the end be these people get to be ghosts! (literally or figuratively) is that the treasure?
YiLi Lin
February 20, 2001 - 06:42 pm
PS computer experts- how do you do this posting either with notepad or the clip thingie so that you don't lose the page you are reading on the screen? is thtat possible- for example, if something Hats says strikes me and I want tomake a comment, then read further and comment to Barbara, etc. how do I do that without leaving seniornet page, find notepad or wordprocessing or something, write it, then cut and paste? Does this belong here? sorry if not.
ALF
February 21, 2001 - 05:02 am
YiLi: Try hitting alt then TAB . It will shift you back and forth between what you have open.
Hats
February 21, 2001 - 05:49 am
Like YiLi Lin, I think if we are quiet, in a noisy world, we notice more around us. For me, it is difflcult not to be a part of the noise. I noticed Renato noticed his friend, Vezzosi's hands. Renato says his hands were "intelligent."
Are we missing the beauty and intricacy of the people around us? What beauty for us if we learn not to see just a mouth, nose or ear but what those organs depict.
I have never thought of a person's hands as intelligent. I have seen hands as busy but intelligent, for me, that is so different. I think my sister had intelligent hands. She could crochet a Queen Anne"s lace tablecloth or knit a shawl, and anyone could become entranced with just watching her hands move with so much love and quickness.
We miss so much when we do not become observant or like artists in our thinking.
There is so much to think about in this book. And Barbara's links continue to fascinate me as I look back at them. Each time I see something different. Yesterday I saw what Signora Vezzosi's table might look like if we could be in Tuscany and see it. I could see her sitting there having an intense talk with Renato. I missed that when I first quickly looked at the links. So involved with swallowing I did not savor what had been given.
I am grateful Barbara chose this book, and all of the posts have taught me so much. The posts and questions made me go back and read the book at a slower pace.
HATS
jane
February 21, 2001 - 06:18 am
For YiLi...YiLi: There are at least four ways to toggle back and forth between wordpad/notepad and the screen here.
Have both open...and then minimize notepad (click on the little _ box at the upper right) and bring it up when you want to add something to your notepad.
Have both open...and go to the lower right corner..where there are some vertical lines...and put your mouse arrow there. When the arrow turns to a double headed arrow, click and push the window toward the NW (ie, the top/north...on a diagonal...to make that screen long and narrow. If you wish, you can do the same thing with the SeniorNet window...and then click on the very top bar...of the SN screen...hold down the mouse button and pull that long narrow screen to the right...and have the two sit side by side on your monitor screen. You can then just click back and forth between them...reading and going to next post on SN window..and then clicking on notepad window to add your comment.
Have both open and use ALF's method of using ALT and TAB to toggle between the two.
Have both opened, resize both a bit and click your mouse arrow on one or other to make that screen the active one.
When you're all finished with notepad notes, highlight it all, copy and paste it into the message window here. Ta da!
I hope this helps.
Now...back to beautiful Tuscany!!
š ...jane›
Jeff Shapiro
February 21, 2001 - 07:22 am
Hi! I ought to take a lesson from Renato and learn to slow down a bit. Unfortunately I haven't had enough free time in the last few days to sit down and add a few thoughts to the discussion. I have, however, been checking the posted messages every day. I've read each message.
I'll comment more specifically on some of the points raised as soon as I get a minute. In the meantime, I wanted to tell you all how much I appreciate your thoughtful feedback.
I think anyone who writes a book or short story or poem, anyone who paints a picture, anyone who takes a photo, anyone who composes a piece of music, is looking not for monologue but for dialogue. "Here's my take on this bit of life that I've glimsped," a person says when trying to create a book or painting or photo or song. "How does this fit in with your way of seeing the world?"
It's rare to receive an answer to that invitation. I've been incredibly lucky in having the book published by HarperCollins. I feel equally fortunate now in finding such attentive readers as this SeniorNet group of friends. What a treat it is to have someone tell you that your intentions were understood and not wasted! How gratifying to say something and to hear real dialogue in reply!
Reading your thoughts is a luxury for me.
Grazie di cuore. Thanks from the heart.
Barbara St. Aubrey
February 21, 2001 - 07:42 am
Jane thanks ever so - I just knew you would be our expert in giving all the intricasies of getting the most from our computer - And also Alf thanks so for your effort, right on!
Betty yes, did not notice the connection between Renato, thinking, thinking, thinking and trying not to think, as similar to Quarta's cautious ways.
Hats you have pointed out another aspect of looking. Between looking, really looking and acting delibratly, explained best in Jeff's post of Valentine day, I can see that life would be so much more meaningful - full - have taste.
From Jeff's post:
...the flowers we stop and smell along the roadside might well be more important than the destination to which the road leads.
...what the little things are that give life its taste.
To me in many ways this book is like a prayer. More interesting and therefore poignant than most traditional books written
about a prayer life.
Even the weaknesses of wo/man - sheep - mechanical, all seem part of the fabric that gives taste and strength to the fabric of life. There is so much written about, "how you look at something" as to whether it is a hurdle or offensive. This story seems to show the possibilites in life, suggesting small gentle ways to go on.
I wonder if we can encourage Charles to give us the benefit of his experience, watching himself, as his family grew and he became aware of his own mortality. I also wonder, if father's with daughters have a different sense of loss of their role as the protective and all important figure in their children's life than fathers with boys?
I am beginning to have a different slant on my thinking related to the quote — Renato says, Sheep, people and "Mechanical creatures could never be relied on to act in their own best interest." p. 23.
Now I am thinking that, we are like mechanical creatures that perform mindlessly or, animals that take care of their physical needs instinctively, when we are not mindful, observing, acting delibratly, stepping back into a ghost like state, stopping to smell the flowers, tasting life.
Jeff we are posting at the same time - from what you are saying it appears that slowing down is a stretch for all of us regardless where we live.
Your book is like a pebble thrown in the lake - the ripples are extending, affecting so many readers. I wonder can you share the ripple that prompted you to write in this book the prayer like tone?
SarahT
February 21, 2001 - 11:23 am
Just found this book at the San Francisco Public Library (hooray), so I'll start tonight!
Barbara St. Aubrey
February 21, 2001 - 12:23 pm
Sarah I am so pleased that you have found the book and will be reading it with us. Frankly Sarah, I think I am more pleased for you, knowing the wonder of this book than the typical pleasure we enjoy when someone desides to join our conversations in one of our book discussions.
We'll be looking forward to your posts.
Leggere un buono
YiLi Lin
February 21, 2001 - 07:46 pm
thanks so much for the techie input.
looking at the external to see 'what organs' are manifested is interestingly a vital component of diagnostics in chinese medicine. over time one begins to see the patterns unique to each individual. chinese medicine also sees the individual within the context of his/her environment and it is expected that some manifestations change with the seasons, time of day etc.
in a way Renato is looking at his world in a way similar to a traditional chinese medical doctor, but rather than assessing patterns of disharmony in a physical sense, i get the feeling he is assessing the patterns of philosophical balance- he is interpreting the material world and translating it into the esoteric and spiritual- so a material observation like dawn is beauty (not beautiful)- he does not live in a world of adjectives and adverbs- "what is, is".
Hats
February 22, 2001 - 04:54 am
For Renato, everything seems to be a breathing entity. He does not hold his worlds apart. In his world, there is no organic an inorganic. The bursting, hot pipes are like a "raging god" to him. He calls these pumping hot pipes "mechanical creatures" who are acting against their better interests.
In other words, these pipes are no different than humans. They spurt off at the wrong time. The pipes are as impulsive as a woman in a supermarket who buys all she sees just because she is hungry at the moment.Or like an angry wife who yells at her husband because he is late, for the first time, for dinner.
Throughout this book, I am learning to look at everything around me as a possible teacher. My lessons need not always come through a neighbor, husband or relative. Their are lessons in the inanimate world around me. I can learn lessons for my life from a crocus, an apple or even the water faucet in my kitchen.
A new way of learning will surely bring more joy and interest to my life. YiLi Lin's Chinese medicine seems to be another way of looking at the world too.
HATS
Hats
February 22, 2001 - 05:16 am
I am not sure about the answer to this one, but I like the question and would like to know what others would post.
I am thinking about "Jane Eyre." She went on a quest to change herself and life. In the process, she changed the life of Rochester and gave new meaning to his life. Therefore, I guess you might say that Jane Eyre's quest had a spreading effect. Her needs were met as well as the needs of others.
I am thinking of Don Quixote too, but I can not remember the plot.
I forgot to mention "Great Expectations." Pip's life is changed, the convict's life is changed too. Right??
HATS
Ginny
February 22, 2001 - 06:12 am
I wish I could get the image of the train out of my mind and the old people lined up to get on because today that's exactly where I am, it's suffocating.
Here he is in the street watching the "old people," go up the steps to the funeral, and if I understood it correctly, using a metaphor of a train they're all in the process of boarding, that's pretty strong stuff for either the 40 something character or the young author to be able to articulate, and it's amazing to read.
You can find circumstances in life especially, unfortunately, as you age, which seem to indicate the same thing and this train is not avoidable so where does that leave this man standing in the street digging up water lines? And he's about to be flooded, too, two inevitable circumstances that he can't help, or can he? The train and the flood, cruel, that image of the train, normally one thinks of a train as taking a person away on a pleasant journey....that's strong stuff this morning or I have spent too much time in cemeteries and hospitals this week, either way, I think I know where Renato is coming from, and it will be interesting to see what he does with it.
As Paul Simon sings, "Breakdowns come and breakdowns go, what are you going to do about it, that's what I'd like to know?"
Such a book with such provocative ideas, that's one ticket to ride I'm not ready to redeem.
ginny
betty gregory
February 22, 2001 - 07:44 am
How can a reader tell if something is contrived? I'm struggling to know where the line is and don't have the foggiest notion how others judge this. (Help!) (This never occurred to me while reading this section, but only now as I think about describing it.) The powerful, moving image is of Renato digging into the earth while the funeral of his beloved surrogate father is underway. He's doing what the grave digger will do to prepare for a coffin. He's standing waist high in the ground---the place where the body of his friend will be soon. He's even separated from his family and friends because of something beyond his control. The whole image was painful and I was feeling how unfair it was that he couldn't be with his wife and the others who were together in their grief and saying their goodbyes. Can you imagine, being called away to some kind of emergency and not being able to attend a parent's funeral?
And, back to my question. When can a reader point to a written image and say...too much, overdone. Is the above a poor example, a good example? How does a reviewer (someone who knows what she's doing) judge something like that? Help me out, somebody. Since I was drawn into the image, felt terrible for Renato, and kept thinking how grave-like the hole was....and was not distracted from the writing by anything, does this have anything to do with the judgment of contrived or not contrived? So, what does?
betty gregory
February 22, 2001 - 10:17 am
YiLi, I can't quit thinking about your post....the dawn is beauty (not beautiful). Is this why Renato's thoughts/expressions are so appealing? And, how, if at all, are your thoughts connected to Zen? The little I know of Zen keeps coming to mind while reading AND did again while reading your post. Something about the simple awareness of our physical surroundings---accepting what we see, what we hear, what "is."
Ginny
February 22, 2001 - 10:59 am
Oh good show on the grave digging thing, BETTY!!! Good for you. I missed that, how on earth, I have no clue but I missed that, got off on a tangent about the caribinieri (sp) and what I saw in the Vatican last summer, have always been confused about the two kinds of Italian police and every time this officious guy in the book made an appearance, off my brain went to ....so GOOD for you.
Now our question might be, WHY did the author do this and when we have the answer to that one we will know the answer to yours, maybe? I never know any answers but I enjoy the quest anyway.
Renato's thought processes kinda remind me of the way my own brain works, but which I would not articulate. The constant strange thoughts which pop into one's mind and the images (it may be a curse to be imaginative) that something as simple as digging a hole bring forward, we all think that way, I think...
Wonder if he's feeling trapped and a little guilty?
And thank you for those wonderful words, yesterday, Jeff, you will see them in the Main B&L Menu heading, and part of them in the main SeniorNet Roundtables Menu heading, as well.
Grazie!
ginny
Barbara St. Aubrey
February 22, 2001 - 12:04 pm
OK Betty, I am not an expert - just someone that loves to read and have also self-learned how better to read and understand a book. One of my more recent reads has been
The Nature of Narrative by Robert Scholes and Robert Kellogg. In the book the authors consider elements common to all narrative forms, often referencing some of the greats like Joyce, Proust, Mann, Lawrence, Plato, Aristotle, Herodotus, Einhard, Jan de Vries - on and on.
One of the thesis is that in the historical development of the novel there is fictional reality.
Robinson Crusoe is not real but an attempt to present him with the most important attribute is that he pass for real...We ask questions based in our knowledge of the way real people were motivated.
This goes on to explain how we may need to do some research in order to better understand the place, times, culture etc. that the material is expressing. The explanation continues that even in a very contemporary work, placed in an environment in which we are familiar, we either see the point the author is making by trying to observe through the author's eyes or turn to universal themes and symbolism for guidance.
To paraphrase this goes on to say, we will make every work personal in that we each individualize the esthetic and intellectual, based on the reflection of the real world as we experience it. In addition we have a mystical connection to the elements that control the reflection of beauty and truth.
With that - my reaction was to question - Why did Renato feel so compelled to fix the water pipes and not attend the funeral, when in this small town most knew of his connection to this beloved man?
Then I remembered how sometimes I've heard of children not being able to attend a parent's funeral because of so much emotion. No, not because of anger or a feud. But emotion that they cannot deal with and do not want to face. Therefore, not attending the funeral would be like digging a hole and burying their head in it.
Another thought - could it be an allegory for Renato trying to hold on to the past. While fixing pipes, normally required in a vital town, was this keeping alive what is about to be buried - both the town and Aristodemo? As if he, Renato could control, through putting his hands to work digging deep into the heart of the town, the burying of the town and Aristodemo.
Or is Renato bringing to the light of day the spirit of Aristodemo by finding the water pipe's main link with Aristodemo's name inscribed?
The believability of Renato not attending the funeral is hard to accept. And yet, the old men commenting, almost like a background chorus, a Greek chorus that has the role of commenting on and amplify on the 'plot' at large, are acting as the "ideal spectator," as the Greek chorus is ment to do, responding to the events as the writer feels the audience should. The emotional response of the chorus move the thoughts and feelings of the audience. The onlookers, if speaking like a Greek chorus, seem to agree, Renato's first priority was fixing the towns water supply.
I need to think more on this Betty and get back later.
Aha - Ginny responded - yes, the feeling of being trapped - now that I like - as if Renato is building a hole for himself that is his physical manifestation of his feelings. Trapped by all the changes he believes he can do nothing to alter?
Hmmm the more you think on it as we read further and learn how Aristodemo was trapped at the time he helped build the waterworks. He had to cooperate with the Fascists in order to learn the trade. That water in every house was a dream at first. Aristodmo's father told anyone who got him started that Fascists promised dreams but they were really "Dreams paid for with blood."
Wasn't the water spewing from the street discribed as water hemorrhaging like the earth's blood pouring from a wound? I think you've got it Ginny - I think you've got it!
Barbara St. Aubrey
February 22, 2001 - 12:57 pm
Hats I may have questions but I do not always have answers - the only figure I thought of was Arthur - his quest with the roundtable - I thought he was a character whose quest included empowering others. Arthur wasn't that much into changing his own life though. And he really wasn't into tasting life. Proust's Swan tastes life but isn't in to change either much less empowering others. Now Ratty in Wind of the Willows sure empowers Mole to change and live near the river as well as, later he helps him resurrect his old home. In fact they are all at one time or another supporting each other to achieve their dreams. The characters certainly have an appreciation for life and their surroundings, tasting life. Taod attempt change from time to time with little success and Badger is Badger.
Nellie Vrolyk
February 22, 2001 - 01:57 pm
I received my copy of the book yesterday and have not yet read very far. I keep stopping to make little notes on this and that, and that slows me down.
I have some thoughts on the ritual of washing his face with the well water that Renato carries out each morning. To me by doing that he seems to be symbolically separating, or perhaps isolating is a better word, from the town since the well water is isolated from the rest of the water system. When reading further I feel that Renato and the town he has spent all his life in are so closely intertwined that he needs this ritual of separation to remain himself. (I tend to see things differently, don't I?)
Some other things that caught my eye: the colness waking up Renato's brain -I love winter and cold for that very reason; it wakes up my brain, my whole self when I go out into that lovely cold air; Renato's overwhelming emotion at the sight of the town that he loves-I have the same overwhelming feelings when I see my small home as I come back from a walk.
The things that Renato does in the beginning of the story: washing his face with well water; milking his sheep and taking them out on the hillside are such timeless actions that when modern things such as telephones, cars, trains and machinery is mentioned it is almost jarring and surprising.
Just a few thoughts.
Jeff Shapiro
February 22, 2001 - 03:27 pm
Ciao!
Late at night here. Just got in after a long day. Your messages are all so interesting, though, that I couldn't resist a quick comment or two before going to sleep.
Welcome, Nellie, by the way.
Great thoughts that you're coming up with, Barbara, YiLi Lin, Hats, Ginny, Nellie...
I was struck by Betty's excellent question about trying how to tell whether or not a piece of writing is contrived. I think there is no objective answer. Each reader's subjective reactions are everything.
Remember what we all had to study in high school English classes? There was that interesting notion of "the willing suspension of disbelief." I believe the concept first arose with regard to plays written for the theater. The idea was that the audience members enter into a silent pact with the actors as soon as the house lights go down and the curtain goes up. The audience willingly puts aside its skepticism and agrees to let itself be sucked into the drama on the stage. If everyone in the audience sat through the play saying, "That guy's not really MacBeth. He's only some actor from New Jersey," then no one would ever be even remotely touched by what's happening on stage. Instead, the audience members say, "Right. I'll pretend this is real."
The actors, on the their side of the agreement, have to do their damnedest never to let their real selves peek through the mask of their characters. If they allow "real" reality to intrude in the "make-believe" reality they're performing, then the spell is broken and the play falls flat.
I remember in high school we read an interesting bit of literary criticism. (I wish I could remember who wrote it!) It was all about the idea of the "intentional fallacy." This concept means that a performer's (or author's) intentions should never be too evident. If they become so, then the fallacy kicks in: The work fails.
An example. You're watching an actor. He says a line, then pauses before delivering his next line. If, during the pause, you've been so taken in by the drama that you can actually imagine the CHARACTER'S thoughts during the pause, then the actor is doing his job well. If, however, you can virtually hear the ACTOR'S thoughts("Count to three now for a nice pregnant pause -- one, two, three") then the intention behind the artifice has become entirely too apparent and the whole thing leaves you cold.
Maybe the safeguard against falling into that fallacy is believing in what one is doing. If the actor manages to think as his character would think, then he forgets himself, he becomes his character, and the audience believes him.
I saw a TV documentary once in which the violinist Isaac Stern was giving a master class for young musicians. His advice to them: "Play the piece as if yours is the only interpretation possible. Play with that much conviction." You'll notice that you can hear when a musician believes in a piece of music and when he or she doesn't.
All of this applies to writing fiction. While writing, I find myself entirely absorbed by the world of the characters. The process of writing is very much like watching a film in your head and then writing down what you've just watched. I think it's important not to "contrive" things by insisting on too much control over what the characters do. Better to give them a nudge to get them started, then sit back and watch where THEY lead.
Did I believe in the "Digging Down" scene while writing it? Absolutely.
Do readers believe in it while reading it? That's up to each reader to decide. If it works for you, then you're happy, and so am I. If not, then I'm in trouble!
Are "professional" reviewers better equipped than "amateur" readers to decide what works and what doesn't? My instintive reply is that reviewers, too, in the end can rely only on their own subjective reactions.
There are a couple of thoughts before going to bed. Your thoughts?
Buona notte!
Ginny
February 23, 2001 - 09:04 am
That's an interesting perspective, Jeff, especially in the light of the recent editorial last Sunday in the NY Times (I think) by a reviewer hired only on the strength of his reading...gee, I've forgotten, but it was many many books per day, he had no other credentials, certainly not any in lit crit. He asked the same question as he was hanging up his reviewer's credentials having made a career of same.
Your post reminds me of the things I've heard about Agatha Christie: how she would talk to herself and talk out all the dialogue so it would be true, she would actually act out the parts, or so I've read.
This section up to page 85 or so is quite interesting. The dream. The interpretation of the dream. The temptation. The sense of mission. Always the heightened sense of the visceral, the animal within, the earthiness.
I really like the way Renato goes about trying to figure out what this interpretation of this dream might mean? Is he simply experiencing such a turn in his own life that he needs this dream? And it's just out of his reach, that was very well done.
For the first time he's also having secrets, as well, from his wife....
Had he betrayed their love today?The dream had become a secret But I won't tell her about washing the English actress's foot....
So this is a change too, for this man. And we do see that she did juggle snowballs and we know who that reminds us of and that element introduced into the story forces us to wonder if this is actually autobiographical in some way?
Nellie, so glad to see you here, too, that was an interesting point about him being so connected with the town, and in this section he begins to separate. I have read that the death of a parent is often times a major moment or catharsis for change in the life of a person and here since Vezzosi, his surrogate father, has died, he may be experiencing some of this, note that life had lost its taste on page 79, and he's losing other things, too.
Now, I must say, however, that having just been to a Papal audience (with a million and one other people) the aspect of Renato (love the meaning of the name Renato and Tizzoni, just love that last name)...even the sound is perfect....onomotopoeia? Probably spelled wrong, but it does seem to sizzle...anyway but the very prospect of his having to touch his own behind at the same time he shakes the hand of the Pope is almost....???????
Now how, one wonders, will he accomplish that trick? It's almost ...it borders on ....humor here?
And....why is he so locked up on this translation the dream or of culo? What do you all think? I mean you could interpret that dream almost any way, and what did the part about the old woman wanting spaghetti have to do with this?
ginny
SarahT
February 23, 2001 - 10:07 am
In Spanish, culo is a very bad word. I started at it when I read it. Does it not have a bad connotation in Italian?
Jeff, I am really enjoying this book. Just started it last night. I especially love your fondness for animals. There is something incredibly charming and loving about your descriptions of the limping sheep, La Quarta, and how Renato milks each of them. Are you an animal lover as it appears?
Great question from both of you, Ginny and Jeff, about those who review books. I do think it takes skill and practice to do it well. Some reviews sing to me - especially those by other authors I love. I don't know, because I haven't ever done the comparison, whether "professional" reviewers do a better job than good writers who love to read. Curious what others think.
Thank you SO much, Jeff, for being here with us. It's fascinating to read AND have the author here at the same time.
YiLi Lin
February 23, 2001 - 12:29 pm
my experiment with notepade-
Betty not necessary zen as a sect of buddhism, but buddhist philosophy. Buddhism (without getting into all those "nots")
in a way speaks to what is (or is not). Awareness is the key. You'd be amazed how difficult it is to be simply aware- not naming things or infusing things with emotional and perceptual overtones. I see Renato living in that vein. Compare, if you will, his awareness with those around him. Most everyone he meets on his journey appear to have a need to examine, surroundings, motives, events, future, past etc., 'manners'.- I was particularly taken by the meeting with the priest (later chapter)- who seems particularly overwrought with creating a world rather than being in a world.
Barbara- I wonder also if Renato is digging pipes to show us the "flow" of life-death-rebirth (his name after all is Renato). I'd suggest the bursting might represent a necessary chaos in the non-aware order of things- the 'what is' reminding us about this aspect of reality. Renato is a chosen fixer, because he does not need the lesson. I think Renato would simply move on to whatever the next moment in time brings, flooded square or not. In the same way it was not necessary for him to engage in social ritual or gesture to mark the life of his friend, he engages in more imporant personal ritual each day. His friend, like his wife, daughter, etc. is simply part of the continuum of the aware life.
Somehow I think of Renato as a much older man- is this because I am a 'senior' and believe i've only begun to get wise since i'm 50?
So who's organizing the trip to Tuscany?
Hats
February 23, 2001 - 01:01 pm
YiLi Lin, I might be wrong, but I think we are told Renato is forty or in his forties. I am fifty too. His thinking does seem like the thoughts of an older man.
I have been thinking of his dreams. Dreams seem to play a big part in his life. I am not a person who pays much attention to my dreams so I am wondering what sort of person keeps a dream journal or sets great store in dreams.
Of course, Renato's dreams do seem to come true. He had a dream about his parents death before they died. Then, there is the dream involving the hand with the ring on it which will lead to changes in his life or perhaps, we could say to "Renato's Luck."
His mother died of a "broken heart." How sad. I do believe that people can die of broken hearts because they miss a person so much. Is dying of a "broken heart" just a myth?
HATS
Nellie Vrolyk
February 23, 2001 - 01:25 pm
Thank you Jeff, and Ginny for the nice welcome. A bit of a thought on a piece of writing seeming to be contrived: while it may be up to the individual reader to decide if a particular piece flows naturally out of the story line or if it is contrived; but once someone points out that a piece like "digging Down" seems contrived, then it seems hard -for me anyway- to see it differently. Once the man behind the curtain has been revealed, it is difficult to hide him away again. Now being me, I am in two minds about this part of the book: I can see how the events in Digging Down and in the following Dust to Dust flow naturally out of what is happening in the story; yet, at the same time I get a sense of the thoughts and feelings of the author, which led him to write the piece that way. Am I making any sense at all?
What I do like about the book so far is that each chapter leads me deeper into the life of the town. In the first chapter we are away from, yet near the town and I think the symbolism of the separate well water points that out. I'm thinking here of what Ginny said, that Renato is setting himself apart because of the losses in his life. I think this is true and that he is doing it also because of the loss of the town itself when the dam is built. In the second chapter we glimpse a vignette of family life in Renato's home which is a part of the town. I see the way Renato and his wife Milena and daughter Petula feel about each other, a presage of the way he feels about the town and how the town feels about him. In the next chapter we walk into the town with Renato and get a greater sense of his love for this place.
Finally a question: Do you think that the relationship between the young Renato and the older Vezzosis is only possible in a small town where everyone knows everyone else pretty well from birth?
betty gregory
February 23, 2001 - 05:28 pm
Before I forget it (and thanks for reminding me, Sarah, with your thoughts on Renato's closeness to animals)....remember, before the dream, when Renato was sufficiently distracted with his worries that he was unable to stay sexually excited, his wife Milena asked him to talk about whatever was bothering him. He could not. Later, after the dream, he went to the sheep and said "Wake up!" He talked to the them about the dream, even asking Quarta what she thought. That was so touching. Then, even though it was earlier than usual, he milked them and took them up the hill.
Even the smallest movements of the cat are so accurately done. That means a lot to readers whose pets are important.
Renato is not yet 40, as I remember. And yes, at the beginning of the book, before we got to hear his worried thoughts, he seemed older. I wonder if we assumed that because he seemed peaceful and so connected to the earth when we first met him...assuming that that kind of peace cannot come earlier. Something to think about. Oh...we also got an early comparison to the paniced assistant.
Barbara St. Aubrey
February 24, 2001 - 01:27 am
New questions finally up - Hurrah - hated to see us leave the first part of the book though. But, if we ever hope to find Renato's Luck we need to press on.
As soon as the page can be created, the first group of questions will become a clickable in the heading. AS WELL AS, another page with some of the great quotes from the posts exploring the thoughts as a result of the first group of focus questions.
There are so many thoughts that could be brought out in this part of the book (up to chapter 25) and many I see y'all will discuss regardless there are any focus questions. I'm hoping these are the more elusive quotes that will prompt other questions.
Welcome! Nellie You said you would join us and here you are! The concept of isolation, yes, "all his life in are so closely intertwined that he needs this ritual of separation to remain himself." Have you found ways to remain yourself. I remember the years as a young mom and that was a difficult time to have anything left of yourself. Do you find some sections of your life are more supportive to your developing your individuality?
Jeff very informative - Of course first thing I had to do was research some of what you were sharing and found this site
Glossary of Literary and Rhetorical Terms Scrolling down to
Theory where the words are clickable to the explanation for both Intentional Fallacy, Affective Fallacy.
Yes, I also saw that documentary with Isaac Stern. Wasn't that the one were he visits China? I love his interaction with the young musicians and then to learn how the older students were really set back by the effects of the cultural revolution.
This is an eye opener - for you to group the arts, including writing as an art form. I'm anxious to relook at the elements of art and compare them to music and writing. As you describe nudging the character the writing of a novel is beginning to fall in place. It all seemed such a far away fantasy with a skill bordering on the chance part of luck. When really it is having a strong understanding of how a sentence is structured, along with a vocabulary that is expressive. Then all that becomes unconscious skill, so mastered, that characters can be nudged since they are not so much contrived as they are envisioned.
I must confess though, until Yili Lin posted, I was having a terrible time. I was imagining Renato a weak man or co-dependent to the town's approval since, he wasn't just up and going to the funeral. Yili Lin's post gave me a different picture in my head of Renato's characteristics.
Ginny reading your post, "this train is not avoidable so where
does that leave this man standing in the street digging up water lines?" I wondered if he is digging up the water lines so much as uncovering the water lines. If the water lines are conduits to our fortune what about train lines. This may be a stretch but I am picturing and wondering if Luck or Fortune could be the expression of our soul, the universal soul. Some old people, like Signora Tita, plant grapes with their fortune and others get on the train with their luck.
for-tunen.1A hypothetical, often personified force or power that favorably or unfavorably governs the events of one's life...
Luck has a quality of chance about it. Are some of us chanceless?
And Ginny I love it - humorous is right - To me that was part of the charm of this book. It was not so heavy and yet even the humor teaches a lesson. What do you think, could the old woman wanting spaghetti be just a bit of diversion like a vaudeville act to lighten up the fair and break the timing.
Welcome! SarahT You also said you would join us and here you are! Yili Lin your post is packed for me - but I especially like your saying,
"Renato is a chosen fixer, because he does not need the lesson. I think Renato would simply move on to whatever the next moment in time brings, flooded square or not. In the same way it was not necessary for him to engage in social ritual or gesture to mark the life of his friend, he engages in more important personal ritual each day. His friend, like his wife, daughter, etc. is simply part of the continuum of the aware life. " Hats dying of a broken heart seems so tragic doesn't it. Some think of the heart as the Temple of God. The temple breaking seems powerful.
Nellie so glad you are with us - without you we would be missing all this great stuff. Like
"each chapter leads me deeper into the life of the town" and another thought that I pondered because of your post.
" see the way Renato and his wife Milena and daughter Petula feel about each other, a
presage of the way he feels about the town and how the town feels about him." I wonder, Nellie, if it is small town or, that today there is such the legal commotion with everything we do, that even friends taking care of friends is subject to a law suit.
Interesting Betty - are you saying that youth is fear based and competitive therefore youth is not typically peaceful? Fits!
Jeff Shapiro
February 24, 2001 - 06:25 am
It's the weekend! (Thank God!)
Once again, I'm enjoying your messages. I thought I'd make a quick comment on one point. I noticed that several people were downright alarmed by Renato's "choice" in fixing the broken mains pipe instead of going to the funeral of his surrogate father. Here's a question for you all: Did Renato have a choice?
Perhaps we're all accustomed to living in bigger communties. If there's a power-out, or if water stops running through the pipes in people's homes, we naturally think, "Surely they'll fix it." Who is this "they" responsible for fixing things? In many modern communities, the "they" is an anonymously large public department or private company.
In a town as small as Sant'Angelo D'Asso, there is no omnipresent "they." Renato is the town waterworks man. Cappelli is his only assistant. In short, the two of them are the Waterworks Department.
As fate, or destiny, or pure rotten luck, would have it, the town's main pipe burst on the day of Aristodemo Vezzosi's funeral. All homes in town were suddenly without water, yet there was water bubbling up from the underground pipe in the central square. Water-outs of this sort are not very rare in the small towns of Tuscany, especially during the hotter months. (The day I moved into my small town here in 1991, I couldn't wait for a well-deserved shower after a full day of lifting boxes. Evening came and I turned the tap in the shower. Surprise! No water. I had to splash myself clean under the hand-pump in the square.)
Townspeople are not in a pleasant mood when they have no water in their homes. The "they" responsible for making the water run again is the waterworks guy, and everybody waits impatiently until the waterworks guy has got the job done.
Imagine what would have happened if Renato had said, "Let the town wait for its water. I have a funeral to attend." Do you think Cappelli could have managed on his own if Renato had tried to pass the buck to him alone?
Renato had his duty his to do. He could delegate the job to no one, and he was all too aware that it would be lunchtime soon and people would need water to cook their pasta in. How selfish would he have been had he insisted on making everyone wait?
More later. Wanted to throw this thought into the discussion.
Barbara, great questions for the next portion of the book. Eager to hear everyone's replies.
Love, Jeff
P.S.(A note for trivia fans. Yesterday, as mentioned on page 84 of the book, was Renato's birthday. February 23. Funny coincidence. Happens to be mine, too. I couldn't resist playing with the numerological meaning of the number 23 according to the Italian mythology associated with lottery numbers.
Here's a bigger coincidence: Many key people in my life have had their birthdays on the 23rd. My father's birthday was August 23. I spent two years with a woman whose birthday was June 23. I have a beautiful friend whose birthday is April 23. My wife Valeria's birthday? October 23.)
ALF
February 24, 2001 - 07:23 am
Yo, Valerian! My birthday is also Oct. 23rd! As Johnny Carson used to say, it doesn't matter what the charts say, "I am a Scorpio." You, dear Jeff are a lucky man. There is nothing as able as a loyal, steadfast Scorpion.
The water in this story is so indicative of our Renato's rebirth. He is being baptised and bathed during his depression. To me, it resembles his heartache and his tears, which haven't yet flown, since his beloved Vezzosi's death. Even the bloody town is saturated with water, sodden, steeping in sadness. His luck is the purging that is taking place. He's immersed himself in his plan to visit the pope, sanctifying himself . Its a rite of passage , a passage that he must get through for acceptance. Death changes us all, as it did Renato. Poor Renato is being traumatized. He has lost his surrugate father, his daughter to her lover, his passion for his wife and now his entire village to these "tears." His dream and his quest almost sounds "Don Quixoteish" doesn't it? I have the feeling I should reach out and hug him, assuring him that this, too, will pass in time. Water , water, everywhere--- cleansing his soul and washing away his desperation as he gets closer and closer to fulfilling his mission.
Barbara St. Aubrey
February 24, 2001 - 11:37 am
HAPPY
BIRTHDAY
JEFF
YiLi Lin
February 24, 2001 - 12:28 pm
Barbara you are so creative with this page- did you take a course or are you learning as you go? Luck- a word/concept the undelies many rituals, customs, decisions, choices etc. among many chinese. There are lucky days, to be born- to die; lucky signs, and my favorite, lucky candy! One's fortune is ones luck. Luck and fortune are a part of who you are - in fact one might even have lucky or unlucky facial features or underlying bone structure.
Is this the luck of a gambler or the luck alluded to in modern western cultures? I can't answer. But I can suggest that when a concept is ingrained in a belief system and the language supports the belief with words, phrases as well as expectations, often the cultural or social context adds to or detracts from one's luck.
Not long ago my daughter-in-law had her "luck read" by an esteemed sage within the asian community, good thing he read in her face- i think it was the distance between her eyes, I can't remember- that she would meet and have a loyal and honorable husband (my son!). Well looking back on that day I wonder how her luck would be (and the marriage) had he suggested something more provocative about her mate- what if she had an "unlucky for marriage" space between her eyes and was told this in her early teens, etc.
So I wonder moreso about luck- do we channel or repel luck- a kind of energy that guides us to fulfill the maximum that we can be. Do we perhaps behave differently when carrying our lucky charm and thus relating to the world froma more secure or comfortable or more ambitious place- does
luck manifest in our environment only when we look for it and thus create it?
I see Renato creating luck, regardless of his birth day-
YiLi Lin
February 24, 2001 - 12:31 pm
Happy (Tibetian) New Year
Hats
February 24, 2001 - 01:27 pm
YiLi Lin, how did you make your sentence yellow? How do you put the colors in?
HATS
ALF
February 24, 2001 - 02:14 pm
Renato's luck, his great fortune, is to be reborn again, just as his name suggests. It was his destiny fullfilled by a number of unforseen circumstances and incidents in his life. this afternoon I finished Renatos Luck and sat musing for a long time. I've almost got it! I must go back to my original thought of baptism.
Traude
February 24, 2001 - 04:02 pm
Hello Jeff,
other commitments have prevented me from participating here as fully
as I had promised myself.
Your presence among us here is not only generous, it is invaluable.
And now, despite the time difference (and my coming in a little late
on the news of your birthday), allow me to say Buon compleanno e
molti auguri
Traude
Hats
February 24, 2001 - 06:08 pm
I would like to think my luck would flow forth to others like a force of nature. After all, what good is fortune or luck when it is shared alone. I think this is why Renato is so happy to write the names of friends and family on his piece of paper. He wants everyone to receive the good fortune he has seen in his dream. He wants everyone to be happy.
Perhaps, if luck is a force of nature, we have no control over where it will go or what it will do. Maybe it just rages forth like the water from Renato's pipes. In that case, we have no ability to keep it from flowing. It will just flow.Then, fortune is a living organism.
Fortune might be like air just giving off wonderful molecules whether we ask for them or not.
I do not know what my "treasure box" contains. I hope it contains plenty of love, forgiveness, laughter and the ability to change. It is a lot of fun thinking I have a "treasure box."
I can only know what is in my treasure box if I quietly listen to the unasked compliments I receive from friends, family and acquaintances.
HATS
SarahT
February 25, 2001 - 09:35 am
It's so odd that this book is about luck when poor Renato seems so very unlucky for the first half of the book. (However, I must admit I was surprised at all of the bad things that befell Renato - the pipe bursting, Aristodemo's death his loss of "taste" for life, the death of Daniele's parents, Petula's pregnancy, the need to dig up his own parents' grave to make way for Daniele's parents, etc etc - after the beginning of the book. At the beginning, despite Aristodemo's death and the pipe's bursting, it seemed Renato had a pretty good life. He had his lovely sheep, his cat, his beautiful wife, a nice place on the side of the mountain to sit and contemplate life - and suddenly, all at once, things seemed to be going wrong for him. It didn't add up somehow - why, at 37 (he was 17 when his parents died 20 years ago), is all this bad luck befalling him?
What is the lesson of this first half of the book? Clearly, his luck will change - but why all of these auspicious events all at once?
Jeff Shapiro
February 25, 2001 - 09:35 am
Hello, everyone!
I had promised to answer the question regarding when the fabric of life was torn for me. Let’s break this into two parts. I’m afraid of the computer cutting half if I try to post too many words.
Part I:
The big tear came when I got separated from my first wife when I was 31. I’ll quote a magazine article I wrote several years back on the subject of how an American ends up living in a small town on a hill:
“I had come to Tuscany not all that long ago. I had come married. My wife and I, after eleven years of marriage, staked everything on the bet that the adventure of being in a new place might save us. We were wrong…
“I had come to Italy without having studied the language. I learned slowly and imperfectly. The months of living in my village before even a graceless pidgin developed were tantamount to solitary confinement. But it was good for me and important. Marital separation is a death that happens to us during life. My world was simply gone. Afterwards, rebirth is the only choice left. I was starting over from the basics, having to learn even to speak.”
Funny how prophetic that piece was. I hadn’t started to write "Renato’s Luck" yet. I guess the idea of rebirth had already become crucial. I had been in mourning before, by the way, especially after the death of my grandmother. But the pain of separation made any earlier pain seem like a summer picnic.
Carrying the story a bit further, I’ll tell you that my first social contact came when I joined an amateur chorus in a small town nearby. On the first evening of rehearsals, something happened that proved emblematic of what I was looking for and what I found.
You have to understand that neurotic worry and guilt had always come easily to me. Especially while going through the lacerations of separation, I leapt at any opportunity to beat myself up.
Back to the first night of chorus rehearsals. I was standing next to Marco, and I didn’t think I was singing well. At the end of the practice, in my stumbling Italian, I asked Marco if he thought the conductor was having second thoughts about accepting me as a singer.
“Did the conductor tell you he wasn’t pleased?”
“No.”
“Then why worry about a problem that hasn’t happened?”
Why worry, indeed. For a chronic worrywort like me, that sentence was the beginning of a badly needed cure. Through repeated exposure to a far more straightforward approach to life, I started to realize how much of my mental energies were uselessly consumed in what the Italians calls “seghe mentali” -- a not very polite term meaning “mental masturbation.”
Shortly after joining the chorus, I met the real-life Renato. He taught me a lot about savoring life’s taste. In his way of speaking, too, I heard the healing importance of calling things by their real name. With my background in studying psychology, I was always looking for an elaborate diagnosis for every emotion. During my first years in Tuscany, however, I began to realize that maybe there’s a lot to be gained in saying occasionally, “What I’m feeling is sadness.” Sad things make you sad. Sadness is not a disease. Strangely, paradoxically, sadness has a beauty of its own. It’s a pure emotion, a primary color.
A few years (and one or two relationships) later, I met Valeria. She helped me remember another beautiful primary color of emotion: joy. God, how we laugh together!
Jeff Shapiro
February 25, 2001 - 09:37 am
Part II:
A week after I finished writing the first draft of “Renato’s Luck,” my father’s leukemia was diagnosed. The diagnosis came on the day of my parents’ 40th wedding anniversary. How’s that for timing?
I went back to the States several times during my father’s illness, taking my portable computer with me. Sitting with him in the hospital, I was working on the book’s rewrite. He was a hell of a proofreader and a sharp-eyed critic. He never doubted that the book would be published. I was full of doubts, because there was as yet no contract. HarperCollins were reading the book as it grew and were offering enormously helpful guidance, but they were holding off on a definitive decision until I presented them with a final product. (This is how it usually works for unknown authors.) For some reason, Dad had no doubts.
He died in May of 1998. HarperCollins accepted the book and offered me a contract the following September. I wish I could have told him that he was right. I would have loved to see, a while later, the look on his face had I been able to hand him a copy of the published book.
My father, you’ll notice, shares the book’s dedication with Valeria.
His death was another big tear in life. But how can I put this? It was less violent a tear than had been my divorce. I had grown into more of my own person in the process of putting myself back together after divorce. Also, there was no bad feeling between my father and me. Only love. His loss, therefore, was clean, leaving behind a very pure kind of sadness. I was, and am still, sad not to have him here. But there’s a beauty in this sadness, because it reminds me how much I love him.
Easy for me to say, I know. The person facing the biggest challenge, clearly, is my mother. My sister and I are both aware that there’s not all that much we can do as Mom goes through the process of inevitably starting life again. What makes it harder for her is the fact that hers had been a very good marriage. There’s a lot for her to miss.
I admire the way she’s going about her personal rebirth, though. She’s doing it with remarkable energy and strength. Let’s see if we can’t talk her into participating in this round-table discussion.
Right, friends from SeniorNet. Hope I haven’t been a downer. You asked; I answered. Don’t worry! My future postings will be on more of an up note. Promise.
Love, Jeff
Ginny
February 25, 2001 - 01:22 pm
Not to worry about positive upbeat stuff, Jeff, one of the beautiful things about SeniorNet is the wealth of experience here, many of our people have been thru most of life's vissisitudes, you'd be surprised at how many. I learn something from them every time I come in here.
We would be thrilled to have your mom with us, please do try to get her here, she would be all the more welcome for having produced such an exceptional son.
I extend to you my sympathy in the death of your father, I thought your words about him were beautiful. My own mother died on February 22 of last year and I know where you're coming from and thought yours a beautiful tribute and so was his faith in you.
And
Happy Belated Birthday, across the miles.
What, did you just write Harper Collins out of the blue with a proposal for your book? If I may ask how did you get them to consider you or did they know of you before?
ginny
Hats
February 25, 2001 - 01:34 pm
Your personal experiences make me feel more in love with your book. I knew it had to take a special person to write such heartfelt words. Each paragraph in your book points us deeper inside of ourselves.
These particular words which you wrote in your post above will be ones I will post in a special place in my home. "Sadness has a beauty of its own. It's a pure emotion, a primary color." Your words make me want to look at the present, past and future painful changes in a positive way.
Your words are simply beautiful!!!
HATS
betty gregory
February 25, 2001 - 02:04 pm
Ah, ha!! Jeff. So there is personal knowledge of Renato's somewhat neurotic worrywort moments at the first part of the book (nice to see you like that word, too---worrywort, good word). His meta thinking, thinking about thinking, ruminating. Written by one who knows, and in my case, read by one who knows. I do much less than I used to, worrying, but that endless circling around the problem at hand has been a familiar place.
In fact, all the recent personal experiences of which you wrote, primarily of loss, explains a lot of the truth in your characters. That's not phrased as well as I want, but the word truth is exactly the word I want.
Jeff, I wonder if you have any idea how special this experience is for us---an author who spends time with us, teaches some about the art of writing and shares private life experiences as personal as the ones we share with each other. Any one of these things would be appreciated, but to have them all!! And, absolutely, yes, we'd welcome your mother! Maybe there are also other discussions after this one that would catch her interest. Just this week, I've been working on MY mother, knowing she'd love it if she ever came in to her first discussion.
MarjorieElaine
February 25, 2001 - 08:19 pm
I was lucky enough to get the book at the public library. I took it on a week's vacation. I decided not to read your posts until I was into the book. Now I am back to my computer, I have read the whole book, but you have written 172 posts!! I have read all of Jeff's posts and many of the rest (as always, very impressive!). What a wonderful experience to have the author reading our posts and answering our questions. Let me just say that the book kept my attention--I know my travel companion wanted to play gin rummy yesterday on the plane and I kept trying to keep on reading about Renato's trip to Rome. So we sort of compromised. I finished the book tonight and looked at many of the excellent links. I will try to get into the discussion tomorrow. One of these days I will learn how to do the Book Discussions right. Marge
betty gregory
February 25, 2001 - 10:24 pm
I have too many definitions of luck. I wonder if most posters here believe luck happens to us or that we make our own luck. What about people who wait for luck, or who blame their misfortunes (there is that word fortune) on being unlucky. I wonder if people with a positive outlook say they are lucky.
There are those classic studies that found that women, more often than men, attribute their success/achievement to luck. Men more often attribute their success to hard work. The converse is also true. Women, more often than men, will attribute their lack of success/achievement to lack of hard work. Men more often attribute their lack of success/achievement to being unlucky.
There is one major area that always inspires me to speak of luck. It doesn't make a lot of sense rationally, but I've always felt lucky when I've been in trouble financially. Something ALWAYS happens, something unplanned, unexpected, that helps me out of a financial crisis. If I examined it too closely, I'd probably find that I'm not giving myself enough credit---such as I'm rarely in financial trouble, etc.
Since I've always felt this fortuitous "luck," however, I can recite a whole list of unexpected "saves." The surprise bonus that paid for the failed transmission. That semester the $1,000 grant (that I did not apply for) paid the balance of a medical bill that was overdue. And on and on.
I'm still neurotic enough about money troubles that I'm really organized and deliberate, so I definitely don't rely on luck to rescue me----in fact, I always expect not to be rescued.
Does anyone else have a quirky story about or relationship to specific luck?
Ginny
February 26, 2001 - 05:17 am
Marge, I think you're right ON with your attempts to do the book discussion right, you've read the entire book, you're reading the others thoughts, and we're "lucky" enough to have the author himself, I can't imagine how much better you could do it!
So now latch on to any one of the points raised by any one of the others here or any of the truly fabulous questions in the heading, Barb, you have outdone yourself, and just post your own opinions to our great delight and you're OFF!!
Betty, I neither believe luck happens nor that we make our own, but rather something else.
At the same time I am....I guess I have to admit it, supersitious, for example if I do any canning: make jelly or preserves, for instance, I make it on the new moon (which is now, actually). Many of the Foxfire books about early Americana speak of the "signs" and history is full of signs, entrails, and portents...not sure if superstition is just one way of trying to control "luck" or fortune or what it is, but at any rate, jelly made on a full moon just simply does not end up right, I don't care what you do to it.
It may seem strange in the New Millennium to speak of signs and portents....no stranger than luck, tho, surely?
And the obverse side of the coin is, why are some people SO unlucky? And have the lucky paid a price for that luck? If Renato had stayed in the ditch digging for pipes, how would his own luck be affected, is that what you are thinking when you mention that " Men more often attribute their lack of success/achievement to being unlucky?"
ginny
betty gregory
February 26, 2001 - 06:25 am
Um, not sure what you are asking, Ginny. To be clearer, on the average, men take credit when they do well and blame something outside themselves when they don't do well. Women tend to take credit for not doing well and give credit to something outside themselves (luck, someone else) when they do well. Internal and external attributions. These are only averages, remember.
Listen at gatherings. It's common to hear women say how lucky they've been to "find that job," (not giving themselves enough credit for the hard work finding the job). It's common to hear men blame external factors (unlucky) if they are not doing well in a job, but you rarely hear a man say how "lucky" he's been to find that job or to do well. Don't know that any of this is directly relevant to the book, just to the subject of luck. Luck is external, though, it comes from something outside of us.
SarahT
February 26, 2001 - 09:49 am
On luck - I remember being struck by the phrasing "change my luck" in the movie "Moonstruck," and here it is again in Renato's Luck. That I react to the phrase tells me it seems strange to believe one can change one's luck. Luck, in my mind (I guess) is pure fortuity; it's what happens without our trying to make it happen. Everything else is something other than luck.
I'd never even thought about luck in the way you describe, Betty. How interesting!
Barbara St. Aubrey
February 26, 2001 - 10:08 am
Oh Jeff - thank you for sharing the memory of your pain - Yes, death but more painful - your posts hit all kinds of memory buttons for me - my only way through at the time was with these words from St. John of the Cross, a 16th c. mystic.
If the soul in this life is to attain a union with God, and commune directly with Him, it must unite itself with darkness whereof Solomon spake, wherein God had promised to dwell, and must draw near to the darkness of the air wherein God was pleased to reveal His secrets to Job, and must take in its hands, in darkness, the jars of Gedeon, that it may have in its hands (that is, in the works of its will) the light, which is the union of love, though it be in the darkness of faith, so that, when the pitchers of the life are broken, which alone have kept from it the light of faith, it may see God face to face in glory.
And yes, agree with Ginny - Jeff, please encourage you mom to join us - this is a wonderful supportive community that even gets together from time to time. We are planning a get-together of the Bookie's of Seniornet this fall in D.C. When you have time just click on the D.C. Capitol dome logo and read what we are up to.
Hats, beautifully said, - Jeff shared his, "words...simply beautiful." Hats I look so forward to your posts. They are filled with beauty and wonder. Almost poetic.
And yes, Betty what a blessing we are receiving reading and discussing this book with Jeff - which is saying something to me about our luck.
Only now I am more inclined to think of this, this difficult to describe luck, as our fortune. Luck has too much the aura of chance about it. Fortune is like our baggage, our treasure, that we either uncover from it's hiding place or ignore and live on chance or luck. Almost like a sense of pre-destination. Yet, without being stamped in stone. We have the option to act or not with our instincts which I think is the closer messanger to our fortune than the thought-out planing we learn in order to be successful in a market economy.
I'm also thinking that folks come together based on their fortune - When folks share a similar outlook on life, based in being in-touch with their treasure, and whose treasure include pain of some kind or another, I think we find each other. Either we find others in support of our growth, if we are on that road, or in support of our ddarkness. Those whom we attract through covering pain with other obsesive activities or those staying in self-pity or looking for someone or something to fix us, so we do not feel the pain, are leading us into the darkness, obscuring our true selves or tresure or fortune. The kind of books we are likely to read, the friends we create, even the pain and joy we experience, is how I think we live out our fortune. I guess I'm saying fortune, good or bad, is what we have and it is only we that determine that it is bad. We all have as ass. As Jeff said, pain is a primary color. Just musing here Betty -
WELCOME
Marge so glad you found us. AND you have completed the book! Wow!! I bet your thoughts are going like a high winder in spring just now.
Ginny thanks for the encouragement about the questions - worked hard so that they aren't our typical English 101 type of focus questions.
Yili Lin, thanks for your words - yes, I read and learn and add to my ability at HTML as well as there is a great group here on seniornet that helps and pushes and boy are we getting better all the time.
Jeff says "Wow!!" for the weekend - well I am just hoping for a mini weekend, maybe by Wednesday or Thursday - two 16 hour days back to back here and I am zonked. So no big thoughts am I sharing till maybe tonight or tomorrow. Cause I really want to get into some of, Hee hee my own questions
Nellie Vrolyk
February 26, 2001 - 01:42 pm
That is a lovely post, Jeff. Specially the words about sadness and that it is not a disease. There is sadness and then there is joy. If there were a wheel of emotions, like there is a color wheel; you might expect joy and sadness to be on opposite sides of the wheel. Yet there are times, for me, when things which bring me joy make me feel sad at the same time.
I liked reading about eating pecorino cheese smeared with honey and sprinkled with pepper because I was reminded of my childhood in Holland. One of our favourite sandwiches was made with aged gouda cheese which was drizzled with a thick sugar beet syrup. The syrup being so thick and slow moving meant that the drizzling took a long time, and in the meanwhile I could anticipate the delicious blending of the sharpness of the cheese and the sweetness of the syrup. On occasion I still make a sandwich like this using dark corn syrup and now I know I must try it with honey.
Do I think of my dreams as Holy? I think of my dreams as weird and tend not to share them with others that much.
More thoughts later...
Hats
February 26, 2001 - 02:18 pm
Nellie, that gouda cheese with beet syrup must be delicious. There are so many different foods that I have missed. Of course, that might be helpful as far as weight is concerned.
Nelllie, I have a hard time thinking of my dreams in a "holy" way. I dream them and then, forget them. If I have a nightmare, I blame it on my last meal that night.
I think dreams are a glimpse of Renato's character. He is a "dreamer" so what does that tell me about his character? Since Renato is a dreamer I think his thoughts are on a deeper level than mine.
I probably am just focused on what I can see. If I do not see it, I have a hard time believing it could happen.
However, I do believe in miracles. Can a person believe in miracles and not believe in dreams? I think Renato's dream leads to a miracle. So, do dreams and miracles fit together like hand in glove? I might be terribly confused.
HATS
aviva
February 26, 2001 - 04:58 pm
When Jeff's Dad was fighting his battle with cancer, his moments of joy were tied up with the creation of "Renato's Luck". Jeff would visit in the hospital and discuss the book's progress. Dan would concentrate on the characters,
drawing strength and inspiration from their stories. Jeff gave his father a special gift;the possibility of tasting life again. Dan did not live to see the publication but he knew that it would be printed.... and the beautiful message of hope would be heard.This discussion group testifies to that.
Many thanks from Dan and me for your response.
Ruth Shapiro
Deems
February 26, 2001 - 06:32 pm
Ruth---It is wonderful to have you write to us here. What a blessing it was for Dan to have his son's project and characters to concentrate on during his illness. I, too, lost a much-loved man, and he spent most of the days he had left following what was going on in the lives of those he loved.
Not long before John died, I kept asking him if he was OK, if he needed anything, if he was comfortable? But my daughter, who has always intuitively understood things that escape me, started telling John a story about taking his boat out. She spun out a lovely tale about what we were all going to do that afternoon, take the boat out and have a picnic, with fine homemade sandwiches that I was busy in the kitchen making. I watched John's face as he listened to her madeup story. He smiled and smiled.
You must be so proud of Jeff. We are all most grateful to have his comments and thoughts to enjoy along with his book. And I'm sure that his father did know that the book would be published.
I hope that you will come and post again.
Welcome!
Maryal
Barbara St. Aubrey
February 26, 2001 - 06:41 pm
OOHHHH MY Word - Ruth Shapiro how absolutly wonderful to see your post!!!
Jeff's story/book has enriched our lives and now to have the knowledge that it enriched you're husband's life is humbling and awesome and filled with the wonder of what we humans mean to each other.
As we say in this part of the country "ya did 'good'" raising such a man as Jeff. He allows us into his heart and mind. He shares freely with us and we are all very grateful.
Ruth, I hope you find a home here in Seniornet. There are so many discussions and probably a group from your home state blathering away, keeping each other company and making new friends. Where as this group is especially fond of books there are many other discussions to choose. We have a choice of several books that folks are discussing. Please feel free to lurk or chime in as your heart takes you. Like all new participants to seniornet you will be receiving some additional information that will allow you to understand how best to browse the seniornet site.
I am so pleased that you posted - this is wonderful for us and I hope it will be wounderful for you.
Barbara St. Aubrey
February 26, 2001 - 07:08 pm
Ok some time back someone asked how to make words in color - This is a function of HTML - in other words computer language that tells the computer what to do - Text color is created by telling the computer that is what you want. The way you tell the computer is then a hidden command and only the colored text is seen.
Every command is given a tag - a start tag and an end tag. The tag is contained between two symbols on the bottom of the keyboard < and >
We are dealing with coloring the text or the font - therefore, our tag is a font tag and looks like this <font> with an ending tag that looks like this </font> we add to the tag our information <font color="red"> we get red - we stop the red with </font>
There are basic 16 colors and many more that instead of naming the color we use a combination of 6 letters and numbers
<font color="darkgoldenrod"> could be
<font color="cc9900"> and before I change to another color I must use my end tag </font> than start the next sentence or letter, each time with a new tag <font color="saddlebrown"> looks </font> <font color="sienna">like </font> <font color="navy">this </font>
Barbara St. Aubrey
February 26, 2001 - 10:24 pm
Looks like we may be trying to re-invent the wheel - found all this - great minds discussed
Fortune, Fate, Providance and God, 1500 years ago!
Boethius - Anicius Manlius Severinus Boethius, born about A.D. 480. He belonged to the ancient Roman family of the Anicii, which had been Christian for about a century. He knew all the works of philosophy written by Plato and Aristotle, Parmenides and Pythagoras, Cicero and Seneca, and he reconciled these to Christian theology in his own writings.
He was a Roman Senator, thrown into prison by the Emperor Theodoric where he awaited a most brutal form of execution, ropes to be bound around his head till his eyes burst out and then to be finished off by the bludgeon and the axe, A.D. 524.
During that time he wrote
The Consolation of Philosophy, which is modeled upon the biblical books of Job and Wisdom and upon the Platonic dialogues about Socrates while he was awaiting execution in Athens. The cover design of the tranlation of
The Consolation of Philosophy, is of an angle holding the
Wheel of Fortune. King Alfred translated it into Old English. Queen Elizabeth I translated it into Elizabethan English. Dante, Chaucer and Julian of Norwich all used its concepts and were all deeply influenced by it. Boethius' Consolation is a key to understanding medieval poetry and Christian theology. It is also a 'golden book', as the 18th-century English historian Edward Gibbon called it, that can be of use to disordered souls in our own moment in time.
Boethius presents Philosophia as a beautiful woman who consoles Boethius (she is really his wiser self) for his foolish and mawkish self-pitying. She gets him to recover from his depression by telling him of
Fortune, Time, Eternity, Man and God, the Circle and the Centre. She is his and now our psychiatrist.
Excerpts:
Now it pleases me to withdraw my hand: be thankful, as though you had lived upon my loans. You have no just cause of complaint, as though you had really lost what was once your own.
I know how Fortune is ever most friendly and alluring to those whom she strives to deceive, until she overwhelms them with grief beyond bearing, by deserting them when least expected. If you recall her nature, her ways, or her deserts, you will see that you never had in her, nor have lost with her, aught that was lovely...
...But no sudden change of outward affairs can ever come without some upheaval in the mind. Thus has it followed that you, like others, have fallen somewhat away from your calm peace of mind.
When nature brought you forth from your mother`s womb, I received you in my arms naked and bare of all things; I cherished you with my gifts, and I brought you up all too kindly with my favouring care, wherefore now you cannot bear with me, and I surrounded you with glory and all the abundance that was mine to give.
Why do you rail against me? I have wrought no violence towards you. Wealth, honours, and all such are within my rights. They are my handmaids; they know their mistress; they come with me and go when I depart. Boldly will I say that if these, of whose loss you complain, were ever yours, you would never have lost them at all. Am I alone to be stayed from using my rightful power?...
...the ancient allegory that in the threshold of Jove`s hall there stand two vessels, one full of evil, and one of good? What if you have received more richly of the good? ... What if my changing nature is itself a reason that you should hope for better things? In any way, let not your spirit eat itself away: you are set in the sphere that is common to all, let your desire therefore be to live with your own lot of life, a subject of the kingdom of the world...
...while Fate is that ordering which is a part of all changeable things, and by means of which Providence binds all things together... when they are assigned to their own places, forms, and times, Fate sets them in an orderly motion; so that this development of the temporal order, unified in the intelligence of the mind of God, is Providence...
...That course of Fate moves the heavens and the stars,...The course of Fate renews all things that are born and wither away by advances of offspring and seed. It constrains, too, the actions and fortunes of men by an unbreakable chain of causes, as they proceed from an unchanging Providence...This order restrained by its own unchanging, might otherwise run hither and thither at random.
...But you will ask, " What more unjust confusion could exist than that good men should sometimes enjoy prosperity, sometimes suffer adversity, and that the bad too should sometimes receive what they desire, sometimes what they hate? " Are then men possessed of such infallible minds that they, whom they consider honest or dishonest, must necessarily be what they are held to be?...But let us grant that a man could discern between good and bad characters. Can he therefore know the inmost feelings of the soul, as a doctor can learn a body`s temperature?
... just as there is no league between good and bad men, so also the bad cannot agree among themselves: nay, with their vices tearing their own consciences asunder, they cannot agree with themselves, and do often perform acts which, when done, they perceive that they should not have done. Providence has thus often shewn her strange wonder, that bad men should make other bad men good. For some find themselves suffering injustice at the hands of evil men, and, burning with hatred of those who have injured them, they have returned to cultivate the fruits of virtue, because their aim is to be unlike those whom they hate.
`For this reason a wise man should never complain, whenever he is brought into strife with fortune; just as a brave man cannot properly be disgusted whenever the noise of battle is heard, since for both of them their very difficulty is their opportunity, for the brave man of increasing his glory, for the wise man of confirming and strengthening his wisdom...Keep the middle path of strength and virtue, lest you be overwhelmed by misfortune or corrupted by pleasant fortune.
...there is nothing set in time which can at one moment grasp the whole space of its lifetime. It cannot yet comprehend to-morrow; yesterday it has already lost. And in this life of to-day your life is no more than a changing, passing moment. And as Aristotle said of the universe, so it is of all that is subject to time;...
betty gregory
February 26, 2001 - 10:55 pm
Hello Jeff's mother, Ruth Shapiro!!
How terrific to hear from you! We're having the best time discussing Jeff's book and even though we've had authors join us before, no one has put in as much time and care as Jeff has. This feels like a mini writing seminar.
Uh....mini writing seminar...hmmm. (Ginny, are you thinking what I'm thinking?)
Sorry, I got off track, thinking how wonderful it would be if we could talk Jeff into offering more of his thoughts on writing.
Ruth, we've had quite a few new readers find their way to Books and Lit (part of SeniorNet) over the last few weeks, so we're used to answering questions or giving directions. Clicking on any of our names at the top of any post leads directly to our email links. Also, our "Welcome" folder (top of the Books and Lit page) is a good place to look at upcoming book discussions. The "Library" folder (toward the bottom of the Books and Lit page) ----well, no telling what you'll run into there. How silly we can get, for one thing.
Two book discussions that look good (to me) that begin March 1st are House of Mirth and House of Sand and Fog. Why don't you join us for one or both of these? (Or maybe something else will appeal to you. We're doing two of Penelope Fitzgerald's books soon; also Dr. Zhivago in July, I think, and Brothers Karamazov April 1st. And a whole list of others.)
Anyway, glad to have you with us. Have you been to see Jeff recently? If so, could you tell us some about your trip and the Siena area?
Betty
Ginny
February 27, 2001 - 03:13 am
A grand welcome to you, Ruth!
We are delighted and honored to find you here, and invite you to make this your "home away from home."
Certainly we know you are proud of your wonderful son, who wouldn't be, we ourselves want to "adopt" him, hahahahaa.
I appreciate learning how much this book meant to your husband, that makes it even more meaningful to me. We appreciate your sharing that memory with us, and look forward to hearing more of your thoughts, that's what we're about here, ultimately, ideas and opinions, and we'd love to hear more of yours.
ginny
Ella Gibbons
February 27, 2001 - 08:01 am
And another grand welcome to Ruth! I read your son's beautifully written words about sadness, Ruth. What a grand talent he has and he must continue on with his writing. Do you visit him often? And can you share your thoughts of Tuscany with us?
We would love you to join us in other book discussions and also Jeff, if he has the time. As busy as Barbara is, you can see how much effort she puts into her discussions for all of our benefit.
Years ago I memorized the following that I happened upon after the death of a dearly beloved; it has comforted me and perhaps may others:
"Life is eternal; and love is immortal; and death is only a horizon; and a horizon is nothing save the limit of our sight."
SarahT
February 27, 2001 - 09:24 am
Welcome, Ruth!! You must be so proud of your son, and he so proud to have you here. What a gift he gave his father.
When my dad was dying (I'm about Jeff's age) I read to him a lot. He had been my reading inspiration, so I owed him big time. It was one of the only activities he had the strength to enjoy. But I thought about how amazing it must have been for Jeff and his father to read a book Jeff himself had written. Waht a gift!
Jeff Shapiro
February 27, 2001 - 09:31 am
A quick note to say thank you to everyone for the warm welcome you've extended to Mom.
What nice people you all are!
I'll be posting soon. Enjoying your thoughts on the book. Your comments on this second batch of chapters?
Love, Jeff
ALF
February 27, 2001 - 01:38 pm
Welcome to Senior Net, Ruth. Your post is full of loving pride and admiration for your son and we thank you for allowing us to embrace him, as well. Our enjoyment has been amplified by Jeff's comments and interpretations. It's all quite overwhelming to have him so near to us, yet so far. Many of us are like you, we are mothers who love our sons and are not able to see them often enough. Jeff has filled a void for many of us here with his humor and his theme of love and losses.
Barbara St. Aubrey
February 27, 2001 - 04:36 pm
I've been musing all day between appointments while driving to this or that location. The book prompted the research that uncovered Boethius. His words have been such a blessing for me and I now see Renato in a different perspective.
This concept, that I have bought hook line and sinker, you attract what you are has been a pain centered philosophy for me. Since I attracted those who brought much that I still struggle with the hurt and tears I must at a core level be bad and I better do anything and everything I can to change. Change, route out, understand, forgive others for the unforgivable and own that there is something in me that attracted all this seemed to be my mission for the past 15 years.
Along with this has been the old western frontier concept that our fate is in our hands with high doses of individuality determining how we achieve a dream. Just make up your mind and you can do anything. And that has been the engine of my mission to change. No way was I good enough and in order to be able to attract the kind of people and experiences I believed were humane, respectful, worthy of trust I embarked on a life changing drill toward, driving perfection, with strong doses of empowered self-assertion and super-independence, to the extreme of isolation, has been my banner.
Of course I asked, as Boethius asked, " What more unjust confusion could exist than that good men should sometimes enjoy prosperity, sometimes suffer adversity, and that the bad too should sometimes receive what they desire, sometimes what they hate? " Only I had a hard time admitting the bad received sometimes what they hated.
I heard it all before that bad men could make another good as the good are 'in reaction' to the bad character of ... which again agreed with the concept that we are all bad and 'in reaction' we become good.
But this - this bit of wisdom - was like solarcaine to my quilt, shame, pain.
"...whenever he is brought into strife with fortune; just as a brave man cannot properly be disgusted whenever the noise of battle is heard, since for both of them their very difficulty is their opportunity, for the brave man of increasing his glory, for the wise man of confirming and strengthening his wisdom..."
What a concept - bad can happen so that you can strengthen and increase your best skills! Your best characteristics! Your best! Not your worst. Not attracting from the bad within. No need to clean with tiny brush and pick, using a metal detector to locate every speck of what attracted the devastation in life!
Renato the nurturer, Renato the responsible one, Renato of a loving heart, Renato the caring, loving, friend, husband, father, son-in-law, sheep owner, citizen of a beloved ancient town and the responsible water works man attracted fate that allowed him to be more responsible as he repaired the water pipes rather than attend the funeral, support, encourage and nurture his beloved Signora Tita, stay devoted to his wife and their marriage, see the love of his daughter, now directed, to the young man whose parents bones will replace the bones of his parents. That whole difficult choice of re-burying his parents is acted on with dignity, reverence and love.
Every strife with his fortune, luck, fate is an opportunity that shows us a man becoming stronger in his basic qualities. He may be a simple water works man with four sheep, not a shepherd but, his bravery and wisdom seem stronger than even those in the Basilica, matching the characteristics of those we attribute to the Pope himself.
No, I do not see myself as matching the characteristics of Renato or the Pope. But finally, absolution and an explanation for experiencing misfortune that I imagine as God, bent on playing tricks, as he thunders across the earth with thunderbolts here, there and everywhere.
YiLi Lin
February 27, 2001 - 05:39 pm
aha couched somewhere in your post barbara along with the 'i am you' sitting in Renato's pocket is the belief in dependent origination- we are all of the same ilk- i am you, you are me- good/bad/evil/luck, these are value concepts, particular to humans and for some concepts based solely on perception. in renato's luck, though i think there is a leap beyond the ongoing question of what is real, what is reality- is it all perception- can there be an objective reality. i think the book just pushes those questions aside (for now) and a town has been created that IS a particular reality- (back to beauty vs. beautiful).
perhaps your discovery is more that there are no good people or bad people, but people- who act and react to a variety of situations- where those situations come from- a playful god, one's own world, "luck" as an external entity- has been a question relevant to the core of our humanity. sometimes it is easy for us to see the questions (if not the answers) in fictional characters or in the actions of others, harder to see ourselves as a character- an "other" to others- hmm now that i think about it that would be fun and perhaps enlightening, each of us taking on a role in this book, living one day in the town....
YiLi Lin
February 27, 2001 - 05:41 pm
ps- sorry i did not break in to say hi Ruth- but find it interesting that the posts talked about the loss of loved ones and this past week i learned of a friend's death and had been at funeral, making the issues at hand very timely.
MarjorieElaine
February 27, 2001 - 07:38 pm
I was very touched by Renato's love for his wife, Milena, and her love for him. He certainly had been "lucky" in love. They possessed a closeness and intimacy that most couples would envy. They had known each other for 28 years, had married young, and had apparently never dated others. Milena was very worried about Renato's apparent "mid-life crisis." He was worried about the loss of his taste for life--his passion for his wife and for life itself.
But isn't it interesting about Melina's mother? Melina still confides in her mother and works hard with her parents each day. But Renato and his mother-in-law do not seem to care for each other at all and apparently never have. I guess we have all seen mother-in-law situations like that. Sometimes the relationship just gets off to a bad start and can never be changed.
Signora Vezzosi is important to the story. But what about Milena's Mother? Maria Severina has a lot of the dialogue that helps paint the picture of what Renato's life was like. Marge
Barbara St. Aubrey
February 27, 2001 - 10:20 pm
Yili Lin I think what I am saying is that the attraction concept, the world is a mirror that is mirroring back yourself, was creating a huge guilt, shame, self-blame concept for me. The words from Boethius that shifted this concept for me are, "their very difficulty is their opportunity."
Rather than self-blame, examining my every characteristic, that could have attracted my lack or painful fortune, luck, fate - the shift for me is, yes, the attraction philosopy works but, with the focus on opportunity rather than guilt, blame, shame - I've believed the mirror was reflecting all that is ugly, bad etc. in my life.
Using the book title, When Bad Things Happen to Good People as an expression, my focus has been on the suggested exercises seeking self-esteem and God's love, because I attracted those bad luck events. Rather I can feel the confidence that my characteristics are my treasure and my already best self. That without the explosion in my life I could not practice using these characteristics. That by using them they only become stronger.
Therefore, I have a shifted my view of the place, lack or bad fortune plays in my life. It is a gift that allows me to use my strengths. I can now identify my best characteristics, that are probably stronger, by how I handled my bad fortune or lack of fortune that was my fate. This is a heady shift in my thinking.
And yes, the next step, the more I can identify wonderful characteristics in others, I will see them in myself, if I allow my self that grace. Just as, the more wonderful characteristics I accept in myself, the more I will see the wonder in others.
Marge I need to go back and look at the book - I found Signora Tita such an engaging woman. Taking a tip from Renato's diologue, I did not give much attention to Maria Severina except that she seemed to be telling Renato what to do.
Marge you did seem to see and enjoy the relationship Renato and Milena enjoy - what did you make of the statements from Renato of wanting to get inside Milena's head because he still could not understand how she thinks?
betty gregory
February 28, 2001 - 05:42 am
Ok, Ms. DL Barbara, I could restrain myself after you mentioned this "attraction thing" once, but I have to comment after your second mention. (and then I'll get back on track, promise.)
My comment is more general than yours, is meant not to answer your specific use of "attraction." But basically, when I hear any kind of reference to what Person A does to elicit a response from Person B, I know for sure that most of what person B does in his life has more to do with Person B, himself, than any other person.
The height of this feeling is around puberty, when a girl or boy is writing on the blackboard and is just sure that everyone is looking at and thinking about and making comments about her/him. It's not true then, and it's not true later. Most of those kids are feeling just what she's feeling, that they are in the center of a crowd and everyone is focused on them. Wrong, again.
When a teenager comes home and complains that someone else has called her a name, we patiently explain that what the other kid has done is ABOUT the other kid, his insecurities, etc.
In young adulthood, when a guy doesn't call after he has said "Ill call you," almost always, that has to do with HIS stuff, not who he doesn't call.
When something awful happens to us, there's more than a good chance that it has nothing at all to do with us (unless it's poor management of money, or a crime committed, or not following a dream, etc.) Other people's behavior TO us is usually ABOUT other people. I would go so far as to say, even when there is clear evidence that Person A has done 1,2,3,4 things to get a certain wanted behavior out of Person B, it IS STILL MORE ABOUT PERSON B, when he finally acts.
A counselor friend of mine used to say, "Why are you taking all the credit?" I like that question because it reminds me that I cannot take credit for someone else's behavior, good behavior or not so good behavior. Credit stays with the one who owns the behavior.
These are just my thoughts (obviously) only on the attraction theory, not on the whole of what you've written, which is more complex. You may not agree, or maybe you do now. Maybe we can talk further on this after the book discussion has ended.
Betty
Barbara St. Aubrey
February 28, 2001 - 09:27 am
Betty interesting in that my learning and being asked to take responsibility for my fate was in the therapeutic community where this attraction thing is was the bases of the philosophy - I sure like your slant - it makes sense - and so I do not have to look at Renato with a magnifying glass to learn what is the cause of all his bad luck - it just is. That brings a real direct way of looking doesn't it.
I must say though Betty, there are many that believe, what you put out is what you receive. And maybe we are simply looking at this from different directions. There is the philosophy that our learning on this earth is based in the concept that we relate only to those that are a mirror of our soul. That if someone displeases then that is the opportunity to look within and find that aspect of ourselves. That we are like a magnet that will only pull or attract others based on our own character and soul growth.
With that thinking we could look at the book and determine what character appears un-essential to understanding Renato. Are there any aspects of Renato that we would know better if there were another character not included in the book. In other words is there something more that we feel we would like to know about Renato.
My thoughts as I read the story were, Renato's bad luck or bad fortune, if pain is considered bad, starts when his parents die. Without their death the Vezzosi's would not have been important, to the story, to Renato. Therefore, his missing the funeral would not seem an issue at all.
The attraction theory that I see is, why the Vezzosi's? My thought is, they had more love then was needed by the average couple... Renato needed love in his vulnerable time and also, was a young man capable of giving and receiving love (remember how unafraid and matter of fact he talks of his parents as ghosts in the house after their death. I thought that could only come from a loving son).
Mired in his loss, if he were filled with self-pity, I do not think Renato would have recognized the love offered. He would be in the position of being emotionally dependent on the Vezzosi's rather than in the reciprocal position of sharing a loving relationship.
In his loneliness - he doesn't sound despondent over the feeling but, he does acknowledge it. And so, that to me said, this relationship between he and Milena was not based on need - I am lonely therefore, Milena save me from feeling lonely. With that kind of thinking I would imagine a story where the needy one will do anything to please the one he expects will fix his loneliness. Therefore, he would find more attractive a woman who was a fixer.
Milena I do not see as a fixer. I smiled when I read her gentle exasperation with his questions when he cannot sleep. The jealousy scene, simply said to me, she expects to be treated in a certain way and that does not include him running around on her. This is a woman who sees herself as a separate being not emotionally dependent on Renato nor his fix. I think in order to have someone like that in your life you need to be able to recognize these characteristics as well as have them yourself so you can dance and make music together.
All this did not explain to me all the bad luck that Renato has around him. My notion was to examine and look at what is wrong with Renato rather than seeing the bad luck was the very opportunity Renato required in order to use his best characteristics. And if that approach to life is good enough for Renato than why not accept it for myself.
I also think we will all get something different from reading this book. We all bring something different to the read and out of our collective sharing we may even enrich our own life. Please, we are not looking for one, agreed upon, interpretation. But only by bringing up our individual approaches to understanding the book, that at times may be different than others posting, will we have dialogue.
At the bottom of the list of focus question there is also the sentiment that going off on tangents sometimes happens and as long as the tangent doesn't take over we are in good shape.
Betty our discussing attraction to me is that we are really discussing what others have brought up - why all this bad luck - is all this bad luck saying something - the first part of the book seems to be a litany of bad luck experiences.- How do we digest and get something out of reading about a character experiencing a series of bad luck events.- What is the story telling us about bad luck and how are we to go about questioning the theme of this book.- I think the only way we can answer our own questions is to look at the bad luck as we look at bad luck in our own lives.
YiLi Lin
February 28, 2001 - 09:37 am
Betty yes I too must continue the comment- I am not sure any one of us attracts an event or situation, even theories on synchronicity don't suggest one attracts. However, cause and effect does suggest that specific choices lead to specific outcomes and they accumulate over time- simple things like I chose to make a right turn on main street at 12:02 p.m. and run the yellow light, and that choice ran over the pedestrian, whose relative eventually retaliated and poisoned my dog.....does not mean I attracted the misfortune but a choice elicited a situation and at each juncture one can choose how to hand the present event.
So I think we agree though expressing it differently- one does not attract misfortune or luck- but I think what I also read Barbara in your post is an important awareness that how one handles each situation in life the choice can either help us grow develop and demonstrate particular qualities we value or we can choose to react in a way that when we look back we do not admire our own qualities.
Tying this into Renato, I am thinking this is an important underlying theme in the book- though Renato does not seem to be overtly engaged in the actions of an antagonist (the town flooding is not portrayed as a windmill Renato needs to joust) he is portrayed as a man who is engaged in those series of life choices that over time develop or reinforce character. Even in his loss of taste and the hint of a succulent Meg Ryan, Renato chose fidelity, despite his mother in law he chose Milena, he chose what names and comments went on the list, chose to recognize the individual personalities of his sheep, etc. And it is these choices that 'effected' outcomes, each outcome becoming a chain on the continuum of cause and effects that is an individual journey.
Barbara St. Aubrey
February 28, 2001 - 12:11 pm
Have not looked further at all of the descriptions for those on Renato's list but of the four above I thought it interesting that they are all described in a room - (which if I remember my Eng. Lit 101 is reflecting the interior of someone's thinking or heart or soul) - and each have described a table in the room. I could find no traditional symbolism for table but there is Renato and Signora Tita sitting around a table. Milena is working at a marble top counter and Renato comes into the kitchen after having his lunch at a table. Duncan's table is strewn with books and CDs, placed in front of his bed. And Petula is at the breakfast table.
I also thought it interesting that all of the woman were visited during the daylight and Duncan's visit is at night, late at night. Petula at breakfast seems to fit. Youth, the morning of her life, the time just after Renato's morning rituals, placing Petula very important in his day. Milena, cooking, creating, providing sustenance for him and others. Signora with the crumbs and flecks of her past on the tablecloth where she can gather the cloth and shake her past in her grape fields or out her door.
There appears to be major clean-up required to organize Duncan's table. Although, his 'things' say much about his tastes and interests in life.
Symbolic for night is chaos, the source of duelism. Darkness and light are the duel aspects of the Great Mother as creater and dystroyer; birth, love and life, also death and disintegration.
I am not sure what all that is saying about Duncan or Duncan's role in relationship to Renato. They are very different men and yet good friends.
Nellie Vrolyk
February 28, 2001 - 04:24 pm
I'm still reading slowly and stopped a while to ponder this bit: "Only rarely did these foreign lives ever touch the lives of the people who had been born in the village." It made me wonder how long someone who moved into an insular village like Sant'Angelo D'Asso would have to live there to become a part of the life in the village and not an outsider? While I am reading this book I have the sensation of being an outsider, a foreigner, even though I am shown the inner life of Renato, who I find to be a likable fellow. Perhaps I have that sensation of looking in from the outside because there is as yet no character in the story for whom I can say "I understand her or him because she/he feels the same about things as I do."
Hats: I have been thinking about what you said about Renato being a deep thinker because he is a dreamer. I agree about him being a deep thinker, but I think the relationship between deep thinking and being a dreamer are the reverse of each other. Since the process of thinking is generally not very visible, someone who thinks long and deeply on things will appear to others to be constantly dreaming. Don't we often ask someone who seems to be distracted or who seem to be off in another world, if they are dreaming?
In the latest chapters I have been reading there has sure been a lot of bad luck come Renato's way.
Question for Jeff: as you were writing the book was there ever a time when you said to yourself "I do not want to write this 'happening' in the story", when something bad was about to happen? Yet you wrote it in anyways because the story would not be right, would not 'satisfy' without it?
YiLi Lin
February 28, 2001 - 05:59 pm
Barbara I am intrigued by your pointing out "tables" and am now thinking of authors who point out tables and the things on them, beneath them etc. in other works. Can a table perhaps be a kind of podium, but in a passive sense, a receptacle for the other symbols of characters lives.
I am thinking of my own table- it is situated near the back door and becomes a respository for plants, projects, mail, books, bills, etc. and I get really frustrated by the end of a week when the first thing I see on arriving home or coming downstairs in the morning is the clutter. I symbolically clear the table, I think in an effort to clear the clutter in my mind or life at that moment. I also find I get testy when other people put stuff on "my" table and I become almost an obsessive/compulsive about rearranging their stuff so that even if I do not clear it.
So I wonder now if not even consciously when an author chooses to tell us about tables, that he/she might not be calling our attention to some important external manifestation of character. It is possible that the tables in our lives have much mor meaning than we'd realized before.
thanks for jump starting my awareness. i can't wait to begin to take notice of other tables. (not desks that's a whole other ....)
hmm now if Renato lived alone, I wonder what would be on (or not) his table.
oh and is it across regions that people use the phrase- 'my plate is full' when they mean they have a lot of things to do- i wonder if that plate is on their table?
MarjorieElaine
February 28, 2001 - 09:37 pm
Barbara: You asked what I thought about Renato's and Milena's desire to understand life inside each other's heads. That is part of the reason I commented about their love for each other. I think most lovers want to understand what goes on in each other's heads. I think they really care for each other.
I guess I have read this story differently because I did not focus on Renato's bad luck. I saw it more as his perception of what was happening in his life--and, like all of us, he had both good and bad occurring. I saw it as a mid-life crisis when he said on p. 148 "nothing touches me anymore." And the events leading to the conclusion of the book seem to me not a change in his luck but a change in his perceptions, how he is going to deal with what has happened and is going to happen. It is human nature to attribute our fortunes and misfortunes to luck. But Renato himself said "Life renews itself...But when will life be born again in me?" on p. 151.
Maybe Jeff can tell us more about why he used "luck" in the title. And I wonder whether the people whose stories contributed to the book know that his book has been published in the US--or did the notes and fragments from various individuals become unrecognizable? It is such a wonderful way to have put together a novel while learning about a new area of the world and becoming a part of it. Marge
Jeff Shapiro
March 1, 2001 - 03:22 am
Hi, everyone!
What interesting comments you've all been writing. I've noted how much discussion the idea of luck has sparked off.
YiLi Lin, I believe my own thinking is very much in line with yours. I liked your example of the traffic intersection.
Betty, I got a real kick out of your astute observations on how men and women tend to attribute success or failure to good luck or bad luck in rather different ways. Men, as a whole, are probably as quick to shirk blame as we are to take credit.
I was intrigued to read Barbara's thoughts on how responsible we should or shouldn't feel for the circumstances that surround us. This point was echoed in Nellie's and other people's question asking why Renato seems to have so much bad luck at the beginning. I'd love to get back to this point in a later posting.
For now, I wanted to give a quick answer to Marge's question about the title. And my remarks here might shed new light on some of the other issues, too.
May I tell you all the truth? (I feel as if I'm about to give away some sort of inside secret here. But why keep secrets?) Here's the truth: I didn't think of the title.
The whole time I was writing the book, I used the working title of "A Feather To Fly On." People who have already read all the way to the end of the book might recognize the feather episode very close to the finish. I realize it's a relatively small portion of the book. To me, though, it was such a crucial moment that I steered much of the writing toward that point.
I'm still fond of that page in the book, but I never had been entirely sold on the working title. The publishers, too, weren't crazy about "A Feather To Fly On." Lacked punch, they said rightly. And it didn't sound even remotely Italian.
The book was already finished when several people from the publishing house (Larry Ashmead, the editor-in-chief; Trena Keating, the senior editor handling the book; and other people around the HarperCollins New York office) and I had a long-distance brainstorming session to try to come up with a title. Someone suggested "Renato's List," but that sounded too much like "Schindler's List." It was my lovely editor Trena, in the end, who said, "I've got it. 'Renato's Luck.'"
Took me a while to shift my thinking. I slept on the new title for a couple of nights, then realized I really liked it. I like the musical sound of it. Also, there's a fortuitous play on words embedded deep within the title, because "luck" could be taken (in Italian, at any rate) as "fortuna" or as "culo" ("ass"). Most importantly, the title projected a kind of natural optimism, and that's what I liked best of all.
Have I disillusioned anyone by telling this story? Should I have kept my mouth shut?
I would point out that books, or songs, or paintings are rarely conceived with all of their ultimate aspects already in place. Usually only one facet of a work comes to you when you set out, and the others accumulate during the process of doing what you're doing. (It was the melody of "Yesterday", not the words, that first came to the Beatles when they were writing that song. Words and melody might seem inseparable to us, but in the real process of writing, the Beatles had only the tune at first. The words they used when humming along, as a kind of place-holder for eventual words, were not "Yesterday" but "Scrambled eggs.")
Often the big surprise that happens when producing something is that what you had planned to make the focal point of the entire work becomes altogether marginal. It takes a funny kind of brave humility to take a backseat and let the work proceed in its own direction.
In short, this much attention paid to "luck" was not, perhaps, my original intention. Luck, be it good or bad, merely created the stage on which the characters then had to make their choices and learn their lessons. Is what happens in real life very different?
Ball's in your court. Eager to hear your thoughts. Love, Jeff
betty gregory
March 1, 2001 - 03:34 am
Marge, the words in your post speak how I think, specifically, how perceptions of what is happening determine whether something is "bad" or "good." Even when something outside of us doesn't change much, how we decide to deal with it may change everything---our outlook, how we relate to "it" and others, and, I believe, the outcome. I liked the quote from Renato you chose.
I have no idea if tables have anything to do with anything, but I thought I'd add that I, too, have a "thing" for tables. Every piece of serious work I've done over the last 15 years has taken place at my dining table-turned-desk. (But not before I had suffered over getting things in "order" on that desk, each time. don't ask.) Now the desk is a table again and I have big plans to use it for serious table things, but not before I've suffered over antique table cloths, new wine glasses, etc. In the rest of my life, I'm not as particular, but around that table, I can be downright obsessive.) When I was moving, I had such a healthy thought---that I ought to sell that table. It's possible that my hard work (and how I was during the hard work) is now a part of that table. Yeah, I know, pretty weird.
aviva
March 1, 2001 - 05:50 am
I welcomed all the wonderful messages I received from the "Renato's Luck" discussion group and look forward to becoming an active participant. Presently, I'm involved in my own search for healing. Last week, I was in the Galapagos swimming with the sea lions and penquins....tomorrow, I'm off to N.Y. city for a week of plays and museums.....so hang in with me and upon my return, I'll fill you in on the details.
Jeff's Mama....Ruth
Hats
March 1, 2001 - 05:59 am
All of the posts are so interesting. Each post has given me a lot to think over and digest. It is amazing how much we can learn from one another right here on the internet.
When Barbara brought up tables, It excited me. Barbara says she does not know the symbolism the table holds and YiLin agrees. I am just guessing, but could the table be a symbol of togetherness, communication, love or hate, nourishment and work.
My mother used her dining room table as a cutting table. The dining room table is where she laid her fabric out and this is where she would cut the pattern during the day. In the evening, we ate our meals at this same table.
And I think everyone has an idea of what the table looked like at the Last Supper. We have seen so many paintings.
It is at a table where Signora Vezzosi shares her sorrow with Renato, and I think Petula and her boyfriend are at a table when he tells Renato about his parents death.
I think "tables" are very important in the book. Like YiLi Lin, I will look at the table in my home differently.
Can a table hold a holy aspect or is that going to far?
Hattie
YiLi Lin
March 1, 2001 - 08:24 am
tables, tables and more tables- funny how there is so much "the same" about people and experiences rather than differences- here betety and i have the same table fetish and my mom too used to cut her patterns out on the table- it was a tintop and to this day i can hear the sound of the scissors agains the tin as she cut- usually at night after we were "asleep"
but tables- think about how even where one sits at the table whether for sociability, meals, or in a corporate or academic environment if imbued with symbolism.
remember my first academic administrative meeting- it was held at a table in the then dean's office, i was the newbie, never knew i was supposed to wait and sit last at whatever seat was vacant- but apparently that gesture set in motion a reputation- that i must admit these many years later has really done me well- the lady who sat in the wrong seat to some had courage, to others disrespect but either way i'd been labelled a WOMAN to pay attention to. hmmm and all because of a table.
YiLi Lin
March 1, 2001 - 08:25 am
ps- aah ruth too bad i did not know you were coming to new york city- i'd have suggested we meet for an amazing breakfast in chinatown- next time
Barbara St. Aubrey
March 1, 2001 - 10:55 am
Nellie Yrolyk, originally from the Netherlands! Nellie was it a big adjustment for you moving to Canada? Did you speak any English when you made the move? Tell us - Tell us - this is fascinating to me and I would love to hear about what it was like for you living in Europe and then adjusting to living in Canada. I wonder if some of your experiences are some of the same that Jeff encountered when he moved to Tuscany.
No character yet?? Earlier you wrote, "as yet no character in the story for
whom I can say "I understand her or him because she/he feels the same about things as I do."
Marge, what a wonderful thought you shared. " did not focus on Renato's bad luck. I saw it more as his perception of what was happening in his life--and, like all of us, he had both good and bad occurring. I saw it as a mid-life crisis when he said on p. 148 "nothing touches me anymore." And the events leading to the conclusion of the book seem to me not a change in his luck but a change in his perceptions,..."
Interesting that over the years we seem to use the expression mid-life crisis describing a mans experience and for woman we often use the expression change of life or the changes. Of course we know that most often we are referring to a woman’s biological change and yet it seems to me the word crisis for men and change for woman says a lot about fear and anxiety for men. I'm thinking the word change may be more appropriate for both. Not to say change will not bring it's share of fear and anxiety but it seems the crisis is really about change. A change in those around us, a change of status, a change in physical prowess and probably sexual prowess, a change in life goals, an awakening to the change in society or the community you live on and on...change.
Jeff I roared laughing - talk about change and we taking on the challange of the title like the good toreadors we are and here you say, the title was not your original choice! That "It takes a funny kind of brave humility to take a backseat and let the work proceed in its own direction...In short, this much attention paid to "luck" was not, perhaps, my original intention. Luck, be it good or bad, merely created the stage on which the characters then had to make their choices and learn their lessons."
Well! It may not have been your originally intention to focus the reader on identifying what luck means and what is good or bad luck but we sure have given that bit a good airing here.
I'll never listen to Yesterday again without hearing "Scrambled eggs." In fact that same concept was what happened in designing the heading for this discussion. It was the cause of a fun evening as others came in with their rhymes, one two buckle my shoe, on and on. Where the words are next to the grape links - for quite awhile in order to measure space the word 'grape' was repeated. Some with all capitols, another with a capitol G and there was another word that I forget just now but I think it was bunch.
Back to luck - for some of us luck, fortune or fate and how we understand it is relevant and may be the center of our personal philosophy.
Aha! Now we have "IT!" What is "IT!" you say? I was so struck at the Texas Book Festival when Ha Jin spoke of writing to the magic. He further described magic as the small movement. Jeff, from your description of the value you place on the pages that speak to "a feather to fly on" as the "crucial moment that I steered much of the writing toward that point," sounds to me like that is your small movement or the magic of Renato's Luck.
We have lift off - the center of the e-pact! "A feather to fly on."
Betty, you also with the table? I love the aspect you brought out, "It’s possible that my hard work (and how I was during the hard work) is now a part of that table."
That and Hats comment, "but could the table be a symbol of togetherness, communication, love or hate, nourishment and work." had me thinking of my table.
I've more than one table but, this particular Hayward Wakefield maple table was bought within a month of marriage. For many years it was ready, waxed spotless with at first a lamp and figurines, the leaf raised for every meal. Later, waiting, opened to its full 8 feet, with a seasonal changed center piece placed on my grandmother's hand embroidered runner. Still later, in the family breakfast area, waiting again, actually set with place mats, silver and china, as if we were to sit and eat together. Very emblematic of my waiting for what never occurred. We only all sat un-relaxed at the table during traditional holiday meals. Now it seems to be covered in a blizzard of scattered bills, papers, phone, magazines, computer print-outs, cell charger, unpacked groceries and hidden under it all is a bright yellow cloth with a basket center piece. I think I've been trying to get rid of the table without consciously realizing it.
My best memories of baking cookies, kneading dough, cooking and fun eating with the children, as we often dipped fruit into chocolate fondue, standing eating our quick lunches, serving many guests, cutting out patterns, painting paper used as gift wrap, silk screening cards and fabric, paying the bills, re-potting plants, sorting the peaches for jam, on and on, all took place on the large, wooden chopping block island in the kitchen with pots and herbs hanging overhead.
Yili Lin, I love it - a table is where we can establish our reputation and what is that Jewish word - something hutspa or khaputsa or something, that sounds wonderful, meaning I believe - someone that has the courage, with a wink at brashness, to stand for themselves. I just love it!
Nellie Vrolyk
March 1, 2001 - 02:04 pm
Barbara, I was ten years old when my family emigrated from Holland to Canada. Not one of us spoke or understood a word of english. We did have one thing that was for us -a good stroke of luck as you might say- and that was that we were going to the place my mother's sister, her husband and children already were living, so that we would have someone around to talk to. It didn't take us that long to pick up on the english language. We arrived in July of '54 and by September I spoke english well enough to be put in grade three in school and my younger brothers in grade two and one.
The odd thing was that until I was in my twenties, I would translate all the english into dutch as it was spoken to me, otherwise I could not process it in my mind; and when I wrote english or spoke it, I would first translate my thoughts from dutch to english. One day when I had just turned 21 I found I didn't go through this 'translation' process anymore.
I can identify to a certain extent with Renato: like him I tend to think a lot and am a dreamy kind of person. But that is as far as the identification goes. There are little bits of each character I can relate to, but so far there is not one character I can totally relate to. I still enjoy reading the book very much. Moreso than I would have thought since it is not the sort of book that interests me.
Here I will say that I bought Renato's Luck because of your wonderful posts in this discussion, Jeff. I figured I couldn't go wrong, that your book would be as good as your posts, and I have been right. I hope you plan on writing more books!
Now to think about some of the thoughts and questions raised...
Barbara St. Aubrey
March 2, 2001 - 07:37 am
The word "Dawn" has been in my mind - I remember my mother, who seemed to share her wisdom in the form of bits and pieces of quotes, often saying "Then came the dawn." This was always the quote when we were dense and slow about learning something or figureing out what, to her, seemed a logical conclusion to the question at hand.
THe book starts with the word "Dawn" and ends with Renato and his grandchild on the hillside at dawn. I'm wondering if everything in between was Renato's enlightenment. His final realization, his "Then came the dawn," toward the otherside of life's changes, his changes.
YiLi Lin
March 2, 2001 - 03:02 pm
Whoa! choices?unknown pull? yeeks my entire life has been a series of choices prompted by some unknown pull. Over the years I have created a mythical creature who is the pull and now that I'm "mature" the creature is a kind friend.
Hats
March 3, 2001 - 03:54 am
Barbara, I think one of Renato's dawn moments comes when he learns to accept others and not judge them. At first, he is really apprehensive, unhappy about Petula's relationship with Daniele. "his thoughts returned to Daniele, to the man-boy who had knocked up his daughter."
Renato's feelings begin to change or he seems to come to his "Dawn" moment when he sees Daniele living through similar circumstances as he, the loss of his parents. Petula leaves a note explaining the tragedy.
Renato reads the note "In an instant he lost his appetite, lost all desire for a glass of wine."
I am wondering did Renato's "Dawn" moments come along with a loss of taste.
A hint of this "Dawn" moment to come is what Petula writes on her message. "You can only accept." Renato's acceptance will lead to his enlightenment.
YiLi Lin, I like the thought about a "mythical creature."
HATS
YiLi Lin
March 3, 2001 - 01:48 pm
The ephemeral is beautiful. “Beauty is ephemeral.” Does everything beautiful have to disappear,
well since just about everything disappears- at least from the present- as present is really a collision of past and future- i am amazed at the workings of the human brain that allows us to snapshot this collision and hold on to it.
guess i could recall the numerous sunrises and sunsets, and think of the smells and sounds or absolute quiet of them- but i can share with you a rather amazing snapshot.
several years ago i walked down to the beach- it was fall a time when the dolphins seem to be in transit probably heading south- at that time we still had the wild horses roaming our area- well anyway the path i take sort of goes up hill between two dunes and at some point there is always that gasp moment when the ocean and beach become visible. well this afternoon's gasp moment was heightened by an amazing site- one of the horses was neighing and taking mini jumps in the spirit of play oh about knee deep inthe surf, she was cavorting with a dolphin who was swimming in close, jumping and quickly getting back beyond the surf line, while the horse and dolphin were playing an elegant pelican glided into the fray and rode the air currents in circles above them. it was one of those white foam surf days the sun glistening even the sand sparkled. just amazing.
another moment of beauty happened this morning, i was out trying to do a bit of winter raking before the blizzard and the pooch charged the leaf pile like one of the those cartoon roadrunners, scopped up an empty plastic pail and took off wrestling the pail down the driveway- she'd jump, turn on a dime, pivot, fall using every muscle in her puppy body- the yard's a mess of mud, the sky is dark and dank- but that's beauty!
interesting on reflection Renato's town seemed to be blessed with constant good weather, even the scirroco was described in a way that the heaviness and the sweat were things of beauty.
Barbara St. Aubrey
March 3, 2001 - 05:43 pm
Hats Oh I do like that - Renato has some 'Dawn' moments. Without opening the can of worms in this discussion about abortion, I thought it interesting that both Petula and her grandfather, each came from their own view of what is best. And Renato lets it play out having another "Dawn' moment with Petula's famous words about accepting life, what life gives and takes.
Oh my Yili Lin, that was better than a painting or movie. It was nature's majesty, picturing the wild horse with the dolphin but then to add the pelican, Ohhh. A Science Fiction computerized film only trying to get that close to reality! Hee hee and the dog - young boys and puppies - they move with such delight.
At first I had a different picture of beauty - objects and art - which are not necessarily ephemeral. Then when I read Renato's experience in the plazza, the fleeting moments of beauty came to mind.
When all the wonder is set aside, the experience that swells me with joy and still brings a smile to my face, brain, heart is an experience I had a few years ago with my grands. The memory is like a series of stills that strung together create a composite of a brief time filled with enchantment.
My daughter was moving from Austin to South Carolina and we were having the last get together in College Station at my son's home. It was an August afternoon when the heat is in the 100s and so the children were in-doors. Chris, now age 12, then age 9, the oldest, was into Ghost Stories. When Cooper and Cody had their 8th birthday in April I gave Chris this great book of Ghost Stories that together we would read whenever I visited. Ty was still 7 and Cade just turned 5.
Cody, with great enthusiasm, has this teriffic idea that I should read, to them, a ghost story in the closet where it was dark. He even solves the problem of reading in the dark by announcing he would hold a flashlight for me so I could read.
Into the closet we piled with a pillow offered from Chris's bed for me to lean against, Ty and Cooper holding on to each other in the opposite corner, Cade in the middle and of course Cody scrunched next to me with the flashlight.
You need to understand, Cade "must" be better then Ty, his brother, in "all" things. If Ty is scared then Cade "must" be brave.
Well, we were jamed in that closet together for about an hour and a half. There were the appropriate intakes of breath and "no, I don't want to hear," with boys hugging on each other, flashlight at times unsteady as the level of scare in the stories increased -
As I finished up the third story the ending had a real jump scare. I thought Chris and Coop were going to hit the ceiling. Cade sat very still. Chris opened the door to let in the light after the scare. Everyone's breathing was normal again except, Cade's face was flushed and he was not stirring. Finally, his reserve and bravery broke and fat, fat tears spilled silently down his face. Well you never saw the like as the four older boys comfort Cade. And Ty gives him peace of mind saying, "Don't worry, I won't tell you got scared."
Any time I need to feel good I conjure up that memory. Not ethereal beauty but the beauty of so many emotions and the total involvement in a life expereince, spending an afternoon, legs crossed, in the dark closet, reading to my 5 grands.
betty gregory
March 4, 2001 - 03:03 am
What a good grandmother you are to those "grands," Barbara, and a good story-teller (telling it to us), also. Isn't it wonderful to recognize and value these moments? You're building such lasting memories for those boys to treasure.
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YiLi, I'll bet you've inspired a heightened awareness in all of us. I thought of you this afternoon when I leaned to look past my desk at the stretched out, sleeping body of Sam, my cat, the top of his head up against the patio sliding glass doors---his long body at right angles to the glass. I was already smiling at the unusual stillness of his long body when I saw what, normally, would have made me gasp....but I didn't want to make noise and wake up either of the cats.
Right, cats...Sam, his head against the window and "the bad cat," our name for that trouble-maker, with the top of his head right up against Sam's head on the outside side of the glass. The bad cat was stretched out from the window, asleep on the patio, a mirrow image of Sam.
We call him the bad cat because he comes onto the patio, hisses and arches his back, bats at the glass in fury, at Sam, who sits watching, sometimes backing up a little, but mostly fascinated. Once, while the bad cat was battling the outside glass, Sam walked over and rubbed his head against the glass...something I've never seen a cat do. Most cats don't attempt a "hug" in the middle of being attacked.
Well, if there was some conversation, some meeting of the minds before the cuddled heads nap, I missed it. Maybe Sam was already asleep when the bad cat came upon the scene. Maybe we need a new name for bad cat.
I watched for a while, then went back to my desk work. When I looked again, bad cat was gone but Sam was still asleep. I can't wait to see how bad cat behaves the next time he and Sam are awake. Maybe they're pals now.
Betty
Hats
March 4, 2001 - 04:49 am
YiLi and Betty, I love horses, Dolphins and cats. Kittens and cats are my favorite. My last cat named Velvet will never be forgotten. Of course, Barbara, those grandchildren, the gifts in our latter days.
I have been thinking about "beauty is ephemeral." My mind turns to the seasons. Each birthday brings me closer to understanding the joy of each season and the gifts it has to offer. Are the seasons a sacrificial offering to us?
When I was younger, I just thought about being too cold, too hot, too sticky, too rainy, too windy, etc. Now, I know each season has its own special offering.
The summer is a time of being in full bloom. It is the time when everything seems to have reached its pinnacle of success. The autumn seems to be a time of change. Is it the beginning of dying? If it is the beginning of dying, then dying is not so ugly. I am thinking of those beautiful red and gold leaves.
I think the autumn prepares us for death because then winter comes and everything dies. Winter is the hardest, I suppose, because we see death. Then, spring comes and life begins to "renew" itself.
Surely, there are lessons in these seasons. Are they our passport to a better understanding of our own life? Maybe, the seasons through their ephemeral beauty help us to understand that beauty never really disappears it just changes.
I do believe that each of us is in one season or the other. I am still learning to accept and enjoy the present season. When I do accept the present season, I will have accepted myself.
HATS
Ginny
March 4, 2001 - 06:08 am
I've been quite a bit behind but am now just catching up and do have some questions about some of the things in this second part.
Just plot wise, Renato has a dream about the Pope's hand and the well and the treasure box ....and when he goes to the well nothing is there.
But he makes an interpretation of that dream to proactively change his own life, and that decision gives him hope. Then, in his compassion for Signora Tita, he decides to take her along with him figuratively (but not literally, I wonder why) in the form of the paper. Then he adds others. (That was cute about the paper in the pants pocket and the problem it caused)...and then he adds quotes and then he has a dream but the hand in the dream writes so many names he can't keep up.....
I can see why the original title might have been Renato's List because that's becoming his goal and the one thing that keeps him going. So you have to ask yourself whether in fact, this IS a prophetic dream or whether his own ...additions make it so....I have a struggle with the dream changing to match his own adaptation of it...
I think at that moment the story shifts and the dream becomes a
dream...a mission of prophetic importance, which makes me wonder how much of any man's life is.....divine intervention or his own application? Renato is not particularly religious in the first place, is he?
The statements themselves are interesting and why they were chosen and what they represent. In Petula's case, "You can only accept." That statement was written next to her name but who is the luck intended for here? Him? Her?
Lots of questions I have on this passage, lots of thoughts about the characters and the nature of the statements and what is hoped to be accomplished here.
For Duncan, with his "The ephemeral is Beautiful"--Angie...it would seem to me that Duncan needs a lot more than that, what aspects of the character's needs is this paper in the pocket attempting to meet, the spoken needs or the real ones?
For instance on page 149, Renato says to Duncan,
You see, I listened to every word you said, and that's what you said, you said, "That's what's killing me," not so much that the ephemeral is beautiful but that beatuy is ephemeral. It's killing you, you say, and I care about you too much for that. I don't want anything to kil you. An answer? Maybe no, but there must be an answer to that idea somwhere. You're sad beccause that thought makes you sad.
No he's not. He's sad because he's been rejected and he's disappointed and he's attempting to give it a disconnected frame of reference. I submit that it has nothing to do with emphmeral or beautiful, but something else...so we have to ask....hmmmmmmmm
Lots of questions here this morning and no answers!
Unless you all have some?
ginny
Jeff Shapiro
March 4, 2001 - 10:21 am
Hello once again!
I'm amazed by the sheer number of messages posted so far, and even more overwhelmed by the thoughtful sensitivity that those messages contain.
I loved the comments made about TABLES. It is interesting to note what an important focal point the table is in anyone's home. A little etymological observation, since I mention the expression "focal point": Our word "focus" comes from the Latin word meaning "hearth, fireplace." Traditionally, if you think about it, the fireplace was the "focal point" of the home. That was where the warmth was. It was also where food was prepared. What meeting place could be more natural?
Nowadays few fireplaces are used on a daily basis. Somehow, gathering around the microwave just doesn't feel the same. Where is the new natural meeting place? Perhaps the "focal point" in the home has shifted from the hearth where food is prepared to the table where food is eaten. (Or perhaps, in too many cases, the new "focal point" is the TV!)
On the subject of beautiful, ephemeral moments, I was very moved to read the descriptions that you all have offered.
Betty, your description of the cats was lovely. A kitten adopted Valeria and me about two months ago. I've always lived with animals(years ago, I had eight dogs, seven cats, and two birds, all under the one roof), but having a four-legged family member is a new experience for Valeria. Indeed, this is the first animal we've lived with since we've been together. What a joy it is to share our house with this lively being!
Barbara, I would imagine that your grandchildren, like you, will never forget the joy of crouching in the darkness of a closet to read scary stories with their grandmother by the glow of a flashlight. Fantastic!
Hats, I was struck by your consideration of the seasons. I especially like your sentence "When I do accept the present season, I will have accepted myself." There's a lot of truth in that.
YiLi Lin, I was entranced by your account of how you watched a wild horse and a dolphin playing together in the surf. Where do you live, by the way? Where are there still wild horses? And would you mind if I borrowed that beautiful image from you for use in some future book?
Ginny, I'm eager to put down a few thoughts in reply to your message, but I'm afraid of running out of room, so I'll post that message separately.
Oh. Before I forget. Barbara, as I was reading your messages a while back on the question of attracting different kinds of luck, I thought how similar your thought processes were to Renato's when he struggled with an issue that would give him no rest. There's a sentence toward the end of the book, a sentence that is easily overlooked. The sentence is important to me, however, and important to Renato, too, because it has much to do with an answer to many of his questions. I'd be curious to hear if the idea expressed in that sentence works for you, too.
I don't want to get ahead of the section that we're reading for the moment, though. When we get to the discussion of the final part of the book, please remind me to point out that line to you. I'm eager to hear your thoughts.
Signing off for a moment, while I attempt a reply to Ginny's points.
Ciao! Jeff
Jeff Shapiro
March 4, 2001 - 10:54 am
Right. Ginny, you ask excellent questions.
Answers? Help!
It's funny, you know. Any time the issue of Renato's dream comes up, I feel split between thoughts on the fictional Renato and thoughts on the real-life Renato. As I mention in the preface to the book, there is indeed a real-life Renato who, prompted by a dream, took a trip to Rome. The real-life Renato told me about this little experience of his, describing also how his interpretation of his dream lead him to decide that shaking the Papal hand, while touching his own ass with the other hand, might be the only way to change his "culo."
Aware of which bits of the book were true and which bits were created for the purposes of the novel itself, I still get lost sometimes in the interplay between truth and fiction.
It makes sense to me that the book's Renato should take his dream that seriously, because that's exactly what the real-life Renato did. Does it makes sense for a reader, too? I'll leave it up to you to decide.
As to the remarks that he writes down on his list, I would point out that Renato's desire is not merely to change "luck" in the superstitious sense that we usually assign to that word. "Culo," in a way, is broader. It encompasses not only "luck" but also "fortune," possibly even in the sense of "destiny." A good listener, Renato's listens to the people around him. By listening, he comes to recognize that every other person would desire some fundamental CHANGE. In the case of some people, the change may be nothing other than a way to make peace with questions that have no easy answer.
Renato can't find an answer to the questions put to him by Tita or by Duncan. He appreciates the importance of the questions, though, and writes those questions down as a reminder to himself of the crucial riddle with which these people are wrestling.
Personally, if I had to choose between a good question and a good answer, I'd go for the good question every time. Questions seem closer to the truth. What do you think?
Love, Jeff
P.S.(I know I haven't answered your questions fully, Ginny. Are these thoughts relevant, nonetheless?)
YiLi Lin
March 4, 2001 - 12:11 pm
Renato with his list reminds me of Siddartha (?)
Jeff sure, hope you would email me when you write the book- please don't forget the pelican.
I've also written a novel it even got into the hands of an agent- then he passed on and I never resubmitted to another- shoot those query letters!- the characters I walk around with inside my head don't take the time to see horses, pelicans and dolphins (the point of their stories for the most part) and the crew that almost got published need to move to the year 2001.- anyway when writing my characters take on lives of their own- and i do not consciously use images from my own experience, so you are most welcome to apply a snapshot from my life to yours- isn't this what nature intended, interconnectedness with no bounds.
Yes dreams and prophesies we choose to see that define our lives or send us off on quests- I wonder how much of the quest is our own invention or a purpose assigned to us to help maintain the order of things (and things not)
Jeff Shapiro
March 5, 2001 - 01:45 am
Buongiorno!
I was curious to hear your views on dreams.
Different schools of thought have held dreams to be:
-- meaningful messages sent to us from "on high";
-- meaningful messages sent to us from our own unconscious;
-- meaningless images produced by the brain when it unwinds.
Which view would be closest to your own?
Do other people take some of their dreams seriously, or I am the only one? Can you, too, recall important dreams from your past, dreams that proved to be landmark events in your life?
Have any of you ever had dreams that proved to be prophetic?
I've always been fascinated by dreams. Your thoughts?
Love, Jeff
P.S.(Sogni d'oro!)
ALF
March 5, 2001 - 07:09 am
Dreams have long been my "castles in the air." I find it impossible to daydream and believe that that is the reason I have such vivid "night dreams." My imagination works overtime during my sleep cycle to introduce me to fantasies, hallucinations and specters.
They allow me at night to conjure up great formulas of success and inventions. Some are calming while others are dismal and dispiriting. What ever the night brings, I honestly admit that I do pay attention to them. I feel as if they were purposely dredged up from the depth of my soul, somewhere, and therefore should be consciously addressed. I further admit that after interpreting the majority of them, I trash the thoughts. there are specific dreams that I have had allof my life, one came to pass when I found an old house (where I used to run slaves from in my dreams) and a different one that is probably prophetic--- I am incarcerated with the keys within inches of my reach. Enough of my psyche, Jeff.
betty gregory
March 5, 2001 - 07:17 am
Hi, Jeff. You probably won't like my thoughts on dreams. Nothing too terrible, but they will sound awfully neutral next to the significance you hint at for yours.
As a clinical psychologist (no longer in practice, health reasons), I was asked often about dreams. Since there are no definitive studies on dreams (except when...what stage of sleep...the body has them) and because, as a feminist therapist, I did very little I-know-everything-and you-know-nothing, I almost never offered an "interpretation" or encouraged significance of something so loose, broad, vague, and infinite as dreams.
What I did encourage, and would take it as far as the patient wanted, was the patient's perception, by asking, "what did you make of that...what does it mean to you?" Then I would honor her thoughts and feelings about a dream (unless it obviously didn't fit the patient I knew, or was paranoid, or too much significance was given to it).
As a professional, I think too many mumbo-jumbo, money making books have been written about dreams, books that contain inaccurate information about emotional well being, books that promote theories that even those professionals who do interpret dreams would have trouble with. Just look in any Self-Help section of a bookstore.
Personally, I think dreams are fascinating, especially since there seem to be so many variations, personal differences in types of dreams. I personally think (with no proof) that dreams are our way to keep working on unfinished issues, or rehash in slower, visual form what has been experienced only in hurried thought form during the day.
It's clear to me that common sense can be applied. If dreams are always frightening, then it seems reasonable to look at anxiety issues. If dreams repeat a rejection scene....and if they somewhat match something going on in daytme life, then the dream might be a confirmation of already known loss or self-esteem issues....or maybe the rejection dreams are a continuation of real life pain, as if our sleeping brain is mulling it over for more understanding. I rarely would go that far with clients, though, since there is virtually nothing known about dreams that has been tested and confirmed.
Another reason to avoid authorizing too much significance in dreams is to protect sleep. (Someone might begin to dread dreaming.) I've read recently that there is increasing evidence that most of us are constantly and dramatically sleep deprived....that we have come a long way from retiring at sundown and awakening at dawn. That really interests me, the possibility that most of us are functioning at a fraction of the alertness and intelligence that more sleep might offer.
Given all of the above, one might guess that I haven't had any interesting or troublesome dreams. Wrong. I dreamed an identical dream, with small variations, for years (every few months), of living with my parents...as an adult...and feeling frustrated but determined to move away to live in my own house. In my early forties, I moved many states away from where my parents live, to the west coast, and within a year, stopped having that dream. For the next ten years, I did not dream that dream. A year and three months ago, I moved back to the state where they live and within two weeks, dreamed that same dream again!! So weird!! But well within the range of common sense thinking. (hehehehe, common sense to me)
Betty
YiLi Lin
March 5, 2001 - 08:13 am
I have had precognitive dreams since childhood. At that time I knew when things would happen- sometimes far in the future and not necessarily to me, in fact rarely to me. Or an event would occur that people would be really upset about and I was rather neutral, because for me it was a repeat performance. I agree with Betty on one psyche about it- when I was about 10-11 I began to think that the dreams were a manifestation of something very weird about me.
By my teen years I began to note the difference between scenes of precognition and just plain old dreaming. It was not until I was in my early 20's that I put the pieces together though I still rarely thought forward with the dreams, rather I experienced an aha- oh yes this was in the dream.
Unfortunately,I have a recurring dream that usually announces death- it is a realiable dream and is now shortened in the timespan between the dream and the person's death. The particular individual is not always clearest, but with 100% accuracy and down to about 3--21 days,the announcement arrives.
I can also recall at the moment in other places dreams, 4 stand out in my mind- one a murder in San Francisco which I read about two days after my dream, a plane crash- that occurred, a fire and one still not documented of a group of people held hostage. I have also had visitations (or visual hallucinations) of people close to me at the time of their deaths or shortly after. One was an unsettling vision of my brother- who we did not know had passed- he was wrapped in this odd aluminum thing looked like a spacesuit in the vision, didn't give it much thought- he also looked startling- it was the EXACT face wrapped in the body bag and unzipped enough for the ME to take the picture that I was shown days later!
Hmm Jeff, I don't think this is where you thought we'd go with this. But in terms of Renato, I certainly applaud his recognition of the hand as manifestation of some energy within or without that beckoned him further along the journey.
Barbara St. Aubrey
March 5, 2001 - 09:06 am
Interesting question about dreams -- I wonder -- so much of what I am reading about cultivating 'Critical Thinking' speaks to our desire for literature, art to satisfy our intellect and our sense of aesthetics.
Typically the intellectual side of us would say an idea was being romanticized if it fell too much on the side of our response to beauty or the metaphysics of perception. And those that are on the side of intellectual understanding would look to science removing themselves from accepting ancient traditions or realizations based in folklore.
I wonder if our attitude about dreams fall in this Yin Yang of acceptance.
Last evening there was a special on PBS about Feng Shui. (I did not know there were several schools of Feng Shui) The guest, a local woman that studied Feng Shui because of her education in space and energy shared that now the principles of Feng Shui have been studied and proven scientifically. I understand that Feng Shui has been a part of the Chinese culture since before Buddhism crossed into China from India, making it a very ancient system that appears 'romantic.'
Most of the material I have read about 'Critical Thinking' includes the concept that most of our realizations are typically full of facts or feelings, but rarely are the two expressed as one. Converting realizations into learning is an effort to get to the heart of the matter and integrate our thoughts and feelings so that we can read and write and work expressing as one, our head and heart, our intellect and our desire for aesthetics.
With all that I am musing about my own dream life. With Betty's description I must be filled with lots of anxiety since my dreams fall into the nightmare category and have since I was a small child.
But, I often meditate and the amazing messages from visualized people and animals has been right on. At times these messages give me sought after direction. Or rather I choose to take the messages as a directive. These messages often give me an alternative, another way of feeling about something.
I like the idea of dreams giving someone a cause or journey or quest for their life. Just as some people can see every move in chess for 5 or more turns out, I think there are some people that instinctively can see the consequences and reactions of people to life's movement. In a relaxed state I can imagine these people would have dreams that show them a path for action if they search for the symbolism within the dream.
My guess is that in Italy many people feel the Pope, Papa, is the heart of the country and is still the emotional leader of the people. Where as, the civilian government represents the intelligence of the people. Since the leadership associated with the intelligence of the people has made some devastating decisions, and in the story is about to make some decisions that will devastate the town, I wonder just how integrated the Pope and Civil government are in the peoples. Are their hearts and minds one when it comes to the powers that affect their lives?
Renato being the dreamer I could only imagine him putting more faith in, trusting, his heart felt decisions. And his struggle I think would be justifying his feelings with what he perceives to be the intelligence or minds of others.
Action perceived from dream or no he certainly had focus, (I love that the word stems from fire or fireplace) the fire in his belly if you would, so that he became more like Prima, jumping over obstacles rather than being afraid, timid and fearing the wolf as Quarta.
Barbara St. Aubrey
March 5, 2001 - 09:52 am
aha I wonder is that the dichotomy between Duncan and Renato - Duncan the intellectual, the educated one and Renato the dreamer, the one that leads from his heart. Duncan who surrounds himself with photos of dissected parts of Angie and Renato who know where all the parts of his wife is in the dark.
Barbara St. Aubrey
March 5, 2001 - 02:10 pm
The more I think about Dreams - do I believe in them or not - it does not matter to me - in literature we have a genre of books focused on quests begun because of a dream - The grail quests, the shroud quests, quests for freedom, liberty, bounty - and in real life many of our great changes in history became real because of a dream.
One of the great dreamers of the twentieth century spoke of his dream and it still stirs my heart to swelling beyond limits. To me that dreamers words describing his dream are so great they deserve a place here for us to re-read.
Five score years ago, a great American, in whose symbolic shadow we stand signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of captivity.
But one hundred years later, we must face the tragic fact that the Negro is still not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languishing in the corners of American society and finds himself an exile in his own land. So we have come here today to dramatize an appalling condition.
In a sense we have come to our nation's capital to cash a check. When the architects of our republic wrote the magnificent words of the Constitution and the declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men would be guaranteed the inalienable rights of life, liberty, and the pursuit of happiness.
It is obvious today that America has defaulted on this promissory note insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the Negro people a bad check which has come back marked "insufficient funds." But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. So we have come to cash this check -- a check that will give us upon demand the riches of freedom and the security of justice. We have also come to this hallowed spot to remind America of the fierce urgency of now. This is no time to engage in the luxury of cooling off or to take the tranquilizing drug of gradualism. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time to open the doors of opportunity to all of God's children. Now is the time to lift our nation from the quicksands of racial injustice to the solid rock of brotherhood.
It would be fatal for the nation to overlook the urgency of the moment and to underestimate the determination of the Negro. This sweltering summer of the Negro's legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. Nineteen sixty-three is not an end, but a beginning. Those who hope that the Negro needed to blow off steam and will now be content will have a rude awakening if the nation returns to business as usual. There will be neither rest nor tranquility in America until the Negro is granted his citizenship rights. The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.
But there is something that I must say to my people who stand on the warm threshold which leads into the palace of justice. In the process of gaining our rightful place we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred.
We must forever conduct our struggle on the high plane of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again we must rise to the majestic heights of meeting physical force with soul force. The marvelous new militancy which has engulfed the Negro community must not lead us to distrust of all white people, for many of our white brothers, as evidenced by their presence here today, have come to realize that their destiny is tied up with our destiny and their freedom is inextricably bound to our freedom. We cannot walk alone.
And as we walk, we must make the pledge that we shall march ahead. We cannot turn back. There are those who are asking the devotees of civil rights, "When will you be satisfied?" We can never be satisfied as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. We cannot be satisfied as long as the Negro's basic mobility is from a smaller ghetto to a larger one. We can never be satisfied as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for which to vote. No, no, we are not satisfied, and we will not be satisfied until justice rolls down like waters and righteousness like a mighty stream.
I am not unmindful that some of you have come here out of great trials and tribulations. Some of you have come fresh from narrow cells. Some of you have come from areas where your quest for freedom left you battered by the storms of persecution and staggered by the winds of police brutality. You have been the veterans of creative suffering. Continue to work with the faith that unearned suffering is redemptive.
Go back to Mississippi, go back to Alabama, go back to Georgia, go back to Louisiana, go back to the slums and ghettos of our northern cities, knowing that somehow this situation can and will be changed. Let us not wallow in the valley of despair.
I say to you today, my friends, that in spite of the difficulties and frustrations of the moment, I still have a dream. It is a dream deeply rooted in the American dream.
I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident: that all men are created equal."
I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slaveowners will be able to sit down together at a table of brotherhood.
I have a dream that one day even the state of Mississippi, a desert state, sweltering with the heat of injustice and oppression, will be transformed into an oasis of freedom and justice.
I have a dream that my four children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.
I have a dream today.
I have a dream that one day the state of Alabama, whose governor's lips are presently dripping with the words of interposition and nullification, will be transformed into a situation where little black boys and black girls will be able to join hands with little white boys and white girls and walk together as sisters
and brothers.
I have a dream today.
I have a dream that one day every valley shall be exalted, every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight, and the glory of the Lord shall be revealed, and all flesh shall see it together.
This is our hope. This is the faith with which I return to the South. With this faith we will be able to hew out of the mountain of despair a stone of hope. With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.
This will be the day when all of God's children will be able to sing with a new meaning, "My country, 'tis of thee, sweet land of liberty, of thee I sing. Land where my fathers died, land of the pilgrim's pride, from every mountainside, let freedom ring."
And if America is to be a great nation this must become true. So let freedom ring from the prodigious hilltops of New Hampshire. Let freedom ring from the mighty mountains of New York. Let freedom ring from the heightening Alleghenies of Pennsylvania!
Let freedom ring from the snowcapped Rockies of Colorado!
Let freedom ring from the curvaceous peaks of California!
But not only that; let freedom ring from Stone Mountain of Georgia!
Let freedom ring from Lookout Mountain of Tennessee!
Let freedom ring from every hill and every molehill of Mississippi. From every mountainside, let freedom ring.
When we let freedom ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God's children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual, "Free at last! free at last! thank God Almighty, we are free at last!"
I have a Dream by Martin Luther King, Jr.
Delivered on the steps at the Lincoln Memorial in Washington D.C. on August 28, 1963
Deems
March 5, 2001 - 02:12 pm
Barbara---Thanks for posting the speech. I get chills every time I reread it. I saw it live on TV. What a day that was.
Barbara St. Aubrey
March 5, 2001 - 02:20 pm
Maryal oh how at the time, I do not remember realizing, the greatness of this speach - regardless of the sentiment the cadence and beauty of construction that lead the people to be inclusive and up about the business of being more than they are. The sentiment combined with the structure reminds me of the litany prayers we answered back and forth in church when I was a child. Truely a magnificant speach and the loss of the man tears so.
Nellie Vrolyk
March 5, 2001 - 04:52 pm
Dreams. I tend to dream stories that can go on for weeks on end with each night adding a new 'chapter' to the dream story. I think because I like to read science fiction and to watch it on TV, that most of my dream stories tend to have extraterrestials/aliens in them; and they are never the sweet childlike ETs from Close Encounters of the Third Kind nor the humanoid aliens from Star trek.
I have had three prophetic dreams: in one I visited a house and many years later ended up visiting the same house; in another I saw that a co-worker, who had just announced to us in real life that she was pregnant, had a girl -and that is just what she had; and when my sister was pregnant with her second child, I dreamed that it was a girl and again the dream came true.
I can't say that there is anything in my dreams that tell me to do specific things or that I let them guide me in some way. I do see my dreams as being the way that my mind relaxes and plays.
betty gregory
March 6, 2001 - 10:25 pm
That's only the 2nd time I've read King's speech...seen it on tape many times, but reading it is a different kind of wonder, don't you think? Thanks, Barbara, not only for posting it, but for reminding us of the other kind of dream.
I guess I feel similarly about both kinds of dreams...neither should be constrained or shaped or in any way reduced by what others think.
My son was here when I began silently reading King's words. I asked if he wanted to hear it. I read it aloud to both of us. Then we talked a long while about racial issues and the power of words and the miracle of Martin Luther King, Jr. Thanks for inspiring that, Barbara.
Betty
Barbara St. Aubrey
March 7, 2001 - 01:51 pm
Frustration - frustration - last night in the process of changing the heading my computer crashed again as it did last week when I attempted to change the focus questions in the heading. This time it in not coming back regardless how many times I shut it off and reboot.
Just now I am posting this from our office and our phone lines are due to go down for the remainder of the day and night as we are getting a new phone system. And so... there will be some time before I can get the new focus questions up - the part the disappoints me is I had it all on my computer notepad and all is inaccessable now. I do have the quotes if I can remember the questions we should have them tomorrow. If I can get anything done now I will.
Thank goodness y'alls e-mail addresses are here on seniornet because I have no access to anything just now. I sure hope it does not mean my whole hard drive needs to be cleaned and started from scratch.
Barbara St. Aubrey
March 7, 2001 - 02:29 pm
Ginny shared that our Charlie, who posted last night on the open boards, is on sabbatical. He's about to embark on quite a trip...Thailand, Bali, etc., and we hope to see him when he returns after his jet lag and all.
As well our Joan P will be off for a bit.
Hats
March 7, 2001 - 02:47 pm
Poor Barbara, I hope everything works out with your computer. How frustrating!!
I would love to trade places with Charlie. What a trip!
HATS
Nellie Vrolyk
March 7, 2001 - 04:07 pm
Some smells that I like: the slightly bitter aroma of coffee perking; the odor of bacon frying; the lovely odor of onions being sauteed in the pan; the smell of bread baking in the oven; the scent of lilacs; the heady odor of roses; the rich aroma of my peonies when they bloom that pervades the whole of the backyard; and the way everything smells after a rainfall.
I am fascinated by the way this book makes me think of the simple things in life.
Barbara, I hope you get things fixed and have no more problems.
Hats
March 7, 2001 - 04:58 pm
Barbara, I love the first question. I have not thought of an answer. After a good night's rest, I will probably come up with an answer.
Nellie, the smells that you mentioned, bacon, coffee brewing, hot bread baking makes me feel undescribably hungry.
HATS
YiLi Lin
March 7, 2001 - 07:04 pm
Barbara it might not be your computer, i have been having a tough time getting and staying on line for several days now.-
I have not yet thought about what statement i would like next to my name on the list, but three jump out at me:
sCULATIE The past is always present. It's just hidden most of the time.
MEG BARKERChoosing is always good.
TRIESTESooner or later the fabric of every life gets torn. That's when life begins
You are another I, of course, is the epicenter of my personal belief system so I rather matter of factly said- oh of course- on that one- but I am truly intrigued by the reminder that the past is always present- and have benefited from that awareness in the past few days. Thinking that way sure takes the edge off some millisecond present moments! Choosing is always good though it comes with great responsibility, sometimes that people do not want to accept so they do not choose and opt for a life wherin "the devil made me do it"
and aside from the sentiment I am especially grateful for the metaphor- the fabric of life- torn giving me pause on the fabric of life, my life, my life with others, me as an other.....
I do not have the book handy, can someone help me recall the context of Meg's statement- I can't quite match her to the sentiment.
Jeff Shapiro
March 8, 2001 - 05:33 am
Barbara, what great questions!
I wanted to point out a small yet intriguing word change that you penned when retyping Renato's list. The sentence next to Meg Barker's name is simply: "Choosing is good." Your addition of the word "always" opens up a fascinating new dimension!
YiLi Lin, you asked how this line emerges from the text. Meg never actually says the line. Instead, this is Renato's thought after his encounter with her (coming at the end of the chapter called "Wife"). The thought did not come from, yet was prompted by contact with, Meg.
Thank you, everyone, for your interesting views on dreams. I'm looking forward to posting again, but I have to run now. A quick ciao.
CIAO! Love, Jeff
Hats
March 8, 2001 - 08:01 am
My Favorite Things.
I love the purr of a kitten.
When we go to the beach, It thrills me to see the sea gulls flying in the sky.
I enjoy the smell of a Christmas tree.
HATS
Hats
March 8, 2001 - 08:39 am
The moment I met and heard Sculati in the book I knew he would be my favorite character. I know, he lives in a cemetery, and he is a grave digger. I just feel that there is so much to his character. I thought through him I might be able to learn major lessons about death and dying.
Renato describes him. "behind the big,watery eyes, behind the fat-lipped mouth there seemed to hide the laughter of life." Death has always been difflcult for me. So, when I meet a man in a book who literally lives among the dead and can still laugh, I felt he must have some deep inner wisdom to offer.
Surely, people who work in cemeteries must be a part of those unsung heroes. They care for our loved ones even after we have forgotten them.
Sculati carefully observes the mothers who come to the graves to visit their children who have died.
"They visit their children every day, polishing the gravestones, cleaning up as if they were tidying their children's rooms..." Sculati goes on to say "There's some meaning in there..."
I might have her name wrong, but I think it was Elizabeth Kubler-Ross. Some years ago she wrote about death and dying. I thought of her when I read about Sculati.
My favorite passage is "The past is always present. It's just hidden most of the time." These words were spoken by Sculati and written by Renato.
HATS
Barbara St. Aubrey
March 9, 2001 - 03:34 pm
Called Apple and have some of my computer back...breathe for me...all my files and contacts and calander...of course I didn't have back ups - still do not have the internet back up and the office is still without phone service (3 DAYS) as we are switching to a new phone system.
Fun and games as I have become a begger trying to find someone that has the internet that I can quick post a note. Here I am with just a quicky at a mortgage loan company and I cannot stay on. I love the posts and will answer y'all when I am back on line again.
Jeff please forgive but 'always' seemed to say so much - I just put it in small quotes -
For me this book came together when Renato became aware of his own power and realized the Pope was just an old man that leaned on him as he stumbled. The Pope was a teacher and intellectual but not the ultimate power to be all and end all. When Renato looked at himself in the puddle to me it was like he looked in a mirror and realized he is his luck. I loved that whole bit. That allowed my soul to soar when I read the book the first time.
Lots of favorite things, smells, touches etc. For me the most meaningful sense is my sight. I could never work in an office 8 to 5 - Regardless of weather, at least I can see the seasons, the clouds, the weather coming, the coming and going of birds, trees changing, the lake sparkling in the sun or deep blue and rough after a downpour up-stream. The hills of Central Texas in a violet mist at evening time and, The State Capitol Dome standing proud and tall as I drive up Congress Ave. Cattle, sometimes staying cool under the live oaks dotting the landscape or goats frisky in the fields and the very soon to be, blanket of Bluebonnets that will be thick in every field, roadside and highway mediun till the very air seems blue.
Oh yes, must add going to the coast in summer when it is over 100 degrees. The waves crash with gulls swooping over the bleached sand dunes, the hot still flats with eddies of water against the very blue sky and those huge thunderheads above. Often there is a shrimp troller heading out to sea for some night fishing.
The wonderful costumes on the mexican dancers and mariachie players. A string of red peppers against a purple wall, an old stone and brick wall partly smeared with some adobe, the first red tomato of the season, the eyes of little ones during the Christmas season, a little boy rolling and laughing with his dog, Dad's playing softball on a hot summer night, a bushel of newly picked green beans, the straw yellow of a glass of bordeaux, seeing the way a fiddle player bends into his instrument. The soft colors in My quilt, that covers me when I sit reading in winter and covers the ground when I listen to the symphony outdoors in summer, the black and white pattern with bits of red in a Norweigan sweater and jeans.
The prettiest sight to me is when I am on the road out of town, especially west of Austin and there is the great expanses. Fields of various colored grasses, from almost white to a redish brown, like a painting, similar grasses in sweeping broad shapes with rock outcroppings between and the big sky wrapped around me. I always feel like singing when I am driving along on our empty roads west of town with the red mesas and blue violet hills in the distance.
More another time I must get off here NOW! Just sneaked in a bit more - oh do I miss my nightly fix on seniornet.
Deems
March 9, 2001 - 07:24 pm
HI, Barbara---I miss you and look forward to your return.
MarjorieElaine
March 9, 2001 - 10:26 pm
My daughter just borrowed my book and has finished it. She also enjoyed the book as much as I did. Her favorite chapter was Cappelli the Mystic and what Renato put on the list next to Cappelli's name:"You are another I." So of course I went back and read that chapter again--and it is great. Since I do not speak Italian, the difference between Lei and tu is something I would never think about. But this is about how the choice of words can make someone feel like a "real person." Cappelli could count on one hand the number of people who called him You. He said "Truth is, people get so used to calling you IT that in the end they forget there's a YOU inside." It's a lesson in Italian grammar. Renato realized that he would have just dismissed her as a whore, but she had provided Cappelli with such joy even if only briefly.
I just want to thank Jeff again for being so available to us. I am glad he shared with us how the title came to refer to luck, because it never did feel that luck was the theme of the book. I expect we will be reading many excellent writings from Jeff in the future. Marge
Barbara St. Aubrey
March 10, 2001 - 12:19 pm
I'm back on but without really knowing what the cause of the bomb I feel like I am posting in a mine field - need further work and understanding of this magical mashine - The contract with Apple allows only one problem to be solved after which you must agree to another contract, with the appropriate fee, in order to solve another problem. Of course my questions go forth like a trip hammer and just could not understand as the gentleman on the other end laughed and had to sort it out so that only one of my many questions could be addressed.
I knew this but it always catches me up short when the way I think is brought to the surface. My head functions like the pump on the water works with all pipes being filled with flowing thoughts and questions. And no pipeline or channel of thought seems to take precedence over the other which often developes unusual combinations or links.
It is always so much fun to spend time on thinking of our favorite things. I remember as a child when we had those bound ruled notebooks with the multiplication table writton on the inside cover along with other usefull information, we used to fold in half several pages - on the back side of one page we had all these questions about your favorite this and that in a column - then for each fellow student we placed the folded page against the column and filled in their favorite color, animal, book, teacher, game, etc.
As I remember every time the frenzy would die down, of having everyone's favorites, another tide of questions would start the activity again. This went on for several years from about 6th grade till 8th. In Spring of the 8th grade we then had our 'Graduating Album' for everyone to write in their pithy saying with their signature.
Of course Lerner and Lowe made fame as Julie Andrews sang of her favorite things -
Nellie your love of the scent from Lilacs reminds me of Santa Fa. I never before saw so many lilac bushes as there are in Santa Fa New Mexico. Every color, every garden and even growing wild - amazing.
And the coffee, yes - isn't it wonderful stepping into the real coffee shops - not Starbucks but the shops that sell coffee. Here we have a local compnay, Anderson Coffee, with a steady stream of customers purchasing their coffee from all parts of the world. The most delicious to me was stepping thru the front door of Fortnam Mason's and being assaulted by the rich smells of coffee and chocolate and tea. I know it is gauche but I still like my flavored coffee. My current favorite is Godiva's Créme Brûlée. Godiva had a rasberry that was to die for but they discontinued the flavor.
Hats of course a Christmas tree - such a clean scent, filled with so many memories. Do you still put up a tree now that your children have their family? Hee hee I guess I am asking if you are still picking your grapes as Signora Vezzosi desided.
Yili Lin yes, I also was taken with Sculatie's statement, The past is always present. It's just hidden most of the time. As you shared, the others are familar thoughts but this was a new thought. I liked the chapters about moving the bones. A new look at death that made it all much more approachable. I've had a problem with cremation since there is no place or mark where the living can physically make contact with the memory. To me it is like the person just disappears and I can't anchor the memory. And yet if we keep adding to cemetaries they could, in time, take over the land. I really like the concept presented.
But there was something more and when the men in the barber spoke of being more comfortable, They're world returning after the Banker was snide and rude in his remarks and even Renato holding on to his past opinions of Daniele, Petula having the house key and his trained approach to a whore all said to me "The past is always present," for good or bad.
At that point my own thoughts traveled to a place where I wonder if contrasting good and bad is really what we are all about. I'm seeing that battle within and without may never be won and only makes us fearful of bad. Then of course with that fear come the labels like whore.
Your comment on "You" and "I" only adds to my quandary. Could the "You" and "I" easily be taken as the opposites in all things? Do we distance ourselves unecessarily from those we have labeled bad? Are we really afraid of ourselves because within we are both good and bad? That trying to distance ourselves from the bad we make all kinds of resolutions and promises rather than loving and accepting the part of ourselves and the part of society that brings pain. I'm chewing on this one. It seems a tall order in the face of some "bad" and yet, me thinks we portray those we label bad as such monsters we cannot identify them as "I."
MarjorieElaine what was your daughter's impressions after reading the book?
And Hats you also were taken with Sculatie. How poignent the bit about the mothers of children coming together almost like a club meeting each morning. I wonder if that says we are more anguished over potential lost than, the memory of a life lived that served?
Ginny
March 10, 2001 - 01:35 pm
Jeepers, you Guys appear to be WAY ahead of me, I sat down to read and enjoyed myself so much I didn't want to stop, but I stopped at the decision, the three choices (the story is like Odysseus and his journey, isn't it, every turn brings up more interesting sub plots) and the problem with his parents's remains.
I don't know what happened but when I stopped his decision was to go ahead and move them.
To me once again, Renato has taken on himself the burden of helping others and doing the right thing, in this case, the painful thing, moving his parent's remains, because the boy couldn't afford to put them in the mausoleum?
I was curious about the vault stuff and Sculati mentioning the "sealed zinc container...Much faster when there's no zinc," on page 191. I had just read somewhere that contrary to popular opinion, the watertight metal vault actually not only does not repel anything but most often...without going into detail here, causes more rapid decomposition than any other choice, save cremation, of burial?
Actually cemeteries are something I know a little about. And the moving of bodies as well, quite an undertaking here in the states, and I will be interested to see how it occurs there.
So many things here: the Dead Mothers Club, strangely affecting, is this true, Jeff or did you get an idea and build on it? Strangely true. Here in rural SC we have a country cemetery in which strange things appear on various graves, a pack of cigarettes, a birthday cake, a diet coke, left by the bereaved, but not in the case of a child's grave. Interesting how what might seem a bit strange is actually being repeated half way around the world.
But here's a question one has to ask. Italy does not seem to me to be short of countryside space? Why could the cemetery not expand? Why, in the face of the coming flood, could they simply not open another one which
would eventually be flooded? What's the shortage of land about?
On the other side of the coin, just a couple of weeks ago a stone mason stood with me in the historic old cemetery where my mother is buried and explained how, just like in the story, space
is now a premium here in some cities and cemeteries of the US, and some of the old historic old churchyards, as well, and when cremains are involved,they will often use one large stone (called a ledger) and inscribe both or more names on it. Interesting, no?
Barbara, we surely understand computer problems, and are glad to see you back, your questions in the heading are fabulous: to wit:
In what way did these requests serve as the moral commentator that established the ethical and social framework or the themes of the book?
What request would you have asked Renato to include on his list?
Those are two very good questions.
I would say that as long as Renato went on his pilgrimage for his
own welfare, his cause remained quaint and interesting but when he, in his compassion, turned his attention away from his own needs and desires, and added the concerns of the others which he wished to include, (I need to recheck and see if the real Renato did that).... he changed in his vision and in so doing changed the entire focus of the book: by including them, he not only ended his self imposed isolation from the town, he allowed himself bear their own burdens, to be the goat carrying on his back not their sins out of the city, but their hopes. A sort of reverse goat of the Old Testament.
There are a lot of swirling images here, and I'm not far along enough to recognize a theme yet, I need to go back and read what you all said about that.
Jeff: Yes that was a marvelous answer, thank you so much. You also said, "If I had to chose between a good question and a good answer, I'd go for the good question every time. Questions seem closer to the truth. What do you think?"
I think it's easier to ask a question than to think up an answer! hhhahaha, It seems to me that the burden is on the person who hears the question to do the thinking? I always have questions, but very rarely any answers.
Do you mean that the truth is closer to the person who asks a question than the person who thinks a long time and formulates a response? What a provocative mind you have!
In answer to the question above of what would you want Renato to carry for you..... THAT is a good one.
Ok I had to change
this from a question to a statement even now! hahahah
If the purpose of the statements Renato carries is to change the luck (for the better) of the person struggling with an issue...then what would we all ask?
Boy, that's a good one!
I don't know!!
PS: What is the MATTER with Milena's mother? WHY is she SOOO bitter and angry?
ginny
Nellie Vrolyk
March 10, 2001 - 02:45 pm
I have enjoyed reading through all those good and thoughtful posts. I'm thinking now about what I would have asked Renato to write on his list beside my name: I think I would ask him to write "To be content always." I'm not sure I could tell you why though.
My favourite passage is the evening stroll that Renato takes with Milena. I had the sense of being right there with them, like I was walking along beside them. When he insisted that they walk just a bit farther and they go as far as the river and discover the fig tree and the cave in which Renato finds that little brass 'boat'; then I knew right away that the 'boat' was going to mean something special in the story.
As usual just a few thoughts.
Hats
March 11, 2001 - 03:30 am
Ginny, I wondered about Milena too. She does seem very bitter. I think her life "is" the bottega. She cares about business, and that's all. She has no time for relationships.
Remember "Little House on the Prarie?" She reminds me of the woman that owned the general store. I can not remember her name. Her daughter went to school with Laura, and she was as mean as her mother.
Ginny, your thought is so deep. "he allowed himself to bear their own burdens, to be the goat carrying on his own back not their sins out of the city, but their hopes. A sort of reverse goat of the Old Testament." Ooooooooooooh, I like that one.
Barbara, We still put up a Christmas tree, and I buy every ornament I can find. We buy a "real" tree. My son bought a huge artificial tree last year, but my grandson liked grandma's tree the best.
HATS
Jeff Shapiro
March 11, 2001 - 10:25 am
Ciao!
As always, your postings have sparked off a whole series of thoughts.
I see that Barbara is wrestling with questions of good and bad. (One answer, of course, is remarkably simple: Good is when your computer works; bad is when it doesn't!) Ginny, too, is dealing with questions about questions. I mentioned in an earlier post that I'm eager to hear Barbara's comments on one particular passage that comes towards the end of the book. Now I'm curious to hear Ginny's views as well. The passage I have in mind touches upon the issue of questions and answers -- a notion that I consider essential. Looking forward to talking about that soon, without getting ahead of ourselves for now.
Ginny commented on cemeteries and land-use. I thought I'd share with you something that was explained to me. (I hope it's true.) I've been told that Italian cemeteries used to be similar to what we in America would recognize as cemeteries. Then along came Napoleon. Napoleonic law mandated that cemeteries had to be built within walls, and the practice of placing bodies in wall-vaults became the norm. The custom has remained, greatly outliving the presence of French laws in Italian territory. Many Italians today find in-ground burial to be distasteful. Wall-vaults appear "cleaner" to people of this opinion. (My own view would be the opposite. I find the idea of melting back into the natural earth far easier to accept than the thought of being stuck forever in a cubbyhole, high off the ground.)
Anyway, I thought I'd brighten your days with this cheery bit of information.
Looking forward to our on-going correspondence. Love, Jeff
betty gregory
March 11, 2001 - 01:10 pm
I had not meant to do a favorite-things list, but after reading several of yours, the mental listing has gone on and on. Also, it is raining right this minute and rain, above anything else, calms me. The sound of it, what it does to the air, the smell, all wonderful. The cabin on the Oregon coast had the best rain sound. No attic to muffle the sound, instead, an exposed ceiling/roof, so I heard every drop. Chili weather, the sound of rain...best reading.
Plain, cream-colored stationery; old fashioned fountain pens; opening and reading the first few pages of an anticipated book; clean, wet hair; the first glimpse of a mountain range in the distance and watching it gradually grow larger; Rocky Mountain National Park, northwest of Denver.
Letting the smell of trees into my house (even in winter...turn up the heater, open the window); the comfortable, disorganized look of trees...left to themselves, they just pick a spot and grow; fuzzy green branches of spring; unlimited shades of green out my window; thinking of the certainty of change as I watch my trees.
The funny positions of a sleeping cat, the surprise of a cat's hug; teaching a new cat to roll over and renewing my acquaintance with the virtue of patience.
Listening to French and Italian arias; listening to 70s rock music; listening to broadway musicals, 40s through 90s; turning off "background" television and unplugging phone, paying attention to the quiet.
Doing the unexpected for my mother, deliberately thinking of her age and how little time we might have; letting myself enjoy my father's company; slowing down inside the private conversations with my son, thinking silently, this is everything.
Once a month, a pound of expensive coffee beans; the smell of coffee beans being ground; the first sip of coffee with plain cream; making a new pot of coffee at 3AM.
Living alone; making a pot of coffee at 3AM; the luxury of picking when to have sound, when to have silence; every mess is my own; every quirk is allowed; the cups do not touch each other in the dishwasher and each plastic bottle that holds soap or shampoo or bath gel stays squeaky clean on the outside!! And the books are NOT alphabetized, but grouped by subject or genre!!
Living alone and having a physical disability, I often need assistance that I don't have, but also with a disability, this private space is needed more than ever, to hurt, to heal, to rail at the gods, to meditate, to write letters at 2AM, to listen to opera at 4AM, to add apples to the tuna.
The perfection of roses, especially the old-fashioned roses that are not perfectly shaped. The deep colors of flowers in Portland, Oregon ("rose capitol"). The heightened smell of Texas-warmed flowers. Just at dusk, the first time it's possible to venture outside on a Texas May or June evening, the smell of flowers that have been simmering all day is an incredible smell. That smell is my childhood, is my grandmother's front walk and is my mother's rose bushes.
Talking with friends....comfortable and soothing to talk with old friends, exciting to talk with new friends. This favorite is right up there with rain and mountains.
------------------------------------------
Footnote....Sam-Sam cat is curled up, asleep, with one of his back feet held over his eyes with assistance from his two front paws which are crossed over each other, then over his back foot (which is over his eyes).
betty
Hats
March 12, 2001 - 06:23 am
Betty, "Sam-Sam is curled up, asleep, with one of his back feet held over his eyes with assistance from his two front paws which are crossed over each other, then over his back foot (which is over his eyes).
Betty, I can see Sam-Sam so clearly. I love cats. Would you like to give Sam-Sam away? Just joking.
HATS
Barbara St. Aubrey
March 12, 2001 - 10:57 am
As Hats said, "Ooooooooooooh, I like that one," expressing admiration for your thoughts Ginny. So perfect - there is something Christ like about Renato and taking it to the lessons of the Bible before Christ you anchored the concept further.
- he changed in his vision and in so doing changed the entire focus of the book: by including them, he not only ended his self imposed
isolation from the town, he allowed himself bear their own burdens, to be the goat carrying on his back not their sins out of the city, but their hopes.
I thought it was interesting that you saw Renato as isolated with his dream then, engaged in community as he created his inclusive quest.
The same scenario and for me it was the enthusiasm he and Signora Vezzosi together shared when he first created his list that caught my attention. That and the energy of going into action. Acting on his dream. Up until then, he thought and spoke of going to Rome but hadn't taken the first step to making his interpretation of the dream a reality.
Nellie, I'm in awe that you could come up with, "To be content always."
You have pushed me to try and put my thoughts into a few words as befitting the list - I wish Renato were here to help me but here goes - Respect is not a barganing tool.
Oh yes, the evening stroll Renato takes with Milena.- it was described with such a flow of sights and sounds. You could almost feel the evening slowing the day, couldn't you.
Jeff I haven't looked hard yet for the passage you have in mind. Thanks for the tip that it
touches upon the issue
of questions and answers -- a notion that I consider essential. I forgot that Napoleonic law influences more than France. In the states Napoleonic Law is the Law of Louisiana. I wonder if it is really the Law and not the often quoted fact that New Orleans is on bayou land that requires mausoleums to be used in their cemetaries.
And yes my mind has been dwelling on understanding "Bad." So much of what we call bad seems to be centered in what is socially acceptable. And then the one I qestion, is bad because of intent or happen chance. The old saw, if someone is aiming to shoot another and hits a bird versus the person that aims at the bird and hits the person, and is then sent to prison.
I guess I am questioning justice as it relates to bad. I still wonder about the building of the dam in the story. Are the civil authorities bad? Is our desire for the natural and preserving a way of life then bad if it is conflict with progress? Do we label a personal or community bad versus, crimes against humanity with equality? In other words, is someone that has starved and tortured one equally as bad as one responsible for the starvation and torture of many? Maybe there are degrees of bad. Than are there degees of good. Is our value in our degree of good or bad? I have to question who is the bad when I see so many in the justice system. Is it really one big merry-go-round of injustice? Maybe it is all about power - the power accumulated to rule, force, make change that dissrupts and creates havoc.
And then I keep wondering if rooting out bad habits, in the glorious name of change, is really creating an inner war. That we would be better coming to terms and accept ourselves warts and all. Than if we accept ourselves warts and all, can we accept society warts and all. Is accepting bad really a true acceptance of the "You are another I" of Cappelli?
I know in time I will come to peace with all this. Knowing me I will not accept an answer till it makes sense to me. I'm not even sure I have the question down yet so that I can clearly wrap my head around it and calm my own inner scirocco.
Hahaha in light of all this Betty your words are perfect - "to hurt, to heal, to rail at the gods, to meditate, to write letters at 2AM, to listen to opera at 4AM, to add apples to the tuna." Betty you must try pears in the tuna as well - just lovely. Another that I tried that is wonderful is rasberries in a salad rather than tomatos accompanied with rasberry dressing. I usually sprinkle on a little Feta or Chevra with that and add some pecans - slarping good Betty.
You sure listened to a lot of rain
this year didn't you. My oh my what a winter. Haven't seen any bluebonnets on Mopac yet. I would think after all this rain they would be thick. I wonder if they didn't re-seed after the draught.
Both you and Hats love your cats. Hats what is your cats name - or do you have a cat as Renato has with no name?
The scene I can see so well is, - the early morning before the sun brims over the horizon - the well, with one of those iron arches and a bucket attached in the, probably brick paved or maybe cobble stone, courtyard. The quiet but yet with a stir that early morning brings. The cat gently meowing and the sound of small hoves on the cobble stone or brick. A magical hour!
Hats
March 12, 2001 - 01:29 pm
Hi Barbara,
I do not have a cat now. My last cat, and the one I still love is named Velvet. I think she was kidnapped because she had such a wonderful personality. The whole family has a different opinion. My husband says that cats go away to die.
I still miss her and have not been able to choose another one. I will soon.
Joyce Carol Oates was the guest on Oprah's Book Club last week. She talked about her cat, Muffin. For love and respect, she repeated Muffin's name a few times as a memorial.
In the book, "We were the Mulvanney's" the cat is named Muffin.
HATS
betty gregory
March 12, 2001 - 05:38 pm
Barbara, you speak poetry. Here's your poem, in sentence form, just as you wrote it...
"Both you and Hats love your cats. Hats, what is your cat's name? Or do you have a cat as Renato has with no name?"
both you and hats love your cats.
hats, what is your cat's
name?
or do you have a cat
as Renato has,
with
no
name.
betty
betty gregory
March 12, 2001 - 05:46 pm
Hats!.....a distant cousin of Velvet (actually, I think he's 5th cousin twice removed on maternal's 2nd cousin's side) is waiting for you. The longer you wait to go get him, the longer he has to sit there, waiting for you...day after day, wondering when you're coming. Really. Not being funny.
betty
betty gregory
March 12, 2001 - 07:27 pm
(Sorry to be so far off subject here...but some issues can't wait.)
Hats, I just saw a name of a stuffed animal and can't quit chuckling. Sounds like a good cat name to me...am always on the prowl for good cat names. Ready?
Pinkie Huggle Fluff
Betty
Ginny
March 13, 2001 - 03:26 am
Hats, Mrs. Olsson in Little House the TV series? What a bitter woman, a harridan, you're right! And I just can't undertand the unrelenting MIL here, we have no clue, or do we, to her attitude? Why is she this way? What great disappointment has turned her hopes to dust and anger?
Interesting character.
Nellie, to be content? That's a good one, I can't seem to come up with one but it might be something like that if I did...it's a hard thing to articulate, I think.
(Betty, we don't have cats, but THAT name is beyond the pale ! hahahahaa tho I must say our own names for our animals probably need some refinement..we've got three big dogs, one named Ibbo, one named Marley (for Marley's ghost in Dickens) and one named Casey and a horse named Tobo, so there you are... the limits of my imagination).
Good point, Barb, on the impending flood. I keep forgetting it. I'm not sure how far we're to go, I can see 261 in the heading, but yesterday got stopped again by Sculari asking Renato to put his own name on the list.
Now is this the first time this has happened? That somebody external other than Renato has suggested they be added to the list? Renato seems surprised Sculari (sp, hope that's right) knows about the list. How does he know about the list?
The LIST is becoming a big thing here, a....what? What?? Something in its own right.
When is somebody going to ask to have the flood or the town put on the list???
What does Sculari's sentence mean?
Does the culo work no matter who asks or forms the sentence?
Why is Milena's bitter mother not on the list? Surely a change there would be to Renato's fortune, too?
When I was in Rome last the Pilgrims brought things as well, scarves, and held up things to be blessed (and had to move fast to do it, too)...and I really like the idea of Renato and his Pilgrimage...and wonder if the whole town is going to get in on this in a minute because I keep forgetting about the flood.
Jeff, thank you for that explanation of the walled cemeteries in Italy, it's fascinating. I'm trying to remember if I've ever even SEEN a cemetery in Italy, on my next trip I'll pay more attention! It makes sense, the walls, the bit about the bones of course reminded me of the columbarium in Rome...hope that's the right word. I wonder if any of that about the walls is a hold over from ancient times and the graves outside the city on the Appian Way.
I think it might be a bit difficult to pick among your parents's bones. I know I would not want to do it. Once again I'm surprised that Renato, even tho not a "church person," would not want the priest there particularly...I'm assuming, then, that his parents were likewise not religious, or????
???
Lots of questions....hahha can't WAIT to get to the spot about questions and answsers.
ginny
Hats
March 13, 2001 - 04:41 am
BETTY, I will take PINKIE .
WHAT A POEM!!
HATS
Nellie Vrolyk
March 13, 2001 - 02:06 pm
My only pet is a small black poodle by the name of Daisy.
Barbara, I have been thinking about what you said about accepting ourselves warts and all and that leading to an acceptance of society warts and all. Accepting yourself as you are is a hard thing to do, but it is possible. I accepted myself warts and all, little quirks and foibles and so forth, long ago when I came to the realization that I could never be the perfect, good person I thought I had to be. How could I be 'good' when there was and is a part of me that relishes reading books in the horror genre, books filled with murder and mayhem? How could I be 'good' when I thought evil things about my fellow humans at times? I am the best I can be and have accepted that I have hidden less likable parts.
I have found that I tend to be far more accepting of society as it is than other people around me. I sense that other people like me are both good and bad and that society will reflect this since it is made up of people.
To be content means not only being satisfied with what you have, it also means being satisfied with yourself.
But enough of this drift
I was going to take you all along on my morning stroll to a nearby store for my daily purchase of fruits and vegetables.
Most mornings around eleven I dress myself up for a nice walk to Debajis Fresh Market. I leave by the side door and go through a white lattice gate under an arch into the front garden. There I stop to look over the garden itself. At this time of year it is filled with the somber brown remains of last summer's beauty with here and there the green of the plants that keep growing under the winter snow. I will stand there for a moment and think of the rebirth to come as the ground warms under the heat of the Spring and early Summer sun and the plants that appear to be dead come to life again.
Now passing out through the gate in the picket fence I turn west and walk down the tree lined street to the corner. At the corner house there live two dogs behind a high fence. As I am always deep in thought -I like to think while walking- I am startled each time these dogs bark at me from behind their fence. I cross the street: first still going west and then going north. I walk past the house where the fellow has an old Volkswagen van, a wreck of a truck, and an old car sitting around. After that comes the senior's residence that is mainly for people of Ukrainian descent.
Now there is another street to cross and I am walking past St. Basil's Basilica with its golden dome and lovely landscaping. Sparrows chirp merrily in the trees as I pass by. Then another street to cross and now I turn west again and soon am at the big brick building that is my destination.
Inside I grab one of the red shopping baskets and first head for the dairy case and get some of my favourite yogurt. Then I go from one delicious display of fruit to the other, tasting the samples that have been set out, and buying small amounts of things that taste good. Then I get my green pepper, onion, zucchinis and mushrooms. Next I go to the Deli where I get shaved honey ham and Swiss gruyere to have for my lunch. Next there is the bakery where I get wholegrain bread or buns and a couple of muffins and then it is pay for everything. Finally I retrace my steps home.
I hope you enjoyed walking along with me
Barbara St. Aubrey
March 14, 2001 - 02:18 am
Nellie how absolutly delightful to imagine your walk - and a Basilica! Is it domed Nellie?
Ginny how would Maria Saverenia seem to you if she was a he? Would Mario Saverenia, seem less bitter? I love Hats reminding us of "Little House..." I think both women are business women, women that must make a success among friends and family that could easily ask for so many favors putting their establishments at risk if they allowed one favor which could lead to another. Therefore, they must stay not only aloof but with an edge so that favors are not even asked and then they do not have to turn down the family or friend asking for the favor.
I think Renato feels this coldness from his MIL and sees it as Maria Severina not liking him.
There is Tonino, more likable but giving away some drinks at the going away dinner - no profit there and left to run the bar alone he would not be so successful ultimatly causing the closing of the bottega.
What I think is interesting, she is like a hub to the entire story. Granted the bottega is the center of the social community and Milena also works there but every phase of the story has Renato stopping in or leaving from the bottega often with some mention of Maria Severina.
Cats, cats and more cats - years back when my children were children we had a cat called Patches. Paul's 5th grade teacher came to school one day with four kittens and the first ones back would get a kitten. Well Paul hoped the school yard fence, as he often did and came home for lunch asking for his note. Voila Patches. Recently learned this teacher was a looker and he had a secret crush on her.
I think I am now seeing the culo as a goal list - you know how they say put your dreams on paper in the form of a postive worded goal and look at it often which promotes your working toward the goal. Sorta fits what this list is becoming I think.
Ginny I believe most have actually finished reading the book and are simply savouring it as we section the book for more in-depth understanding, looking beneath the surface, as we find things especially meaningful, that resonate and lead to our personally making connections between our head and heart.
Just the last few chapters, Renato's trip to Rome, is all that we will probably focus a few more questions and then a wrap.
Alf made her wrap a long way back and saw Renato as being renewed as in a Baptism of water. I am looking forward to reading what everyone saw as the critical lesson or event.
I really need to share a bit about the responsiblity bit. Until I read this it never occured to me how much carrying out responsiblity could affect others.
Example, we have a sales meeting on Tuesday morning that I really was not faithful in attending. I thought them boring and a waste of time. It never occured to me that my attendence would make Venessa feel more successful and I would be establishing a closer bond with the others in the office. That others having the same attitude as I about the meetings some would notice I was in attendence and they would start feeling like supporting the meetings, on and on. In time this would lead to an office of higher morale which ultimatly affects all our morale. Work is more fun when morale is high and we are more successful when morale is high. And so, my attending these meeting affects my moral, my success, other's morale and success and our office's morale and success.
In affect when we carry out responsibility we are giving to others and receiving from others as Renato says on page 322, "I've been trying to give something to them...the way I give water to their houses...look at what these people have given to me."
YiLi Lin
March 14, 2001 - 10:00 am
Nellie and Barbara- I think you are both exploring the "I am You- You are Me" so whether one accepts onself or society (others) we are all interconnected and so "one can only accept".
Barbara St. Aubrey
March 14, 2001 - 11:14 am
Yes, Yili Lin - for me it is just sorting out how to accept when certain behavior by some is so damaging - I question if punishment is appropriate - oh dear this could be a discussion of its own -
Betty you must be delighted today - it is raining again!
Jeff, today I plan on finding the bit about questions and answers.
Nellie everytime I think about your walk it sounds so exatic - a Basilica, a home for those of Ukrainian descent and choosing fresh foods daily.
Hee hee I guess I have some Duncan ways - last evening I thought I needed to treat myself. I've been working incredable hours. So I stopped to eat at a Korean resturant in my area and even splurged ordering some Duck with vegtables on steamed rice. And then I drove over to Borders, since they have a video section of classic music.
Well did I ever luck out. Murray Perahia has 3 videos of the 5 Beethoven Piano Concertos. I have 2 of the tapes and had ordered the 3rd but was told it was no longer available. There it was - Concertos Nos. 2 and 4 on sale for only 9.95 - stayed up too late watching and listening - these 2 concertos seem less than the other 3 but now I can enjoy all 5!
And yes, true to Duncan I have books piled all over as well as, in what were empty drawers, closet shelves - my hutch is full of books rather than china - books and more books.
Nellie Vrolyk
March 14, 2001 - 02:26 pm
very quickly today: Barbara, yes the Basilica does have a dome. That golden dome is always a sign of home to me, for when I see it I know my home is not far away. The senior's residence belongs with the Basilica. I will often see one of the priests going to the residence to bring communion to those who are unable to leave their apartment. They also have a house kitty corner from the senior's home in which three old nuns reside.
betty gregory
March 14, 2001 - 08:20 pm
Hmmm. Glorious rain.
Barbara St. Aubrey
March 15, 2001 - 02:42 am
Cats, kitty cornered, walks, rain, I am you, the past is always present, change, spring, culo, all swirled in my head today. Something in me said, a break from high emotions, legal particulars, initialed paper work, updating surveys, rotted facia, termite damage and bottom line costs. I cryed 'uncle' today, and this is what I worked on - hope y'all enjoy it -
Servent to the Crystal and Jade Mansion.
-
When will the river awaken spring thaw?
I ask the crystal moon,
Pussy willows gleam gold near sun's turning sky
In the softness of their budding lore
Still along the frozen creek
Promise of spring release these stalks
Swaying dust, yellow catkins sigh.
When will I wash my mother's glass vase?
I dance with moon-lit shadow,
My willow fluff hears pipes of pan
Veil yesterday's coffee stain, an antique vase,
Boots all muddy, socks soaked,
A child snaps a branch, a frog croaked
At the lake, promise in my daughter's hand.
Hats
March 15, 2001 - 08:10 am
Barbara, did you write that? It is beautiful.
I love Pussy Willows. I have not seen any yet. There are white Dogwoods blooming all around us. I have not seen any pink ones. Do they bloom later?
HATS
betty gregory
March 15, 2001 - 10:50 am
That is exquisite, Barbara! My goodness!
betty
YiLi Lin
March 16, 2001 - 06:11 pm
aah certain behaviors so damaging, i'm still not good at it but i at least now take the time to wonder why i believe i must intervene in a non-good of others- to make it right? just to announce it is a non-good? when in reality it just is....anyway that is something i caught early on about renato- no matter how he saw other characters and events, though his daughter said to just accept- he did not seem (to me) to need to announce right or wrong nor enact retribution. even his going to rome did not appear to be motivated by a need to right a wrong, the act itself was just in the overall scheme of things.
think that is one of the important things the book teaches- whether on purpose or not- perhaps what we see in the town and its people is a rather nonjudgemental atmosphere- even the hustling, and sometimes pouty or irritable personalities, etc. do not seem to be judging- ?
Barbara St. Aubrey
March 17, 2001 - 12:50 am
Yili Lin I wonder if his not needing to right a wrong but, just act on his dream, as we today often say our intuition, is that the act of Faith that is his feather allowing the wind to lift him higher.
Barbara St. Aubrey
March 17, 2001 - 12:58 am
Ah yes... and this is where Jeff, I must ask - while writing the book did you have any aha moments. Not the aha's that may have come as you researched for the book or as you met and learned more about the real people you touched and that became part of this story but, was there any personal light bulb moments while you actually wrote out the story?
YiLi Lin
March 17, 2001 - 07:10 pm
...The star shoots past in the sky and you haven't found the words yet to say your wish, and in a minute the star is gone and you haven't asked for anything. p. 308
Later in life I learned that the universe does not read minds- you must ask for something then just a scooch past 'later in life'- I learned you must know what you want in order to ask for it- and only recently I learned that it is also important to know why you want it
What did Renato want? Seems he spent a lot of time creating a wish list for others, is he a man without wants, thus missing that shooting star; or has he not figured it out yet?
Barbara St. Aubrey
March 17, 2001 - 09:11 pm
Yili Lin I love your using color in your post - I wonder if on this St. Pats day you are saying something with the green and red/orange??
Your comment on asking prompted me to realize - Who knows how different my life would be if I had asked before the stars were gone - I was a well trained child that learned not to ask for things. Before WW2 life seemed always on the brink but the family pride seemed to be centered in not asking.
Asking is still a rather truamatic experience for me in which I go through mental arguments that usually start with: Domine, non sum dignus, ut intres sub tectum meum: sed tantum dic verbo, et sanabitur anima mea.
I've re-read and I think the climax was intended to be when Renato steps in the puddle and saw the reflection of his own hand. He realizes the words on the list were written in him.
And yet for me the more powerful climax was when the Pope tripped and fell against Renato. Renato face to face sees the Pope as a vulnerable old man that others just ask of him but seldom give to him. It is at that moment that Renato sees his own self-empowerment. He does not have to look to this great powerful figure as the one who could change his luck. He even gives to this powerful man a small treasure. We all have small treasures that we can give.
I have never been to Rome but when I saw the photos of the Basilica that are included in the link above, Renato's Tuscany, I thought how could anyone even think, dwarfed is such grandeur, such magnificence. The sheer size must make a mere human feel breathless. This to me is the symbol of the great power we give to those we think have an inside line to the power capable of changing luck or interceding with God.
The equality reflected in a tripping Pope cushioned by Renato seemed to me to be the climex to the quest. To really understand what it means to be, as we learned as Catholics, "The body of Christ." That no priest or representative of God is more powerfully able than we are powerful. That within we have the knowledge and understanding of our luck if we would only listen, have Faith, trust.
That understanding was for me the coming together of Renato's quest. The reflective puddle and his realization that the list was within seemed secondary.
Jeff Shapiro
March 18, 2001 - 03:33 am
Ciao!
I'll steal a few moments (from work on the new book!) to write down a thought or two. We seem to be approaching the final part of the book and I see that Barbara has once again posted some wonderful questions.
I had mentioned a while back that a certain passage toward the end of the book comments on questions and answers. Shall we take a minute to play with these ideas now?
Ginny, in her posting of March 10, picked up on the interplay of questions and answers. Questions aren't only the interrogatives put to us by other people, but are also the results of the search for understanding within ourselves. Especially in this regard, I would ask you all once again: Would you rather cling to a categorical answer or to an intriguing question?
My own observation is that, paradoxically, questions are often closer to what we might call "the truth" than are simplistic answers.
Most of life's big questions defy easy answers, but the process of wrestling with the questions can lead to more sensitive understanding.
An example: On Friday afternoons, I teach advanced English conversation courses at a language university here in Siena. Naturally my goal is to make students speak as much as possible, so I often try to introduce provocative topics. A few weeks ago I brought to class a list of themes from modern bioethics. The class discussed such questions as "How do you feel about genetic engineering? Artificial insemination? Cloning? Organ transplants? Human subjects in drug-research? The use of placebos in the process of drug-development? End-of-life care?" Here I think you'll find that easy answers tend to become shortsighted dogma. The questions, however, give rise to other questions, all leading toward, if nothing else, a deeper appreciation of the delicacy of the issues involved.
Throughout much of the book, Renato struggles with questions that don't have evident answers. The list he compiles is not so much a wish-list as a reminder to himself of questions that he considers to be of central importance. Many of the thoughts on the list clash with each other. "That things may change!" and "The ephemeral is beautiful" would suggest that change is a positive force in life. "In an instant, a lifetime disappears like a dream" implies that change can be painful. So what's the easy answer? Is change good or bad?
Jeff Shapiro
March 18, 2001 - 04:15 am
If I had to walk around with a list of phrases in my ass-pocket, I can think of several things said by other people that are of particular importance to me. Many of these point to the notion that "truth" refuses to be pinned down by definitions that are too one-sided. Some of these favorite quotations?
A great rabbi once said, "You should go through life with a slip of paper in each of your two front pockets. On one slip of paper there should be written 'For my sake the world was created.' On the other slip of paper there should be written 'I am nothing but dust and ashes.'" If taken together, these contradictory comments give a glimpse of an interesting truth. Take hold of only one slip of paper, throwing away the other, and you'll find you're holding on to a lie.
The cartoonist Jules Pfeiffer wrote a play (and I wish I could remember what it was called!). At the end of the play, a woman dancer turns to the audience and says, "Is life worth dancing about? Yes. No. Yes. No. Why do I keep on dancing? To celebrate the yes and celebrate the no."
The philosopher Soren Kierkegaard once said, "Real maturity is the recognition of the ambiguity of our accomplishments and of our failures." (I'm paraphrasing from memory here. Can't get my hands on the original source.)
The English philosopher Alfred North Whitehead said, "In formal logic a contradiction is the sign of defeat, but in the evolution of true knowledge it is the first step towards victory."
I remember listening to a talk given by a Korean Buddhist monk in Cambridge, MA, only some twenty-two years ago. He said to the group, "I ask you, 'Do you have a name?' If you say yes, I will hit you thirty times. If you say no, I will hit you thirty times. So now what are you going to do?"
How does this tie in with "Renato's Luck"? Have a look at page 323. Pondering the difficulty of reconciling the thoughts he has written down on his piece of paper, Renato enjoys a new little insight:
"Maybe it's the ambiguity itself, he thought, that gives life its taste." (The word "ambiguity" should be in italics, but I don't know how to do that in this message-posting space! I wish there were a way to put the word not only in italics but also in neon lights.)
The language of that sentence may not be especially beautiful; the thought the line contains, however, is dear to me. Ambiguity, according to the dictionary I use, means "the possibility of interpreting an expression in two or more distinct ways."
Ambiguity, paradox, and contradiction are by no means "bad." To the contrary.
Self-acceptance becomes easier when, instead of trying to eliminate all inner doubts and conflicts and unfulfilled yearnings, you embrace these troublesome traits as an integral part of yourself.
In terms of looking for a mental attitude that makes even the painfully contradictory parts of life more liveable, I would write down on my little slip of paper another favorite quotation (once again paraphrased, because unfortunately I don't have the original here in Italy with me). Jerome Lawrence and Robert E. Lee, in their play "Inherit the Wind," wrote, "When a man loses the power to laugh he loses the power to think straight."
Humor is incredibly important. Renato starts to get his head straight only when mentally he catches sight of himself standing in St Peter's Square. His reaction? He has a good laugh.
Compassion, too, is indispensable. Renato's thought, a bit higher up on page 323 -- "And he wasn't the only one torn apart by the clash of true thoughts, because Duncan was torn apart, too, as were most people, because we're all in the same navicella together, and people go through what most other people go through, as the voice of Cappelli reminded him: 'You are another I.'"
I'll stop here because I dread becoming preachy. Answers make me nervous! I feel far more at ease when grappling with questions.
Thought I'd throw in my two liras' worth.
Barbara, do any of these thoughts apply to your search for clear-cut answers to the question of what is good and what is bad? (Your poem, by the way, was unequivocably good, not bad. Brava!)
Much love, Jeff
YiLi Lin
March 18, 2001 - 09:35 am
Barbara you were also supposed to be impressed that i did bold! but the downside that red or orange was supposed to be dark green- i was in a tonal mode- can't figure out why it was red if i said color= dark green?,
Anyway after reading History:A Novel with you in the past, I will steer clear of basilica's, etc. As a child I too was conditioned never to ask- not because of WW2- a "girl" asking was selfish, plus in my youth when I noted I never got what I asked for anyway- I had this amazing urge to grow up very fast so I could master my own wants and rewards. Somehow I had a sense that the individual creates his wants and it was the individual who could get them (or not). Not bad looking back on it, if we take it out of the Horatio Alger context, the mindset did set me on a road where I did not blame others or hold grudges for things not received in this life.
In a way Renato realizing that the notes were "in him" is one of those aha moments- sorta DUH! after all if life is a perception or at least a translation by perceptions of the individual- then of course he would either translate or hear only those phrases that were necessarily a part of him (him as an I).
Oh Jeff, I would not have said yes or no to the monk's question, I would have just announced my name- what do you think? thirty lashes or I escaped?
ps why did ochre turn out blue?
Barbara St. Aubrey
March 18, 2001 - 11:19 am
Hee hee let me answer the easy one first Yili LIn the colors - the dark green needs to be written darkgreen and there is no ochra the closest would be blanchedalmond or peru or sandybrown or tan or wheat. The greens could be darkgreen - olive - forestgreen.
The basic 10 are aqua, black, blue, cyan, fushia, lime, magenta, red, white,white and yellow.
Netscape 2.0 and Explorer 2.0 will support aqua, black blue, fushia, gray lime, maroon,navy, olive, purple, red, silver, teal, white,white and yellow.. by the way I thing goldenrod is prettier.
there are 140 color names developed for the window system, but only 10 are a sure thing.
<i> is how a word is written in Italics - followed by </i> to stop the italics and in another set of instructions <font size="5"> we can enlarge letters - </font size="5">most browsers default at a size "3" and the largest size is "7"
Barbara St. Aubrey
March 18, 2001 - 12:53 pm
Ok now on the more serious notes that you Jeff enlarged upon.
The monk thing reminds me of the animal "push me - pull me" in that Rex Harrison movie that included the song
I talk to the Animals. What was the name of that movie? I wonder if there was a deeper message in that movie than I caught at the time. Talk about a great image of ambiguity. Seems to me the image was of a llama with two heads.
The problem I have with ambiguity is, it makes me feel frozen, no movement, my mind is then twirling with more facets of, the sometimes many sided approaches, to the question. Yes, I can see laughing at the conundrum but, it would always be there, under my skin, till I at least have it sorted out so that the behavior attached to the differing understandings could be explored.
The upshot for me is that I spend so much time in my head wrestling with these thoughts I can easily miss the wonders of the day. Or the biggie, not complete as much as I really want to accomplish. Many of the things in life I want to try seem to slide as my days roll into, what as a child I was labled, "day dreaming." Hmmm maybe my life was ment to be lived on a hillside with four sheep.
I really like your thought Jeff -
Self-acceptance becomes easier when, instead of trying to eliminate all inner doubts and conflicts and inner yearnings, you embrace these troublesome traits as an integral part of yourself.
Troublesome my goodness yes. I learned most folks quickly become inpatient with loose, winding questions and having these questions has never fit well with the high level action expected in order to "chop wood and carry water."
The other aspect, laughter, humor is something I do not adapt so quickly. Again today I can not think of the name of movies but the Italian move that won the oscar two years ago. It was about a Jewish man and his boy in the concentration camp. I can see now, not only the humar in face of the horrors experienced but, the amibiguity of each day and the overall comcept of what was happening. In some ways it was like looking in the mirrors at a fun house. How could this all be happening and then the laughter - the laughter when the uncles horse is painted and labled 'Jew,' when the childen were to be taught in school that a body shape could ID the correct race...
Looks like instead of relying on my heavy German genes that desires organization, I need to explore the tiny bit of Irish genes from my mother's family, that have been ellusively hidden in my brain and start to laugh with and at life. Hmmm for me to live with ambiguity is a tall order, scarry. Aha it would take faith and to me faith means trust - and that is where I trip and fall, the trust issue - shesh
I know this is me speaking about how these thoughts could relate to my life - well that is a big part of why I read - Jeff thanks for adding your thoughts in the posts - I didn't really see it clearly until you gave us your tutorial.
Did the real Renato get it that ambiguious questions were ok and part of his life?
Jeff Shapiro
March 19, 2001 - 04:33 am
Barbara, I noticed the way you posted the quotation on ambiguity. Neon, at last! You're a sweetheart.
Love, Jeff
Ginny
March 19, 2001 - 11:04 am
I have finally, reluctantly, finished my own
passeggiata through this wonderful book. It's a book you don't
want to finish, really, you want to linger along, taking your time, trying to figure out what is meant...
Nellie, I enjoyed your own version of your daily walk, and Barb, once again, the questions are out of this world and the poem was wonderful!!
Suddenly in this last part of the book a lot happens, a lot of ends are tied together, I actually got chills over the feather at St. Peter's, "It's a feather to fly on," the man said.
I thought the mention of Don Luigi actually diminished this moment, was perhaps unnecessary, however, because up to that point, Don Luigi had perhaps added one of the books more memorable...well... metaphors if you will, as they sat together on the church steps.
It's actually quite interesting to me that for a person who has not been to confession since he was a child and who was not a church person, Renato seems to find that the people in the book who seem to convey the most important concepts
are connected to the church? I'm not sure what that means.
On page 323 again we see, after the ambiguity paragraph, Renato's own realization that "Yes, what he lacked was faith."
Plot wise, I loved the fact that the town was saved, appreciated the fact that the symbol for Christianity was not explained initially altho it's pretty common, very much appreciated the Pope's explanation of the connection of the small boat to the Saint and the town, that was very nice.
I loved the humor in the "seminar on absurd anatomical perils" and "my sister's husband's cousin's son-in-law" (somebody knows my own in laws, I see, ahahahah)...
I don't know what was meant on page 270 by "I can't carburete..."
(By the way, who milked the goats while he was gone to Rome? He seemed to take care of everything else??)
I was surprised he walked from the Termini to Vatican City??!!?? Jeepers, quite the hike. I was entranced by the Via Della Conciliazione with St. Peter's Dome at the end because that's where I like to stay in Rome, right there on the Via Della Conciliazione in front of St. Peter's with its, as it was put so well in the book, outstretched arms.
I appreciated that it was a fig tree which rested at the grotto because of its appearance time and again in the Old and New Testaments. I wonder what signifigance it has? It's interesting to find it here, too, conncected in some way to the town, the saint's grotto, and Renato's own rebirth. Edit: I had originally had Jonah and the fig tree here but it was Jonah and the gourd! hahaha Need to get my figs and gourds straight!
I liked the way the LIST took on greater and greater proportions, that the whole town got involved, that it made the entire town one, all in the "boat" together, that's all very nice imagery....(You are another I)..and that because of it Renato could enjoy the luxury of "sipping" loneliness because he had so much togetherness to return to. Maybe that's why people enjoy NYC, it's overwhelming and you can momentarily enjoy the luxury of being alone and insignificant.
I liked the way the town built the tabernacle (interesting choice of word there, not shrine?) and that because of that action, maybe, maybe not, the dam stopped? Neat stuff?
I especially admired Renato's abandoning his silly hand on ass stance when reality struck, that was good, he thought for himself, he kept asking questions and trying to think his way thru. I liked that. And the list washed away.
But now can we say that he accomplished for the towns people (I know Tita decided to pick the grapes, but I have not had enough time to figure out HOW his list helped THEM all...by including her back in the life of the town, perhaps?) Duncan and Meg meeting over the farewell dinner, is THAT how the List accomplished its goal?
Need to think on that a bit, the issue of whether or not hoping and thinking as Renato did were enough, without having to do one hand shaking and the other one on his backside?? After all
he's the person who came up with the plan in the first place, the author of it, you might say. So this "author," in midstream, let the conception itself go off in a new direction (people asking to be on the list, people giving a farewell party, the Mayor giving the waterworks truck for Rome?)...so he's open and questing.
I liked the fact that the hand was not the Pope's, after all, and the ring was not his so that Renato has to keep on questing and thinking. If Renato was stuck with only answers at this point, he would have learned nothing.
(BTW, there's a grammar or spelling error on page 292, isn't there? "So what can you chose to do?")
So we come, at last, reluctantly, to the issue of the question and the answer. And what it means.
What if?
He looked at the list, and the lines were beatuiful in his eyes. What if this list had nothing to do with the pope? he asked himself. What if this list was meant for me? What if the dream sent me here to Rome only as a way for me to find this list? Coult this be the treasure shown to me in the dream?
What if a person stops asking questions and only relies on the answers? Then perhaps he doesn't find any treasures in this life? As long as you can keep the "what if" alive in your own life maybe you keep yourself alive.
Even in the midst of death?
Good book, several issues not covered at this point, want to hear what everybody else says. VERY good book.
ginny
Ginny
March 19, 2001 - 11:32 am
Barbara, you asked, "Ginny how would Maria Saverenia seem to you if she was a he? Would Mario Saverenia ..."
I actually did not make any connection between the Maria part, perhaps I should have! I was hung up on the Severina which seemed to me to suggest severe and wondering why that woman always had both of her names given at the same time? And why she was not on the List? And what it meant that she was not?
I don't see too much difference in Maria and Mario but maybe you've figured out something there which I haven't. I KNOW there's something else here that I need to figure out but, having just read it, I'm not far enough along yet.
Jeff asked, "Would you rather cling to a categorical answer or to an intriguing question? "
Depends on who is answering and who is asking? Depends on who the answer comes from and when it comes. Who has answers anyway?
I find it almost impossible to answer anybody on anything but I sure can ask questions (not as well as that, tho..that's a toughie!)....
I would say if it were I myself asking or answering, you would be a whole lot better off with the questions. ahahahah
ginny
ALF
March 19, 2001 - 12:09 pm
Jeff: I thank
you for your testimony of "life." Is this not
life, indeed? Ambiguity abounds! Isn't life
full of double entendres, dubiety and vague meanings? Each time I
ponder the absurdity of life I ultimately opt for humor in the discovery
of answers , as inconclusive and vexatious as they are. Renato
has that charm, too. You have that charm and I shall never view the
word "ambiguity" anywhere without thinking what a superb quest Renato
accomplished. Wonderful writing and very thought provoking insight.
Thank you.
Barbara St. Aubrey
March 19, 2001 - 01:52 pm
From that book I always refer -
An Illustrated Encyclopaedia of Traditional SymbolsFig, Fig Tee of Pipal - Life; peace; prosperity. The fig tree is sometimes the Tree of Knowledge and combines symbols of both the masculine and feminine priciples, the fig leaf being the male and the fig the female. The fig leaf depects lust and sex. The basket of figs is fertility and represents woman as goddess or mother. Christian Has been used in place of the apple in the Garden of Eden. Hebrew Peace; prosperity; plenty; a symbol of Isreal, with the vine.
Cave - A symbol of the universe, the world center; the heart; the place of union of the Self and the ego; the meeting place of the divine and the human. All dying gods and saviors are born in caves; inner esoteric knowledtge; that which is hidden; a place of initiation and the second birth. The sheltering aspec of Mother Earth. a place of burial and rebirth, of mystery, increse and renewal, from which man imerges and to which he returns at death in the stone sepulchre; the emergence of man associates the cave with the Cosmic Egg.
Initiation ceremonies most frequently took place in a cave as symbolic of the underworld and the sepulchre where death took place prior to rebirth and illumination. As a place of initiation is was also a secret place, the entrance was hidden from the profane by a labyninth or dangerous passage. Entering the cave is also re-entry into the womb of Mother Earth, as with cave burials.
Feather - Truth , which must rise; lightness; dryness; the heavens; speed; space; flight to other realms; the soul; the element of wind and air as opposed to the humid principel. Christian Contemplation; faith.
Ring - power; dignaty; sovereignty; strength; protection; delegated power; completion. The ring is equated with the personality and is also a binding symbol. The origin is not known but suggests the the revolving univers; the All. Christian Eternity; union; spiritual marriage to the Church. The sapphire denotes the office of
the cardinals.
Jewel - The heart; the sun and moon; light and heat; hidden treasure of knowledge and truth also transient riches. Garnet Devotion, loyalty, energy, grace. Ruby Royalty, dignity, zeal, power, love, passion, beauty, longevity, invulnerability. Sapphire Truth, heavenly virtues, celestial contemplation, chastity, apotropaic.
Hand - One of the most symbolically expressive members of the body. According to Aristotle the hand is the 'tool of tools,' that indicates joy, sorrow, hesitation, confession, penitence, measure, quantity, number and time. An Open Hand bounty, liberality, justice. Hebrew The hand of God is 'the right hand of the majesty on high.' Christian The power and might of God. The hand appearing from the cloud is the presence and power of God the Father.
Tabernacle Hebrew A world centre; the heart of the world; the cosmos; the Holy of Holies; the abode of the Shekinah.
- Does anyone know who is the Shekinah??
Barbara St. Aubrey
March 19, 2001 - 02:13 pm
aha found it
she-ki-nah noun A visible manifestation of the divine presence as described in Jewish theology. (shakchan, to dwell)
A great site that further explains
Shakinah and its use in the Bible.
SarahT
March 20, 2001 - 07:31 am
Jeff, I understand you will soon leave us to work on another novel, but please know that your presence here was a true gift. I finished the book awhile back now, but it really made the book come alive to continue to read your comments here. Will look forward to your next book with relish.
I had a couple of questions about aspects of the book: is it really that easy to see the Pope? I'm not even Catholic, but somehow Renato's experience made me think about going to the Vatican. Rick Steves, who does PBS' Travels in Europe program, just showed the Rome episode, but didn't mention attending the papal masses.
Also, still not clear on why Renato's mother in law is so bitter, especially since she is surrounded by such warm loving people. I always assume that bitterness begets bitterness, so I can't understand her.
Finally, is the real Renato as young as the book's Renato? Someone commented early on that Renato seemed older that he actually is - and I have always visualized the book's Renato as a much older man (probably because I'm Renato's age, and I don't have nearly as much wisdom!!!).
Thanks, once again, for the beautiful gift you have given us!
Hats
March 21, 2001 - 03:09 am
Sorry, I have gotten so far behind, but when I have the chance, I always read all of the posts because they inspire me.
First of all, this has been my first chance to be involved with an author in a discussion. I will never forget the experience. Thank you Barbara for bringing in Jeff Shapiro, and thank you Jeff Shapiro for coming. Jeff brought much enlightenment to the book. It was a joy to have his mother here too.
Barbara, the questions were unforgettable. Your questions brought me closer to understanding and accepting Jeff's answer,
"Questions are often closer to what we might call "the truth" than are simplistic answers."
Yes, questions leave me wondering and wondering. Without questions, the wonder of life would be gone. We would have all the answers. Perhaps, the moon and all of its planets are still magnificent because they are still a mystery. I never want the answers to all mysteries. Life might become pretty boring.
Like Ginny, Maria Severina left me wondering, not knowing. Ginny wondered "...Why was she not on the list?" I did not wonder about that until Ginny brought the question up. Then, I thought, oh yeah, why was her name not on the list?
Maybe she was too filled with her own anxieties to think of her needs or have questions about life. She did seem to be in a rut, and I do not think anyone could push her out of it. I guess we have to kind of want to push ourselves out of our ruts. Those ruts can be bitterness, apprehension, etc.
Sarah made me chuckle, but in all seriousness, I had her same thought.
"Im not even Catholic, but somehow Renato's experience made me think about going to the Vatican."
I will never look at the Vatican in the same way. I will always remember Renato. Maybe this is when a book has hit pay dirt. If a person, can always remember some part of it and add it to the remainder of their life.
THANKS AGAIN, JEFF SHAPIRO AND BARBARA.
betty gregory
March 21, 2001 - 09:31 am
I had been thinking this morning (on other things) how often we take for granted things that are most dear. So, coming in here, I want to specifically say to Barbara how much I appreciate her work (everywhere) to bring us background and history and context...and even Art!! (here and in Brothers K, just recently). How much that adds!!
And to Charlie, I want to say how much I appreciate his work to find authors to join us!! After this discussion especially, can we ever doubt how MUCH this enlarges and enhances our book discussions!! Having Jeff Shapiro be one of us was a wonderful experience for me, so thank you to Jeff and thank you to Charlie! (Don't do what I've done and take someone for granted...click on Charlie's name somewhere and email him how much we've enjoyed having Jeff!!)
betty
YiLi Lin
March 21, 2001 - 11:15 am
Are all these thank you's the end? I am hoping to get the LeCarre book in time to read with you all again soon.
Barbara- what more can I say- amazing.
Thanks jeff-
Hats
March 21, 2001 - 12:52 pm
Betty, I did not include Charlie. I would like to say THANK YOU to CHARLIE too.
HATS
Nellie Vrolyk
March 21, 2001 - 03:41 pm
I want to thank Jeff for writing this most enjoyable book and for spending the time with us in this discussion.
I want to thank Barbara for being such a gracious leader and for asking the sometimes tough questions in the heading. I'm still thinking over a number of them and have decided that the questions are better than any answers I could come up with.
I want to thank all those who participated for their thoughtful posts which I enjoyed reading.
Jeff Shapiro
March 22, 2001 - 09:45 am
Hello, everyone.
Please excuse me for not posting earlier. You've put forward many interesting questions that I've felt eager to answer.
Sarah mentioned Renato's age. When the real-life Renato took his trip to Rome, he was, I believe, only a year or two older than his fictional counterpart. Were you to have the pleasure of meeting the real-life man, I'm sure you'd agree that he is wise well beyond his years.
I shared in your surprise that access to the Pope was so easy. When Renato told me the story of how he went to Rome, attended mass, positioned himself near the door he figured the Pope would use to make his exit, and, amazingly, succeeded in shaking the Papal hand, I wondered if he was stretching the truth. Knowing him for some time, though, I have to say that I've never known to him to tell an untruth. Why not believe him in this case as well?
I was intrigued, too, by the question of whether or not the book's Renato managed to resolve the difficulties of everyone on his list. Good point. Keeping in mind that many entries on the list were expressions of some of life's insoluble paradoxes, I thought, while writing the book, that a "quick cure" for each and every character would have been overly artificial. If nothing else, Renato, upon his return to town, could offer his heartfelt participation in each character's quandary.
Many of you have asked why Maria Severina was so bitter. I got a kick out of this question and shared it with my wife Valeria. Valeria had just got back from the outdoor market day in Siena when I mentioned the question. "Tell your friends at SeniorNet," she replied, "to come to the market in Siena. They'll meet a thousand Maria Severinas, elbowing them in the ribs to cut ahead of them in line at the stalls."
There's one answer. I wanted to add another thought. I'm not even sure I would call Maria Severina "bitter." "Nasty," yes. At times. But "bitter" implies "embittered," and that word in turn implies the process of becoming bitter as the consequence of some circumstance. Maybe Maria Severina simply IS that way.
What does she represent to me? I see her as a woman entirely of this world. She lives in the unadorned, concrete practicality of work. Life, to her, means getting paid by her customers without getting screwed by anyone. Period.
She stands in contrast to the dreamier, more other-wordly aspects of Renato. Renato's perceptions move in a very natural manner past the physical to a kind of metaphysical appreciation. In Maria Severina's eyes, the physical world is the only world. Renato, therefore, appears to her as a mental time-waster.
Not everyone loves a dreamer. Some people in town, such as the banker, consider Renato a fool with his head in the clouds. I wanted to bring this disapproval as close to home as Renato's own family. Renato knows that not everyone shares his wavelength. Nevertheless, he carries on doing what he feels he should do.
(I'll backtrack a second to my mention of Valeria. When this discussion group was just getting started, I discussed with Barbara the possibility of putting together a link to a page called "Valeria's kitchen," including recipes. I think Valeria was a bit daunted by the prospect of writing that much stuff down in English. Yes, I would have given her a hand, and the recipes were something that she very much wanted to do. Unfortunately, her schedule turned as crazy as mine, what with her singing rehearsals and concerts, and she simply did not have the time. Please accept apologies from us both! I had sent Barbara a scan of my favorite photo of Valeria. She's holding wildflowers in front of the hilltop town where we have an apartment. I'm only sorry we didn't provide the chance to include that photo on this site!)
Many of your recent postings carry a good-bye message. Oh no! You've all contributed enormously. I feel enriched by the dialogue and, once again, am grateful to each of you for your participation. I'll miss this forum.
Personally I don't feel ready yet to say "addio," so let's leave it as "arrivederci" for now. I'll keep checking the posting daily and will undoubtedly post another message or two of my own.
Thank you all again.
Much love, Jeff
Nellie Vrolyk
March 22, 2001 - 02:59 pm
Jeff, I for one certainly don't want to say good-bye as yet. I'm thinking about the dreamers of the world and those who are the realists with both feet solidly on the ground. These two personalities seem to me to have a tendency to be at odds with each other, even to be somewhat combative.
In the book Renato, the dreamer, does not appear to have much of a liking for his mother-in-law Maria Severina, the realist and the feelings definitely go the other way as well.
It might be interesting to find out which of us thinks they are a dreamer and which a realist. Are you a dreamer or are you a realist? I am one of the dreamers.
Thinking now on the question about loneliness: sometimes I can be sitting as I am now at my computer conversing with others, and members of my family will be sitting in the same room, talking to me -my computer sits in the living room - the TV will be on providing another source of companionship...and yet there can be moments when I feel totally alone at that time. It makes me wonder if we perhaps tend to feel more lonely in a crowd?
Barbara St. Aubrey
March 22, 2001 - 03:48 pm
Thank goodness you are not abandoning us Jeff - because, like you, my life became very full and with all good intentions I expected to have a clickable page that included that very photo of Valeria along with the wonderful quotes from many of the posted messages.
Still plan on having clickables to the list of questions I still have after my crash. On one page I will Include Valeria's photo -
Jeff any chance Valeria would list what she would serve if a group of friends came over to discuss your book. NOT the recipe's just the name of the wine and what she would serve - tidbits or a dessert of whatever, if y'all really had a group of say 10 come and discuss the book either sitting in your garden or at your kitchen table.
We have so many books we want to read that after reading a book many of the participants want to get on with the next one. Some of us like to dwell longer on certain books than others and so we will have the site opened for awhile longer - probably till the end of the month and than it is archieved for posterity.
Jeff this has been so wonderful that I struggle to find the words that say it all - From the sound of your posts I think you may have enjoyed this as much as we did. We all feel loved by the attention you gave us.
I must say I am so glad you pointed out the bit about ambiguity - Here it was a crucial issue and I didn't pick up on it.
I have to laugh at your hee heeing as you read our discussing the merits of Maria Severina. I'm wracking my brain to note one shop keeper or resturant owner in Austin that could get away with her disposition and still be in business. And now to learn there are many Maria Severinas - oh my!
Nellie, oh do I recognize that feeling of being alone - drifting - sort of hearing others and yet not - I was labled such the day dreamer when I was a child. Having much ear surgery when I was a youngster they often thought I just hadn't heard. I must admit, like most kids, it was a handy excuse that allowed me to stay in my head rather than hoping to it. To tell the truth when what is going on in my head seems more interesting today, my family thinks I haven't heard them and I just inwardly shrug it off. I desided a long time ago that I need me. When we are together I cannot be at my grown family's beck and call all day long.
Thank you everyone for all your Kados - I loved this book long before I ever imagined we would have this chance to speak with Jeff. And so my attending this discussion was a real joy. I have learned so much more. I thought I had plumbed the book but I found because of Jeff's input and y'all's reactions there was more and more.
Y'alls posts were amazing - so many that had worthy quoteable thoughts that the possiblity of that clickable page that was going to include all these great quoteable lines become just too too much.
I think we are all so anxious to learn about your next book Jeff -
You have some anxious readers supporting you and wishing you the best as you write your next wonder for us.
We will have that lovely photo of Valeria and in addition, the earlier questions as clickables. So please stop by again.
Ginny
March 22, 2001 - 03:51 pm
Here is the very beautiful Valeria
Valeria with flowers I hope this is the photo Jeff was speaking of, am going to put it in the heading as well.
Oh don't you HATE to see him go? What an experience this has been, it's just been.....we have no words with which to thank you, Jeff. We're eternally in your debt, and it's been SUCH a wonderful experience for us: we've really learned a lot about so many things...consider yourself with a million new....family members! hahahaa
What's the Italian for "wait.... wait..." hahahaa
And Valeria sings, too, my goodness, many blessings in one, we would have loved to have had a recipe, but we can certainly understand schedules, and if you made US all write one in
Italian, well....
And YOU are writing a new book, and teaching, and somehow finding the time to talk to us, too. Hopefully you will be repaid for your goodness a million times over, I know that wherever you go from now on we'll be thinking of you positively, like Renato, you'll be carrying our positive hopes too. Seriously.
And yes,
Many many thanks, Jeff, Barbara and our Charlie, what a wonderful thing happened here! And Jeff, I"m hoping your mom will rejoin us here when she gets back from NYC (she KNOWS we have good taste! hahahaha)
Those ARE great questions in the heading aren't they? I regret that some of us, too, had scheduling problems and could not give this what it deserved (and still got a lot out of it!!) ....I really like that last one:
Did Renato's story bring you some personal learning - prompt you to make some changes in your life?
I think it did and I think I want to think about what that was and return , how about the rest of you??
ginny
Barbara St. Aubrey
March 29, 2001 - 12:35 am
Ok between us we finally have it all up in the heading - Ginny yes, let's leave Valeria's photo in the heading, as you suggested, rather than in one of the clickable pages.
We also now have as many of the earlier questions available to review that were still on my computer - just a few were lost.
I had wanted to sit on the ground and just feel the earth. The concept of being part of the earth would I think offer a sense of belonging. But, it has been so unseasonably cold and rainy that no way was I going to subject myself to that idea.
Now I can see Renato walking his sheep up the hill in the rain but I don't have a picture in my head of him sitting on the earth in the rain getting his ass all wet. I wonder if he takes the sheep out on the hill if it is covered in snow. I'm remembering Jeff, you said that it snowed in Tuscany.
This is quote I struggled with: "Wasn't it enough for destiny to reveal itself in its own good time, without people always having to understand why?" p. 334
I think I desided that for me asking "why" is so natural and if I am in pain it is a question filled with anguish. If I can see something in time that is a positive change or difference than the "why" doesn't matter. But, if the outcome is the dulling of the continued pain than the "why" goes on and on. Come to think of it the "why" isn't my question, "how" "how could that happen" "how did that happen" "what could I do differently" "what was I supposed to learn from all this" become my questions.
Oh to have the trust in the Tao or God or whatever to just let what is be and not feel that asking "why" is part of the exercise. My "why," "what" and "how" is like the junkie or drunk that does something, anything rather than be quiet and accept the pain.
Jeff Shapiro
March 29, 2001 - 08:43 am
Ciao di nuovo!
Thought I'd post a quick message to make a comment or two.
Yes, Ginny, that is exactly the right photo of Valeria. Thank you!
Barbara, I was very moved by your last posting. Your struggle with questions is so sincere. You are a lovely deep-feeling person. I am at a loss in knowing how to praise you adequately for the wonderful job you've done as discussion group leader. Bravissima!
Work proceeds on the next book. It, too, is set in Tuscany. It's at such a delicate stage of development right now that, almost superstitiously, I'm afraid to talk about it too much. (I promise, though, that you'll recognize many of the characters!) Once it feels sturdier, I'd be happy to tell you more about it. And once it's published, please count on me asking if you'd be interested in having a discussion group on that book, too.
This has been a wonderful, enriching experience. Heartfelt thanks to organizers and participants alike.
Baci ed abbracci!
Much love, Jeff