Poe Shadow, TheBy: Matthew Pearl Category: FICTION Guide Created By: Joan Pearson Discussion Leader(s): Joan Pearson Click here to visit the discussion
Guide DescriptionA first-rate tale of suspense, blending Edgar A. Poe's literary history with groundbreaking research and creative fiction based on Poe's detective, C. Auguste Dupin for starters.
Plot Synopsis"The public, the press, and even Poe's family and friends accept the conclusion that Poe was a second-rate writer who met a disgraceful end as a drunkard. Matthew Pearl has crossed a pitch-perfect literary history with innovative mystery to create a beautifully detailed, ingeniously plotted tale of suspense. Pearl's groundbreaking research - which uncovered material never published until now - opens a new window on the truth behind Poe's demise, literary history's most persistent enigma." Random House
Questions
Book I ~ October 9, 1849
1. Have you ever written to an author about his/her work as Quentin Clark wrote to Poe with his question about the lamplight in "The Raven"? Did you receive a reply?
2. Were there facts about Poe's life or death in M. Pearl's Book I that you question whether fact or fiction?
3. Quentin Clark observes that Poe becomes a friend to all who read him. Have you read any of Poe's work lately? Do you agree with Quentin?
4. Have you read Poe's Murders in the Rue Morgue? How would you describe C. Auguste Dupin's "ratiocination" method in solving the "unsolvable"?
5. Which facts about Poe's last days call for an explanation? Do you conclude as Quentin does that Poe's death was not meant for him, but for someone else? Do you suspect murder, then?
6. Poe distinguishes between men of genius and men of talent. Can you give an example of genius triumphing over talent? Will it take genius to solve the mystery surrounding Poe's last days?
7. Poe writes of the perverse Shadow within which prevails over the substance of what we know we know we should do. Do you agree the "Imp" within always prevails? Does this relate to M.Pearl's title, The Poe Shadow?
8. Does Quentin's family have good reason to be concerned about him? Do you think his "dangerous restlessness" would have been in evidence had Poe not died?
Book II ~ Paris
1. "I arrived at my first appointment in Paris by way of kidnapping." How is this dramatic opening statement explained in Book II? How many "kidnappings" did you spot?
2. If you've ever stayed in a Parisian hotel, can you explain why M.Pearl's description of foreign guests rings true? Do you think Matthew has travelled to Paris while writing this book? Why?
3. Who were the possible real-life models for Poe's Dupin on Quentin's short list? What makes him certain that he has chosen the right man in Auguste Duponte?
4. At what point does Quentin begin to believe that Duponte is listening to him and becoming interested in helping him solve the mystery of Poe's death?
5. Why does Baron Dupin go to such lengths to convince Quentin that he can solve the mystery surrounding Poe's death? How did he inadvertantly convince Auguste Duponte to finally agree to go to America? Was it through ratiocination that Duponte decided to go?
6. Puzzle solvers, do you care to guess what Poe had in mind with the false name, E.S.T. Grey, Esqre, he asked his former mother-in- law to use when corresponding with him in Pennsylvania? Why would he be so concerned about hiding his identity in the days before his death?
7. Was it somewhat contrived that a bootblack would read the article obviously planted by Baron Claude Dupin, while shining Quentin's boots? Is this sort of coincidence present in Poe's writing in the Dupin Tales?
8. Did you notice how Quentin defined "ratiocination" to the steward as he explained how he knew there was an armed stowaway on board the ship? How did Duponte figure this one out?
Did he suspect a connection between the stowaway and Bonaparte Dupin?
Book III ~ Baltimore 1851
1. "Ratiocination - a deliberate calculated reasoning through the imagination and spirit - not interchangeable with mere calculus or logic." Do you find Quentin's expanded definition of "rationcination" at the beginning of Book III an aid in understanding the rather amazing deductions in this novel and also in Poe's Murders in Rue Morgue?
2. What were some of the changes that took place in Baltimore during the season Quentin was away? How did these changes contribute to the restlessness Quentin now finds? Were the unhappy slaves at Glen Eliza indicative of the problem?
3. Is there really such a term as a bonjourier? Did Bonjour actually commit murder? Where would Bonjour or any runaway slave go? Why does she tell Quentin she prefers resolving Poe's death to murdering him? Is this a warning?
4. What motivates Baron Dupin to go to such extremes to create interest in Poe's work and his death? Can there be enough monetary reward to pay for all of his expenses? Was there really a character like Claude Dupin who was responsible for popularizing Poe's work in America, since interest wasn't high at his death?
5. "You have a quixotic sense of the honorable, Brother Quentin." Does this term, "quixotic fit Quentin's quest to clear Poe's name? What motivation consumes his life?
6. When did you first suspect the identity of the Poe enthusiast in the reading room? Did you know before he took off his disguise? How did Duponte know who he was?
7. The "Poe enthusiast" expresses the opinion there is no better prose in the world than Poe's "The Gold Bug" . Quentin replies: "Only the
"The Descent into the Maelstrom"" These are both links to the electronic texts. Would you agree with Quentin (Matthew Pearl)?
8. Were you at all surprised at Duponte's promise not to question any of the witnesses from Poe's last days in Baltimore? What sort of information did he elicit from the doorkeeper of the rooms adjacent to the firehouse regarding Dupin's questioning? How does this information tie in with what is known of Poe's last days?
Book IV ~ Phantoms Chased for Evermore
1. Why do you think these particular lines of Poe were selected for the title of Book IV? Do you expect elusive Phantom will ever be seized? How many phantoms can you spot in these chapters?
2. How is it possible for the Baron to effectively alter his appearance to resemble Duponte? Have you read the third of Poe's Murders of the Rue Morgue series? There is an example of this same sort of metamorphosis in the Purloined Letter.
3. How are the practices of the slave trade interwoven into this story?
Are you familiar with the term, manumitting? Do you see a parallel between Poe and Quentin and their views on slavery and treatment of slaves as individuals?
4. What do we learn of the mourners who paid last respects to Poe?
5. How did Duponte arrive at his conclusion that Poe was intolerant to alcohol, but not intemperate? Is this precisely the the sort of thing that proves he is the true C. Auguste Duponte model? Why does Quentin begin to doubt him? Has the Baron done anything convincing to prove he is the real Dupin?
6. Are young Benson's vagueries and warnings cause for suspicion? Does his obsession with Poe sound exactly like Quentin's, maybe too much so?
7. How does the history of Duponte and Dupin in Paris influence their rivalry here in Baltimore? Why should hearing this story cause Quentin to fear Duponte?
8. A real cliffhanger ending to Book IV - Duponte's grand revelation of Poe's demise, superceded by Dupin, Quentin's desparate, though ineffective attempt to stop him! Who has succeeded in bringing the house down?
Book V ~ The Flood
1. Do you see the title of this last book as more than the water that opened up the prison wall to allow Quentin's escape, but perhaps symbolic of his release from the confines of his own solitude? Has his solitude been the prison that has led to his obsession? Do you see other "floods" in these last chapters?
2. What are the heartbreaking discoveries that led Quentin to conclude that Poe invented C. Auguste Dupin and Duponte is nothing but a fraud?
3. "Only through observing that which is mistaken can we come to the truth." How does the realization of his personal misperceptions enable Quentin to take charge of his life and ultimately save himself?
4. What was the connection between Louis Napoleon's coup and Baron Dupin's murder? Did all those Bonapartes really live in Baltimore at one time?
5. Is it noteworthy that Edwin Hawkins is the one who comes to Quentin's aid whenever he is in an impossible situation? Why does Edwin Hawkins risk all for Quentin? Why doesn't Hope Slatter press charges and take him back into slavery when he has the chance?
6. What is the only way Quentin thinks he can prove he is not mentally incompetent to look after the Clark family fortune and prove himself worthy of Hattie? At what point does he realize the error in his thinking?
7. "To guess is one of the most elevated powers of the human mind and more interesting than reasoning because it comes from the imagination." But isn't this what the Baron had done with the information he had gathered?
8. Does Quentin conclude on his own that the Baron's version of the circumstances of Poe's death is believable but not true? Does Duponte ever admit that he is not Poe's Dupin? Do you believe that he is?
9. Do you believe that Duponte has responded to the mysteries surrounding Poe's death as he reveals the errors in the Baron's version one by one? Has he solved the mystery simply by proving there was nothing extraordinary or mysterious about Poe's last days?
10. Would you say the Substance or the Shadow prevailed as Quentin faced the choice between the Baron's version that seemed true and would be believed and Duponte's truthful explanation, which would put that man's future and may have further damaged Poe's reputation?
Does Quentin's decision not to reveal information on Poe's death indicate that his obsession with Poe has ended? What would you have done with the new information?
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Interesting InformationMatthew Pearl's website// The Raven Illustrated // Poe's correspondence // "Secret Chapters" 1 - Paris (Rose Acton Murder) // "Secret Chapters 2" - (The Humboldt Incident) // "Secret Chapters 3" - (The Reynolds Question) // Edgar Allan Poe Society of Baltimore
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