The Fall of Phaethon by Sebastiano Ricci, 1703-04, Belluno
---http://ovid.lib.virginia.edu/trans/Metamorph.htm#488381088---Translated by A.S. Kline...(This one has its own built in clickable dictionary)...---http://classics.mit.edu /Ovid/metam.html...---Translated by Sir Samuel Garth, John Dryden, et al
---- http://www.theoi.com/Text/OvidMetamorphoses1.html----Translated by Brookes More
Family Tree of the Gods and Goddesses of Greece and Rome:
-------http://www.talesbeyondbelief.com/roman-gods/roman-gods-family-tree.htm
-------http://www.talesbeyondbelief.com/greek-gods-mythology/greek-gods-family-tree.htm
For Your Consideration:
“Week” Four: Phaethon!
Bk I:747-764 Phaethon’s parentage
Bk I:765-779 Phaethon sets out for the Palace of the Sun
Bk II:1-30 The Palace of the Sun
Bk II:31-48 Phaethon and his father
What Do You Think?
1. Are there any themes which appear in the beginning of the Phaethon story while it's still in Book I which could happen today?
2. Why is Clymene angry?
3. Ovid's description of the Palace of the Sun God is considered an ekphrasis (or ecphrasis) a long detailed description which stands as a symbol or allegory for something else. What do you think it might stand for?
4. We in 2016 do a lot of things better than past ages. But what do they do better? the sense of wonder? Have we seen too many beautiful palaces in bad movies to be able to see them any more? (Joan K)
5. How many Universal themes can we see in the story of Phaethon which are alive and well today?
6. According to W.S. Anderson the Phaethon story contains is a "folktale motif of the 'fatal gift.'" Who do you fault most in the giving of this gift, Apollo who sees all or Phaethon? If Apollo is all seeing and all knowing and is the god of prophesy on top of it, how do you explain his mistake in giving the chariot?
Former Questions, Still up for Grabs:
1. What to you is the saddest thing in the Io story?
2. This story is full of beautiful descriptions. Which lines particularly struck you? Do they interfere with the plot line?
3. What effect do the flashback elements and the interruption of the Pan and Syrinx have on the reader's feelings for Io?
4. What would you say is the tone of the Io story?
5. This is quite a story, it has two metamorphoses and two aetiological myths in it. Which one is the most important?
6. What might Io's struggles to communicate symbolize in our own time?
7. Who actually has the last word in this section?
8. What's your impression of Io's father?
9. If you had to choose between being Io or Daphne, which one would you choose? Why?
Thank you, Pat.