Good morning everyone - it's a fabulous day here and I will soon be heading out into the sunshine - but first, Virginia.
I've read the second chapter of A Room of One's Own twice in the last 24 hours. One thing I learned, though not exactly from Mrs W, is that if I read something with no real plot in the warm and soporific afternoon, I take hardly anything in and find myself drifting, whereas reading the very same thing at 7.30am was a much easier and more positive experience. I could read my novel at 3 pm yesterday, no trouble, but Viginia's languid prose just did not hold me.
Well - thoughts?
I think she makes good points about men - especially men at the time of writing. Many (then - and some now) do need the little woman at home to bolster their self-importance, and feel uncomfortable and insecure - threatened even - if she has opinions of her own. And it's a good point in general - because these days it's not just men, I fear. So many people need to feel superior. I have only to look at the current Westminster government for numerous examples. These are, largely, men who went to Eton, the most famous public school in the country. From there most of them went to the same colleges as their fathers and grandfathers, mainly at Oxford but some at Cambridge. The main thing they learn from an early age - especially, I think, at Eton - is that they are superior to everyone else. They form part of an elite club, and in England they remain within that club all their lives - Eton, Oxford, the City or Parliament. Their families are some of the wealthiest in the land - but it's not just any old money. People who have made a fortune relatively recently will never be admitted to that inner circle of power and arrogance. It needs to be Old Money. (Scotland has by and large turned her back on all of this, and it makes Westminster very, very angry.)
And surely never were truer words spoken than:
'they say to themselves as they go into the room, I am the superior of half the people here, and it thus that they speak with that self-confidence, that self-assurance, which have had such profound consequences in public life...'
And this leads to another of Virginia's themes. A woman with no money, dependent on the condescending good will of others with more of it, is never free. She must grovel, she must accept insults and slights with a fixed smile upon her face. The moment that woman has enough to live on - as in the lucky woman described by VW - she not only no longer has to bow and scrape, she can at last have opinions of her own. I think that is a really important point about women and men. My mother's family, men and women, were too scared all their lives to do anything but conform. They saw life as precarious and frightening.
Now I am not for one minute comparing myself to an impecunious woman who has to be the companion of some cantankerous, rich old lady, but I remember when I first returned to work as a lawyer simply to pay the school fees so that my traumatised youngest child could leave the damaging school she was in and switch to a kinder one. The woman - for yes, it was a woman, a wealthy one - who was in charge of me was one of the worst managers I have ever had. She routinely humiliated me, was extremely unpleasant if I arrived 5 minutes late (having had to take children to school), even though no one was waiting for me and I usually stayed at least 30 minutes later in the afternoons, never supported me in front of clients and was altogether horrible. I had no choice but to grovel, accept whatever was thrown at me, and generally cow-tow to this stupid woman, whose knowledge of law was weak and rudimentary to say the least, but who had all the power because she had private money. (I eventually got a better job with decent employers. It was a revelation!)
There was a brief, shining, period in the second half of the last century when higher education was free in the UK. I and my generation benefitted. Now that has all gone, and we are back to huge student loans and debts. People quite understandably don't want to get into all of that (and their families, who may well never have had a member at university, will be terrified of the consequences.) Even if the very rich suddenly lose their money, they see debt as a minor hazard along the way - the 'details' in which our own Prime Minister is famously proud to confess no interest whatsoever. They are not scared.
I don't really enjoy VW's meandering style, but I think every word of it is probably intended to add to the points she wants to make. All that wandering about in the halls of the British Museum - everything she sees there is for and by men. She describes the man sitting next to her as someone who must have had the benefit of an education, one that she was denied because of her sex. She goes out to lunch and examines the headlines in the early paper; they offer indubitable proof that all the power, at least in the 1920s, rests with men.
I like the way in which VW explains that once she has realised that men's antipathy towards women stems from their own fear and insecurity, she is no longer angry about their ridiculous outpourings. On the other hand, we could surely say the same about the numerous people in this country who hate and villify refugees, asylum seekers and immigrants in general, but I don't think we can stop being angry about that, no matter how clearly we can see why they have these attitudes.
That is as far as my thoughts have taken me. I will perhaps think more about this when I am out walking (although I have a very good drama to listen to, Meet Me At The Museum by Anne Youngson. In 1964 the curator of the Silkeborg Museum in Denmark dedicates his book The Bog People to a group of schoolgirls who had written to him about his discoveries. Fifty years later, one of those girls, Tina, - now a farmer's wife - writes to him about the plan she and her best friend Bella had to visit Denmark and see the Tollund Man. The curator is long dead, but the new curator, Anders Larsen, replies to her letter. A correspondence ensues, in which Tina explains why the trip was never made, and they both gradually open up about their lives. As the webpage says:
'Their unexpected correspondence becomes a shared meditation on love, loss, life choices made and the opportunity to make new and different ones.'
The wonderful Tamsin Greig plays Tina, and the equally wonderful, and sadly recently deceased, Paul Ritter, plays Anders.